some things!

Fri, Jul. 10th, 2026 11:59 pm
kaberett: Trans symbol with Swiss Army knife tools at other positions around the central circle. (Default)
[personal profile] kaberett

Today in Social Anxiety: I approached a human and asked about filming myself in the gym, got the go ahead, proceeded to do so for deadlifts, spotted three things wrong myself, shared a video with some folk for a form check, and got some useful pointers and MANY contradictory opinions on what, exactly, my butt should be doing.

There were diagrams.

Also today I had the most comfortable experience lugging watering cans around of my life (not hanging off joints!!! it's a thing you can do when you have muscle!!! it turns out!!!), several plants are not dead, I didn't eat any more jostaberries but I really need to, and we had A Fantastic Time taking all the various sections of The Puzzle that we'd done and sliding them around the coffee table sadly. This was complicated by the fact that the coffee table is juuust wide enough for the thing to fit, with space at one end for the box to sit neatly once you're finished. Eventually we resorted to The Giant Puzzle-Doing Cardboard! There was Much Swearing, it is now sat happily on the table and I am grinning at it every time I look over, and yesterday she released another in the series.

Also: strawberries. That is all.

Hum 110 Adjacent Children's Books

Fri, Jul. 10th, 2026 01:23 pm
sanguinity: woodcut by M.C. Escher, "Snakes" (Default)
[personal profile] sanguinity
And while I'm wrapping up Hum 110 posting for the (academic) year, here are a bunch of topically-adjacent children's books we wandered into while reading the assigned curriculum. (To be clear, none of these were assigned: they're all things we found that are based on stuff we read in bookgroup, or drew upon art styles we studied, etc.)


Vivian Mansour (illus. Emmanuel Valtierra, trans. Carlos Rodriguez Cortez), Pilgrim Codex (2025)

Heroic account of a Mexican family who, driven from their homes by violence, cross the US-Mexico border to try to find a safer home. Re-imagined through the lens of Mesoamerican codices, the family's peril, sacrifices, and bravery are told with sympathy and pride. Alas, not everyone in the family makes it alive to the US, and some of the scenes are genuinely harrowing. Nevertheless, I'd still call this age-appropriate: given that some children have themselves survived similar events (or have classmates or playmates who did), this could be a useful text for helping children discuss and make sense of their world.


Duncan Tonatiuh, A Land of Books: Dreams of Young Mexihcah Word Painters (2022)

Story of young tlahcuiloqueh (scribes) in training, learning to paint amoxtin (books, aka codices). Illustrations draw heavily on Mesoamerican glyphs, and shows several example of completed codex-pages in progress. The more one knows about how to read Mesoamerican codices, the richer this book becomes. Glossary of Nahuatl in the back (used liberally in the text), but unfortunately does not include a guide to Mesoamerican glyphs, dating systems, or other conventions of the Mixteca writing system. I highly recommend pairing this with Gordon Whittaker's Deciphering Aztec Hieroglyphs (not a children's picture book) or similar, to get insight into everything Tonatiuh is doing here.


Duncan Tonatiuh, The Princess and the Warrior (2016)

Tonatiuh's version of the Mixteca origin story of the volcanoes Iztaccihuatl and Popocatepetl, which are visible from Tenochtitlan / Mexico City. As above, the illustrations are inspired by Mesoamerican codices, and the text is rich with Nahuatl vocabulary. As ever, I am caught by random side-characters: what became of the messenger who was bribed to betray Popoca? He lucked out that Popoca was too caught up in Itza's illness to hunt him down for revenge...


Duncan Tonatiuh, Feathered Serpent and the Five Suns (2020)

Another Mixteca origin story, this one for humanity itself. We read in bookgroup one of the sources Tonatiuh draws upon, but I didn't recognize the middle section of Tonatiuh's narrative--and the afterword suggests that the novel-to-me section was Tonatiuh's own creation, imaging that Quetzalcoatl faced the same challenges on the path to the underworld that the dead do.


Duncan Tonatiuh, Diego Rivera: His World and Ours (2011)

Introduction to the life and works of Diego Rivera, who was one of the principal artists of the Mexican government's muralism campaign of the 1920s and 30s. The art is a Mixtecan riff on Rivera's style, and alternates between Rivera's work, reimagined in Tonatiuh's style, and speculation about what archetypically Mexican subjects he might have immortalized had he been working today.



