Crazy Crossover Phan Phic Double Feature!
Havent wanked a bad phan phic in AAAAAAAAGES, so heres 2 for the price of one!
The first one is a horrendous Jekyll & Hyde/POTO crossover full of all those great Phantommy elements - Christine bots, dwarves and homoerotic lust.
The 2nd is an insane Les Mis crossover with Erik doing the timewarp again to meet an incontinent Eponine. Enjoy!
PS Sorry if my deleted words dont show up. I did it in MS Word and it totally fails at converting to LJ format, so I have had to go through this mess manually to try and re-add my comments. Probably missed a bunch, but never mind.
CROSSOVER 1 - Jekyll and Hyde
It was nothing but a perfectly ordinary day. YAY FOR GRIPPING OPENING LINES! Erik was idly walking up and down the corridors by the dressing rooms, knowing no one would be here at this time of night, after all the performers had gone home. He'd been in Christine's room for a while, verifying that the CHRISTINE FEMBOT behind the mirror still worked. It wouldn't do to have his plan go awry when HIS POLYTHENE PAL refused to cooperate. But, really, after that was done, he didn't have much of a reason to be down by the dressing rooms. So now he was simply strolling around, making sure nothing was going terribly wrong.
The darkened halls were silent, his quiet FLATULENCE PROBLEM barely making a sound. He glanced into one or two of the larger communal dressing rooms for dancers and chorus singers, stopping to pick up a forgotten TAMPON. He twirled it in his fingers briefly before pocketing it and was about to continue on when he heard footsteps around the corner. Suddenly a rather nervous-looking man came barreling into the hall, clutching a BARREL.
"Bernadette!" he called out, A HILBILLY accent obvious in his voice. "Bernadette, you left your EIGHTEEN YOUNG UN’S IN THE BARREL AGAIN, YOU COTTON PICKIN…" he trailed off when he saw the empty, darkened hall. "She's already left, hasn't she? WELL FRY MAH HIDE. I suppose I could leave this in her dressing room…"
"Yes, your friend is gone YOU DISGUSTING INBRED HICK. Nearly everyone is gone at this time of night. I would have expected you to be gone as well."
The nervous man SQUEELED LIKE A PIG at the sound of Erik's voice, dropping the BARREL in his surprise. He quickly scrambled to retrieve the YOUNG UNS, calling out, "Who's there? I'm not doing anything wrong. THERE AINT NO LAW AGAINST CHICKEN MOLESTERING IN THESE HERE PARTS, AND I just… one of the singers left this backstage and I thought she might want it. I had hoped to catch her before she left."
Erik, deciding this might be something to WASTE MORE TIME THAT WOULD OTHERWISE BE SPENT IDLY WALKING UP AND DOWN THE EMPTY CORRIDORS with, stepped into the half-light coming in from the still-lit JOINT PROTRUDING FROM THE HILLBILLYS TOOTHLESS MOUTH. The other man dropped the BARREL once more and SQUEELED quite a bit at the sight of the intimidating dark figure.
“SQUEEEEEL PIGGY!”
"Who are you?" Erik asked, cutting off the man's THUMB WITH HIS CIGAR CUTTER, BUT THE INBRED HICK DIDNT MIND BECAUSE HE HAD 3 THUMBS ANYWAY.
"I… I'm Henry. Henry Jekyll. I, well I don't work here, but I help out sometimes. It… gives me something to do, I suppose, BECAUSE I GET SO BORED WITH MY BUSY MEDICAL PRACTISE AND DOING EXPERIMENTS INTO THE NATURE OF MAN AND HELPING LITTLE GIRLS WALK AGAIN AT THE LOCAL HOSPITAL, I’M JUST SOOO BORED THESE DAYS. OH, ER... SQUEEEL! ."
"Why are you here?"
"Here in the Opera House, here in Paris, or here in this hallway? ((LOL)) I'm sorry, but you weren't very specific."
"All of them, YOU DIRTY PIG FONDLER."
