Kakos: badness and anti-value in classical antiquity

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Boston: Brill (2008)
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"The fourth in a series that explores cultural and ethical values in Classical Antiquity, this volume examines the negative foils, the anti-values, against ...

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BD232.K26 2008

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9789004166240   9004166246

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Chapters

Omnis malignitas est virtuti contraria: Malignitas as a Term of Aesthetic Evaluation from Horace to Tacitus' Dialogus de Oratoribus.Christopher S. van den Berg
Entomology, Scatology, and the Discourse of Abuse.  (pages 83--117)D. Steiner
Kakia in Aristotle.  (pages 233-254)J. J. Mulhern
The Disgrace of Matter in Ancient Aesthetics.  (pages 283--317)James Porter
'Bad'language in Aristophanes.  (pages 307--119)Ian C. Storey
Badness and intentionality.  (pages 307--143)In Aristophanes & Ralph M. Rosen
Badness and intentionality in aristophanes'frogs.  (pages 307--143)Ralph M. Rosen
Beetle tracks: Entomology, scatology and the discourse of abuse.  (pages 307--83)Deborah Steiner
Chapter eighteen.  (pages 307--477)O. F. A.‘Bad’Emperor
Chapter three ugliness and value in the life of aesop.  (pages 307--59)Jeremy B. Lefkowitz
Generic ethics and the problem of badness in pindar.  (pages 307--29)Kathryn Morgan
Imagining bad citizenship in classical athens: Aristophanes'ecclesia^ usae 730-876.  (pages 307--169)Matthew R. Christ
Pathos phaulon: Aristotle and the rhetoric of phthonos.  (pages 307--255)Ed Sanders
The bad boyfriend, the flatterer and the sykophant: related forms of the kakos in democratic Athens.  (pages 307--185)Nick Fisher
The mind of an ass and the impudence of a dog': A Scholar gone bad.  (pages 307--335)Cynthia Damon
The representation and role of badness in seneca's moral teaching: A case from the xaturales quaestiones (jvq 1.16).  (pages 307--433)Florence Limburg
With malice aforethought: The ethics of malitia on stage and at law.  (pages 307--319)Elaine Fantham
Chapter thirteen.  (pages 335)A. Scholar Gone Bad
Chapter fifteen.  (pages 399)Omnis Malignitas Est Virtuti Contraria
Chapter seventeen.  (pages 451)Monster Nature’S. & In Seneca’S.

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