There may or may not be further posts of Hum-110-adjacent materials dribbling in as we go: there are a number of books I checked out from the library as potentially interesting, but which I didn't get to while we were reading related units. We'll see how it goes!

Bits and pieces

Fri, Jul. 10th, 2026 07:29 pm
oursin: Brush the Wandering Hedgehog by the fire (Default)
[personal profile] oursin

I suppose people will never not be interested in the Mary Toft rabbit-birth case: this however is a somewhat different take born of going into a particular archive, Mary Toft and the Radical Birth Control Movement (an archive of which I have knowledge), though I am perhaps more interested that Griffith was asking Helena Wright to ask her side-piece, Kenneth Bruce MacFarlane, a distinguished historian, for reading recommendations. But that is because the ladies running that clinic, who were trying to make birth control a respectable cause were all into all sorts of what would now be considered polyamorous configurations.

(I will not advance my critiques from my personal knowledge of the birth control movement of the 20s and 30s....)

***

Baptism record at Manchester Cathedral offers insight into Black Mancunian life in Georgian-era England:

When the abolitionist Thomas Clarkson gave a sermon in 1787 at Manchester Cathedral – during the city’s first mass meeting against the transatlantic trade in enslaved Africans – he saw a “great crowd of black people standing round the pulpit”.
However, little is known about Black Mancunians in the Georgian era, which makes one recently rediscovered entry in parish records at Manchester Cathedral particularly significant.

***

The 6‑7 craze offered a brief window into the hidden world of children:

But as media scholars who study children’s culture, we didn’t view the meme with bewilderment or exasperation. Instead, we thought back to our own childhoods on three different continents – and all the secret languages we spoke.
....
With or without access to the internet, children will continue to transform language and games to suit their needs – which, yes, includes getting under the skin of adults.

Kidz b kidz, hmmmm?

***

Not precisely 'history from below' - this was still the monarch's court, after all - but looking beyond the obvious players and how much there is to discover about them beyond the immediately apparent: Dwarfism, Institutionalisation and Marginalisation at the Court in Early Bourbon France:

I aim to demonstrate through my new Transactions article that a meticulous examination of archival sources can reveal far more about the lives and activities of people with dwarfism – and marginalised people in general – than the archive’s apparent silence initially suggests.
At the same time, I hope this study can serve as another example, alongside my book on Louis XIII’s court, of the rich potential in an approach to court studies that de-centres the monarch, his ministers and absolutism to better understand the court – its institutions and its culture – in its own right.

***

The man who invented the Tube: or rather, had the idea and campaigned for it, died shortly before the opening of the Metropolitan line, which may have something to do with his absence from the annals.

sanguinity: woodcut by M.C. Escher, "Snakes" (Default)
[personal profile] sanguinity
I've been in remiss in logging our Hum 110 reading/viewing for the second half of the year! As previously mentioned, we centered our studies on Mexico City this last year. The material blogged here runs from the seventeeth century through the near-present, and took us half of an academic year to cover.

Sor Juana Ines de la Cruz (trans. Margaret Sayers Peden), Poems, Protest, and a Dream, (late seventeenth century / 1997)

This was a fascinating collection of works. Sor Juana was both a courtier and a nun (at different times), and this collection samples both eras: at the one end we have secular diss poems and show-off pieces composed for competitions, while the other end includes a virtuoso defense of scholarship by female clerics and education for women. (The defense is the titular "Protest", which is a politically complex work in which Sor Juana responds to a rebuke by a church official who himself took on a female pseudonym for the purpose of chastising Sor Juana. Sor Juana then proceeded to play a "tee-hee, we're all just girls here" card while absolutely eviscerating the man -- while keeping up her own pretense of subjecting herself to church authority.) There's also a complex interplay between new world and old world symbols and signifiers in these works, which reflected tensions over whether New Spain or the Iberian Peninsula was the true center of the empire. Also, shoutout to the lesbian poem: we were very pleased to see it.

III: One of Five Burlesque Sonnets )

Spanish and English on facing pages, for the convenience of the multilingual.