"Oh… all right, then. I, well, I explained why I'm at the Opera House, and I explained about the BARREL. I… I'm in Paris because… I, I needed… a change of CLOTHES, I’M LOOKIN’ FOR A NICE TAFETA BALLGOWN. I'm on a holiday, of sorts."
"I see. Do you often go sneaking about the Opera House at night?"
(( HELLO KETTLE. I’M THE POT. YOUR BLACK! ))
"No, almost never. I… just wanted to return Bernadette's YOUNG UNS." He'd stopped shivering by this point, but still looked rather INBRED. Erik was sure he was afraid he was in some sort of great danger, with a frightening man in FILTHY DUNG SPLATTERED OVERALLS AND A PITCHFORK interrogating him in the hallway. Really, though, he'd begun to tire of the man's stuttering, scared answers. He was a bit of a boring fellow, AS OPPOSED TO WILD PARTY ANIMAL ERIK, WHO SPENT HIS SATURDAY NIGHTS WALKING UP AND DOWN CORRIDORS.
"I am sure that if you leave it in her dressing room she'll find HER YOUNG ONES tomorrow."
"Oh, , YEEE HAW, I was thinking that." Henry nodded eagerly, EIGHTEEN GENERATIONS OF SIBLING MARRIAGE AND SLACK JAWED YOKELLRY obvious in his voice. When Erik said nothing, he hurriedly dropped the BARREL on a table in one of the dressing rooms before coming back out to wait for Erik's command like an obedient PIGGY.
"You may leave, if you wish."
"Yes, thank you." Henry walked quickly out of the hallway and disappeared around the corner once more. That little bit of entertainment done with, Erik decided to just head home and try to find something to do LIKE WATCHING ROACHES MATE OR COUNTING THE KNOT HOLES IN THE FLOOR. He wasn't in the mood to meet up with other late night wanderers.
Erik had been watching the sceneshifter for several minutes, AND WAS DISTRESSED WHEN HE FOUND IT WAS TURNING HIM ON , trying to figure out why the man had struck his attention in the first place. His appearance didn't set off any alarm bells- he looked just like one of the many rough, hardened backstage workers, with the exception of being a bit smaller than most, JUST UNDER 3 FOOT. He wasn't doing anything unusual, perhaps getting a bit too close to the EASY GLIDER DELUXE CHRISTINE BOT WITH REALISTIC STRETCH VAG INTERIOR MODEL 2.4 down here in the third cellar, but he didn't show any sign of knowing it was there. HE WAS SO SHORT HE WALKED RIGHT THROUGH THE LEGS, AND GOT A CLIT ROUND THE EAR. Erik wasn't sure why, since he could find no logical reason for it, but something about the man just seemed wrong. Perhaps it was his appearance after all, OR PERHAPS IT WAS THE EIGHT FOOT LONG, EXTRA HAIRY LEG THAT WAS DANGLING SLACKLY FROM HIS FOREHEAD. Erik scrutinized the sceneshifter once more, and felt the same sense of something being slightly off, but found nothing to explain it. It must have been his imagination, OR HIS PILCHARD SANDWICHES IN HIS POCKET THAT HE FORGOT TO THROW AWAY LAST MONTH, perhaps he needed some sleep… COFFIN TIME!
Suddenly the man moved decidedly too close to the CHRISTINE BOT for comfort and if he didn't move away quickly, he was going to find himself trapped in the middle of a rather unpleasant African jungle, AKA CHRISTINES BUSH. Erik toyed with the idea of simply letting the oaf fall into the EXTRA WIDE SUPER STRETCH VAG CANAL, it would certainly provide him with a laugh or two, but eventually decided that he had better things to do, such as WATCHING PAINT DRY. The fools still hadn't gotten it through their thick skulls that when the local ghost requested THE WINDOW TO THE FEMALE SHOWER ROOMS to be left open, they really ought to OPEN IT…
The sceneshifter tripped, apparently over his own THREE feet, and went stumbling headfirst into the backdrop from Le Prophete. Erik cursed under his breath as he darted out from behind the opposite backdrop and pulled the grubby man away before he fell into the now-gaping hole OF THE CHRISTINE BOTS PLEASURE CENTRE. He dropped the shocked man unceremoniously on the floor, quickly closing the EASY STRETCH VAG CANAL and turning to leave as the man called out.
