Abstract

This article aims to show how Scarlett Marton, in Nietzsche, Philosopher of Suspicion, dismantles the disparaging images attached to Nietzschean philosophy – ranging from irrationalism to antisemitism – that have been perpetuated throughout the history of its reception. To do so, it takes up the central aspects of this philosophy, according to the author - namely, the philosophy of noon, Dionysian philosophy, and experimentalism – as means of challenging such images.