H.N. Branch (trans), The Mexican Constitution of 1917 compared with the Mexican Constitution of 1857

We leapt from the seventeenth century to the nineteenth and twentieth century, which was an unbelievable degree of whiplash: I had soooooooo many Britannica tabs open, trying to figure out what was going on with the century-plus of revolutions, counter-revolutions, deposings, assassinations, the Mexican-American war, and oh yes, the brief installation of an emperor again (by France, when the US was too busy with its own Civil War to meddle).

Discussion this month was mostly trying to get a grasp on the history and the problem of cultivating a stable government. But we also had a lot of admiration for the 1917 Mexican Constitution, which was extremely forward thinking in terms of labor rights, up to and including things like worker safety, union protections, and paid pregnancy leaves. (The seething envy in the room could be cut with a knife!) Surprisingly to us, the 1917 Constitution was also strongly anti-Catholic, seizing Church property and mandating secular (and universal!) education. (The weakening of the Church's power led to a few more years of revolution, of course, as pro-Catholic forces objected to that part of the Constitution.)


Mexican Murals: Diego, Orozco, and Sisquieros (1920s-30s) (online gallery)
David Alfaro Siqueiros, Diego Rivera, and Xavier Guerrero, "Manifesto of the Syndication of Technical Workers, Painters, and Sculptors," (1923-1924)

Cool art! Also, interesting things to discuss re auteur's vision vs. government propaganda; the radically ethno-nationalistic and peasant-centric vision of Mexico (vs. the context of European-trained artists who had been working in the U.S. for a living, and all painted on urban buildings, not so easily accessible to the rural peasantry); and murals as a public form of art (in contrast to easel painting).


Los Olvidados | The Forgotten Ones | The Young and the Damned (1950, dir. Luis Buñuel)
Cesare Zavattini, "Some ideas on the Cinema" (1953)

Realist film about life in the economic/criminal underclass of Mexico City. The original cut of the film depicts the inescapability of the circle of violence, but that ending played badly to test audiences, so a second, "happy" ending was filmed, in which the child protagonist slays his abuser (instead of being slayed by him), and returns to reform school. (Yay?)

discussion )

All that said, I kinda enjoyed... maybe not watching the film, but having watched it? There was a lot of toothy chewy shit going on in and around the film, and it was satisfying to discuss, at a number of different levels.

Available on youtube with English subtitles, if you're interested.


José Emilio Pacheco (trans. Katharine Silver), Battles in the Desert (1980)

Novella of a man's remembrances of a specific year of his childhood, when he fell in love with his best friend's mother, and her ultimate erasure from (apparently) all memory and record but his own.

A LOT going on )

We discussed this one to death and came to no agreement on it, but I can say it was one of the most enthusiastically discussed works of the unit.


Elena Poniatowska (trans. Helen R. Lane), Massacre in Mexico (1971 / trans. 1975)

content warning for state violence, including massacre, imprisonment, and torture )

It's a powerhouse of the book, although most in my book group did not read it, or only read sections of it, because of the violence it relates. I found that frustrating, for in addition to discussion of the content, there's also ample opportunity to discuss the format of the book: how does one take reams of interviews and publicize their content, especially before one could dump a massive file of sources on the internet? How does one handle the vagaries of eyewitness accounts, the multiplicity of viewpoints, the uncertainty of memory, and conflicting testimonies? How does one do all this under a hostile government, that would much rather see your book suppressed than published? I'm a little reluctant to call this book my favorite of the course, given how challenging its content was, and yet it was definitely the one I found most rewarding, both to read and to discuss. Excellent choice for capstone of the Mexico City unit!

(no subject)

Fri, Jul. 10th, 2026 09:30 am
oursin: Brush the Wandering Hedgehog by the fire (Default)
[personal profile] oursin
Happy birthday, [personal profile] azara1, [personal profile] hawkwing_lb and [personal profile] mmestrange!

Daily Happiness

Thu, Jul. 9th, 2026 07:55 pm
torachan: palmon smiling (palmon)
[personal profile] torachan
1. I decided to take my midday walk before lunch rather than after, in an attempt to get a little more shade, but it was still pretty awful and I ended up not being able to take that long of a walk. But I did stop in at a new to me cafe across the street from work called Da Vien and got an ube cream coffee, which was delicious.