"When did the old backdrops get CREEPY SEX BOTS?" His French was rough and heavily accented with what Erik pegged as an ANNOYING, COMICAL, MIRANA RICHARDSON-ESQUEaccent.
"When I chose to put them there." Hopefully his comment would be cryptic enough that the man would puzzle over it, giving him enough time to leave for the managers' office BECAUSE SOME DEFORMED SCENE SHIFTER FINDING ERIKS SECRETS JUST DOESNT MATTER COMPARED TO THE WEIGHTIER ISSUES IN LIFE.
"You put them there? What are you, the Opera Ghost?"
Erik stiffened briefly, THE MAN WAS STILL SO DAMNED ATTRACTIVE, before forcing himself to relax BY SMACKING HIS BULGE WITH A LUMP HAMMER, but deemed the question unworthy of an answer.
Receiving no reply, the man continued on. "Why did you save me? THAT WAS THE CLOSEST I GOT TO A FACEFULL OF BUSH IN MY WHOLE LIFE!"
"It would have been too much of an inconvenience to me if you'd fallen through, I CAN ONLY GET THOSE REALISTIC INTERIORS FROM VERY SPECIALIST ONLINE RETAILERS IN AMSTERDAM, AND MY PAYPAL ACCOUNT IS ALL BUT EMPTY."
"Oh, an inconvenience to you? What about to me? I think I would have been pretty inconvenienced. NO WAIT, I WOULD HAVE ENJOYED IT ACTUALLY"
"I have better things to do than stand here and listen to you talk to yourself. LIKE WALKING UP AND DOWN CORRIDORS. If you don't mind…" He turned to leave the room, but the man had sprinted across the room and grabbed him just as he was mulling over the sceneshifter's insolent audacity. “INSOLENT BOY!” HE THOUGHT TO HIMSELF.
"I do mind, actually," he nearly purred, LAPPING FROM A SAUCER OF MILK AND pushing a knife against Erik's throat. "And you're not leaving this room unless you promise not to tell anyone you saw me here.
((WOAH WOAH WOAH ISNT THIS SCENARIO SORT OF UPSIDE DOWN AND INSIDE OUT? SHOUDLNT IT BE ERIK HOLDING THE KNIFE AND MAKING HIM PROMISE NOT TO TELL WHAT THE SCENESHIFTER FOUND?))
I have things I don't want the rest of the Opera finding out about... LIKE WHAT I DO WITH RATS IN AN EVENING."
"Everyone has secrets," Erik replied as he easily disarmed the man and trapped him a vice-like VICE. "I don't share secrets. Not yours, and especially not my own. If you have any care for your own life, you will stay away from this cellar. If I see you down here again, I won't hesitate to throw you down that OH SO STRETCHY, WET VAG CANAL myself. And the next time you attempt to threaten my life, your own will be over before you can understand what is happening."
He released the man, who scrambled for the door, glaring at Erik all the while. Erik ignored his UNDENIABLE GOOD looks, HE WAS IN LOVE AND HE KNEW IT, THIS WAS SIMPLY A LOVERS SPAT. disappearing into darkness to head for the managers' office. If they didn't understand this time, he would make them wish they'd never set eyes on box five.
It was impossible to ignore by now- the loud humping on Erik's door. He'd tried to ignore it at first, but soon it became too bothersome to ignore. “GET A ROOM, YOU SHOW OFFS!” HE CRIED. He still hadn't the slightest idea who would be knocking SOMEONE UP on his door, but it would probably be best to find out. If nothing else, it would stop the knocking UP.
He opened the door on a vaguely familiar very frantic, very wet man.
