Abstract

The performative turn in aesthetics is paralleled by a similar transformation in the epistemology of geography with the rise of the so-called non-representational theory. This paper focuses on the connection between non-representational geography and the morphological approaches to landscape elaborated by Humboldt in the XIX century and Carl Sauer in the XX century. At stake there is the possibility to establish a virtuous relationship between aesthetics and geographical knowledge, which have often been separated despite their indisputable kinships and liaison points.