2. I had a dentist appointment Tuesday but rescheduled it on Monday when I wasn't feeling well, in case I was still feeling gross on Tuesday, as I did not want to be stuck in a dentist's chair while having digestive issues. I wasn't able to get an early morning appointment for any day next week like I usually prefer and was only able to get 10am on Monday, and it's going to be a longish session, so I just decided to take the day off rather than schedule work around it.

3. We had been considering maybe getting a membership for the Natural History Museum as they are pretty reasonable (and we only need to buy one, as it's good for the member plus one guest), and then I got an email saying they're currently running a 20% off promo for membership, so I went ahead and signed up. It's actually good for both the museum and the tar pits, but the annoying thing is that the tar pits are closing as of this past Tuesday for two years for rennovation lol. So in this case it's only good for the one museum. But it gets you free access to all the separately ticketed exhibits, as well as 10% off food and merch.

4. Sleepy angel!

hobbies, terrible, etc

Thu, Jul. 9th, 2026 03:33 pm
kaberett: Trans symbol with Swiss Army knife tools at other positions around the central circle. (Default)
[personal profile] kaberett

Last week I got Influenced to acquire Specific Shoes For Lifting In as opposed to merrily carrying on in my DMs. They arrived on Tuesday! Which meant I had them for squats yesterday. The only difference I have noticed so far was how confused I was by? my standard set-up? suddenly being the wrong height? Suddenly the cups were too high for me to be confident I'd be comfortably able to rerack the bar once I'd got significant weight on it.

... they are barefoot shoes. they have minimal soles. I'm nearly three centimetres shorter!!!

Meanwhile today's hobby has been working out a bunch of protein numbers, in relation to both the She's A Beast protein mush and the offerings of The Organic Protein Company (my second order from them having also arrived... on Tuesday). The former on account of I'm making my own yoghurt rather than using Fage 2% and I wanted to work out how it compared to the numbers Johnston quotes, whereupon I was alarmed to find out that I cannot by any reasonable means match her asserted 36g (but can if I assume she forgot she'd already added the peanut butter to it...); the latter out of curiosity about how preciously precise I might want about serving size (answer: I am not tracking ANYTHING else closely enough to care about a gram or so of protein each way in my shakes, good grief).

sorry about the horrid formatting, I'll fix it in the morning (maybe) )

In your actual English

Thu, Jul. 9th, 2026 05:05 pm
sovay: (Mr Palfrey: a prissy bastard)
[personal profile] sovay
Afterward I felt that I should have recognized Brian Fairbairn and Karl Eccleston's Tommies (2022) at once as the work of the same filmmakers who introduced half the internet to Polari with Putting on the Dish (2015), not least because the two short films make such a nice double feature for the viewer who shares their abiding interest in historical diction, coded communications, and the infectious paranoia of the pre-decriminalization queer male UK. Dense for their snapshot runtimes, they require a similar willingness from their audience to entertain the past on its own terms and learn how to listen to it, whether it's a bombshell of intricate argot or an event horizon of the politely unspeakable.

Six pyrotechnic minutes on Hampstead Heath in 1962, Putting on the Dish is the wittier, higher-wire of the two, sustaining even through its hard zag of an ending a rapid-fire exposition of Polari to scream for. On top of a crash course in the range and variety of marginalized influences that cascaded into one voraciously colorful anti-language, it concisely demonstrates how two strangers side by side on a public park bench could have anatomized the exuberantly unexpurgated adventures of acquaintances or exchanged their own appraisals of well-packaged passers-by, openly under the radar of Lily Law. "Real fantabulosa bit of hard." Its barbed ciphers form a fragile safe space, advanced as casually as a noncommittal naff or bona and then more colloquially relaxed into with talk of floweries and dinarly and disappointingly dolly HPs. "Nada to vada in the larder?" – "Bijou." Nothing else automatically links the bolder and cagier persons of Steve Wickenden and Neil Chinneck—the invaluable screenplay gives their camp names as Maureen and Roberta—but in their shared appreciation of a zinger of defiant backchat, the hillside seems tranquil with possibility, at least until recalled to the realities that oblige a furtive countercultural jargon in the first place. Polari defaults so naturally to irony, getting a heart-punch out of it is an achievement, one of the few direct gestures in a vignette that rewards cryptography. Even the book in its pink jacket encodes its own implications. What English signals is nothing to say.