((LOL, I GOT NOTHIN’....))
Erik was about to ask the man who he was, but that was quickly taken care of.
"I-it's me, Henry Jekyll," the man panted, wringing the LOVE JUICE out of his SWOLLEN MEMBER and dripping all over Erik's doorstep. "You're the one I saw that night a couple weeks ago, a-after the show by the d-dressing rooms? EXCUSE M-M-M-M-Y S-S-S-S-STUTTER!"
Erik continued to stare silently as Jekyll caught his LIPS WITH A PASSIONATE KISS and a small puddle pooled around his feet. ((EWWW!))
"Do you remember me?" He didn't wait for an answer. "I just swam across the l-lake. IM IN TRAINING FOR THE GUINESS BOOK OF RECORDS “FASTEST HILLBILLY TO SWIM A LAKE WHILE PLAYING A BANJO” WORLD RECORD. I wasn't aware there was a lake down here. I don't remember how I arrived here, really, THEM DRUGS SURE MAKE ME FORGETFUL. Can I come in YOU, please? I'm in a terrible bit of trouble."
Erik stepped aside wordlessly and Jekyll tripped inside HIM, pulling the door closed after himself. As he stood shivering and dripping on the rug ((EWWWWWWW!!!)), Erik finally spoke up.
"In what sort of trouble are you attempting to involve me?"
"N-No, I wasn't trying to… well, I… I-I think I killed someone."
Erik raised a surprised eyebrow behind the mask ((FIRST MENTION OF A MASK AND WE ARE 5 PAGES IN)) . He wouldn't have thought the man had enough HAND-EYE CO-ORDINATION.
"But it wasn't like that," he quickly explained. "I didn't kill him. Well, I did, but I… I wasn't myself at the time. I couldn't control it… him. I… I suppose you'll see in a minute or so. I’M coming."
Jekyll laughed hollowly and Erik looked at him in confusion until his face was suddenly contorted with pain and he dropped to the floor. Now Erik watched with a sort of alarmed fascination as Jekyll squirmed and writhed and screamed on his floor. When he finally stilled and stood up once more, his appearance had changed.
The, still vaguely familiar, man now standing in front of Erik was ABOUT 4 FEET smaller than the lanky Jekyll, and Jekyll's SWILL STAINED OVERALLS hung on him oddly. His hair was a bit longer and uncombed JUST LIKE A...WIG! WIGGG!!! , his features were rough, he looked muscled beneath the loose-hanging clothing, and something about him seemed somehow wrong. It was then that Erik realized why the man looked familiar. IT WAS THE EXTRA LEG THAT DID IT...
"Remember me?" the sceneshifter growled.
"Yes. DARLING!! The last time we met, you nearly landed yourself in my PLEASURE chamber then decided to make empty threats to the man who'd just saved you and confessed to putting the trapdoor there himself." ((WOW TRY SAYING THAT QUICKLY THREE TIMES WITH A MOUTH FULL OF TOFFEE!))
The sceneshifter's confident expression had wavered slightly at the words ' PLEASURE chamber', but he remained otherwise unaffected by Erik's words. "Empty threats? I just BONKED a sceneshifter who got on my bad side. Or should I say my good side? Want to know something?" He took a few steps closer to Erik, leaning up toward his face with a crazed glint in his eye. "It felt amazing. I've never felt better."
Erik shoved the man back a few steps. "I regret that you have a problem I cannot help. HERES THE PHONE NUMBER FOR JERRY SPRINGER. Did you have a reason for coming down here? I'm almost positive it was you who ran away down to the lowest cellar you could find. Fitting for such a lowly piece of society's scum. Or did you come only to boast to me about your accomplishments? I assure you I have no interest in the subject, I’M ONLY INTERESTED IN WALKING UP AND DOWN CORRIDORS."
"I…" For a moment the man looked confused, struggling for words. "I'm Hyde, by the way. Edward FLORENCE Hyde."
"A very important piece of information, I'm sure. Again, Monsieur iHyde /i, why are you here?"
