The eternally and uniquely beautiful: Dionysius the Areopagite’s understanding of the divine beauty

International Journal of Philosophy and Theology 75 (3):188-204 (2014)
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Abstract

The famous and mysterious fifth century author, who wrote his works known as the Corpus Dionysiacum under the pseudonym of Dionysius the Areopagite, is one of the most controversial characters in the history of philosophy. His thought is well known for the concepts of apophatic and cataphatic theologies and hierarchy, as well as for his understanding of eros, beauty, and deification, which all greatly influenced the Areopagite’s posterity. His system is a successful amalgam of ancient philosophy and Christian doctrines. The aim of this article is to examine one of these concepts, namely beauty, which will help in understanding Dionysius ’ aesthetics in its original terms, as well as in its connections to Neoplatonism. Concretely, the article focuses on the conception of the divine beauty, and is therefore articulated through two sections, which deal with beauty as an attribute of God, and the famous pair of good and beautiful.

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Pseudo-dionysius the areopagite.Mark Lamarre - 2001 - Internet Encyclopedia of Philosophy.

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Filip Ivanovic
Center for Hellenic Studies

Citations of this work

3 The Art of Excess as a Medieval Aesthetic.Lisa Mahoney - 2020 - In Andrew LaZella & Richard A. Lee, The Edinburgh Critical History of Middle Ages and Renaissance Philosophy. Edinburgh: Edinburgh University Press. pp. 58-73.

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References found in this work

The republic.Paul Plato & Shorey - 2000 - New York: Cambridge University Press. Edited by G. R. F. Ferrari & Tom Griffith.
Proclus' Commentary on Plato's Parmenides. Proclus - 1987 - Princeton, N.J.: Princeton University Press. Edited by Glenn R. Morrow & John M. Dillon.
Aquinas on the Divine Ideas as Exemplar Causes.Gregory T. Doolan - 2008 - Washington D.C.: The Catholic University of America Press.

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