"I… don't want to get caught," Hyde mumbled. "I knew you could do something about it. Perhaps the Opera Ghost could take ME OUT TO THE BALL GAME…"
"No," Erik answered shortly.
"I don't want to run again. That was too much work. I can't be forced out of the Opera House, AT LEAST NOT UNTIL THE GILBERT AND SULLIVAN SEASON IS UPON US. I could stay here…"
"No."
"You could help me EAT the body WITH SOME FLAVA BEANS, before they…"
"No."
"There must be something you could DOOOOOO…" HE BEGAN SINGING THAT SONG OUT OF “GREASE THE MUSICAL”.
"No. I refuse to entangle myself in your BIG STRONG ARMS, YOU HEARTBREAKER!. You made the mistake of SCREWING a man and putting yourself in danger of being caught. It is no fault of mine that you are an amateur who can't cover up his work. You are the one who can deal with the circumstances. YOU ARE THE WEAKEST LINK... Goodbye, Monsieur Hyde."
Erik picked up the man by his GONADS and dragged him back outside to the banks of the lake. Hyde protested and squirmed, but soon found himself KIND OF ENJOYING IT, kneeling in the chilling water of the underground lake. Erik dropped his NUTS and Hyde forced himself to remain upright and not fall face-first in the water.
"If you come back to my home, you will quickly find yourself cooking ME A BIG STEAK DINNER TO SAY SORRY , , drowning in YOUR OWN JUICES, or being strangled by the Punjab lasso. If you are lucky, you may get to choose which of the three you prefer."
Erik abruptly turned and began walking back to his house.
"Why do we always part with threats? WHAT ABOUT A KISS, YOU TEASE!" Hyde called after Erik's retreating figure. He received no answer and was left alone in the lake, clothes seeping up questionably clean water.
Erik personally hoped he'd never see either of them again. NO MAN COULD COMPARE TO THE PURE PLEASURE OF THE SUPER DELUXE CHRISTINE BOT V 2.4 WITH REALISTIC SUPER STRETCH, EASY GLIDE VAG CANAL WITH FAST WIPE INTERIOR.
And now the Les Mis horror...
A UFO descended over the nighttime streets of Paris. It was too dim to clearly see, rippling between the houses and around the opera.
Into this faint unseen glow walked the shadowed figure of a man, whose golden RIMMED SPECTACLES seemed to reflect the glow and make it amplified.
The shimmer collapsed, and the world whirled. OR DID THE WHIRLED WORLD?
Erik fell through the tapestry of existence, WHEEEEEEEEEEEEEEEEE!!! landing again in the nighttime streets of Paris, changed into those of an earlier time. He looked around, taking in the changes. With all the sadness, perhaps I have become mad, OR FALLEN INTO A REALLY BAD CROSSOVER PHAN PHIC. Well, he was not to think of that now, I’LL THINK OF IT TOMMOROW. AND I’LL NEVER GO HUNGRY AGAIN!!!. Nothing looked right... but ignore that. (( WOW HE TAKES THIS SUDDEN TIMEWARP THING BETTER THAN DAVID COPPERFIELD IN THAT TERRIBLE “SECRETS OF THE PHANTOM OF THE OPERA” TV SPECIAL)) His intended last words to give to the Persian still fresh in his mind, “YOU ASTRAKAN WEARING FREAK! WHY DONT YOU MIND YOUR OWN BUSINESS AND LEAVE ME IN PEACE!” he set through the streets, trying to find his way in a city transformed. But as the night wore on, he realized that WITHOUT THE AID OF HIS SAT NAV he had become lost, the landmarks no longer familiar. EVEN THE MCDONALDS AND STARBUCKS WERE NO LONGER THERE.
He passed a few small houses and endearments (?) in shadow; it seemed as if night had just fallen. Without knowing it, Erik passed a small garden in which an elderly man was reading DIRTY MAGAZINES. As the sun was rising, AS IT OFTEN DOES WHEN NIGHT HAS JUST FALLEN, he grew nervous... if he should be seen, well, in the open... he could not let himself be INDECENTLY exposed AGAIN, HE HAD A COURT ORDER ABOUT THAT! He looked around, frantically, not seeing any good hiding place nearby.
"Père SHIA Ma beuf," said a man's voice from the garden a few steps away; "would you like me to water your garden WITH MY PEE PEE?"
Erik Farted behind a fencepost, looking out to see who had spoken; not a man at all, actually.
A frail girl stepped out, AND FRAIL GIRLS VOICES DO SOUND SO MUCH LIKE A MANS DONT THEY, into the garden, before the elderly man. She was very young, perhaps around the age of sixteen, and wearing nothing, her arms hidden by a WELL READ COPY OF twilight. Her appearance AND LACK OF FAITH was disturbing, though her face not unpleasant—had she not been battered by the DEEP FAT FRYER, she may very well have been pretty. Now, though, her face was shallow, her eyes bleak, and some of her BRAINS missing THANKS TO A GAPING HOLE IN HER CRANIUM. It must have been her, Erik realized, who had been speaking to the old man.
The elderly man, SHIA Ma beuf, as she had called him, seemed alarmed by her sudden and almost ghostly appearance. Before he could say anything, the girl had filled the watering can WITH HER OWN URINE and was going from plant to plant, soaking each, the EPO-water spilling onto her bare feet. SHE GENTLY SUNG TO HERSELF “A LITTLE DROP OF PEE CAN HARDLY HURT YOU NOW...”
Erik backed into the shadows, his eyes coming aglow again as he receded into the darkness. Poor girl. Poor ailing girl. POOOOR THING, HE HUMMED A SWEENEY TODD TUNE. His eyes turned back to his surroundings, and he edged into an alleyway. And poor, lost Erik, WHATCHA GONNA DO? YOUR IN 1832, HEY WHATCHA GONNA DO. Where would he go? It would be a long way to the opera house, if he could even find it anymore, BECAUSE, YOU KNOW, IT WASNT BUILD ALL THEM YEARS AGO. OR WAS IT?
He faintly heard the old man say, "You must be A LUNATIC, for you EAT THE flowers."
"I am noLUNATIC," said the other. "I'm a demon, but it's all the same...to me."
The next part of the conversation was quiet, and Erik couldn't hear it, although more than once the girl asked after a Monsieur Marius. The old man gave a long, GUTTERAL FART and suddenly the girl ran from the garden, her eyes STREAMING. She didn't notice Erik, even though she sped past him ON HER MOTORBIKE.
Once she had left, Erik continued on his way. If he could not find the way to the opera house soon, at least he should find some place of refuge. After wandering for a time, he came to an old market-garden WHOREhouse, in which he decided to SPEND the night WITH A PROSTITUTE. “OHHH EPONINE”, ERIK SAID. “MY NAME IS MADDIE”, SAID MADDIE, FOR T’WAS HER NAME. “TONIGHT, YOUR NAME IS EPONINE, BITCH!”
If the world changes around me, he thought, it must be that I am changing within it. ((HUH?)) When I realize that there is no one in the world to love me for myself, and that it only remains that I should die, surely then comes the time that I can no longer see the world as it is. Nothing will stay constant! Christine must be torn from me, and I must let it pass. Everything else must change. It is as if I am in my own chamber of mirrors, to see a new world, one without the hope of Christine loving me, without even the same Paris. And there is no escape but to die. ((SORRY I DIDNT UNDERSTAND A WORD OF THAT EXPOSITION))
His mind wandered further and further into darkness. It is my own torture... if no one can care for me, there must be no one. Erik must be shut away. Everything will be shut away. All my desires went to Christine, and now they are passed away. His thoughts deepened, lonely, bereft, and muted into a calm feeling of emptiness, until there was nothing left.
DUNNO WHAT THAT WAS ALL ABOUT EITHER. I GOT NOTHIN’.