Down to the riddle of its title, Tommies is the more somberly ambitious slow burn, circling its fifteen minutes in the wings of the haut ton in 1814 around an invented yet all too imaginable coda to the infamous treatment of the Vere Street Coterie. An exercise in negative space, it never looks inside the molly house itself, shows nothing of the men who patronized it except through their social radioactivity, the cishet fascination with their queer customs. "When the police raided their den, they found a dozen men in a bed in one room and in the other a midwife helping a female grenadier give birth to a Wiltshire loaf!" Its Mayfair house is a curdled chocolate box, thick with the stifling half-light of a summer's evening and frantic with the trills and flutters of canaries like the tight catch in a throat or the snap of an expertly wielded fan. Sarah Winter as Georgina Ashton has a look of Psyche not only because of the white fillet her bronze-dark hair is caught up with, but because she stands on the black-and-white chequers of the stair hall as if facing into hell. How she fits into the loose, allusive swirl of gossip that gradually overtakes the women's conversation may be clocked first by students of the queer Regency, but it still has to be deciphered from the ellipses left between the more overt shocks as the cross-currents of schadenfreude, sympathy, and self-preservation gather to a point of no return. As with so much paranoid cinema, even at pocket-size, the question of who knows what is really asking the use of which the knowledge will be made. "When a man holds fire to his chest, it is not only his own clothes he burns." It's a tense, trickily layered tour-de-force for its all-female ensemble—the rest of its cameos are precisely razored in by Marion Bailey, Claudia Jolly, Elizabeth Roberts, and Susie Trayling—and it doesn't not land the wraparound of its final scenes to the unsettled Gainsborough of its cold open, but it feels like more of a fragment than its predecessor despite or because of its greater craft. Its apophatic technique might have to let up for a feature. As a chip of history, it can still haunt.

Beyond their adroit ear and eye for period detail, both films are attractive little objects. Shot on open-air digital by Benjamin Barber, Putting on the Dish has a sort of Eastmancolor overcast that suits both the year and the season; its men look unglamorous and attainable, the imperfections of their faces as expressive as the artifice of their language. Tommies looks like a heritage ghost on slightly powdery 16 mm, a gallery of revealingly shadowed portraits hung by DP Brian Fawcett; its women emerge from their era with all the mixed and inconvenient reality of facts escaping the historical record. I can best compliment the characterfully inhabited costume design by Oliver Cronk by invoking Alexandra Byrne. Impressively, neither feels like just another whack of gay tragedy even when they focus so intimately on the never-beneficial ramifications of a criminalized life; they are too vivid and compassionate, interested in all of their players regardless of their effects. I watched them courtesy of their writer-director-editors' YouTube and would be intrigued by any further foreign countries—how differently and how recognizably things are done there—they choose to add to their many-voiced queer mosaic. This English brought to you by my bona backers at Patreon.
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oursin: Brush the Wandering Hedgehog by the fire (Default)
[personal profile] oursin

Brain’s sex differences are subtle and contradictory, large MRI study finds:

But even apparently null results, as in the current study, are useful, Sanchís Segura says, “because it’s important to talk about when men and women are similar” in a field that is biased toward finding bias. For example, the way brain activation mapped onto behavior was largely the same for men and women, the new study found.
“You can prove that a difference exists, but you cannot prove that a difference doesn’t exist,” she says. “You can put into PubMed, ‘sex differences,’ and you will have thousands of papers, but what if I want to look for the absence of differences? We don’t even have a word.”

Also about finding what you want to see there:

No evidence for ‘witches’ marks’ claims at old English buildings, historian says:

Over the years, English Heritage and Historic England have claimed to have identified large numbers of “witches’ marks” or “ritual protection symbols” on the walls of historic buildings, including medieval churches and houses.
Now a leading architectural historian has said there is “absolutely no evidence” that these marks have anything to do with witches or any “mystical meanings”.
Daisy wheels, or hexafoils, are among symbols that are no more than the marks of stonemasons who worked on those buildings, according to Jennifer Alexander, a professor of architectural history at Warwick University and author of a new study.

This one is a bit more niche, in that I had not actually come across it, but it resonates with other cases where there is A much-circulated Story which based on Something Somebody Told Someone based on their vague recollections or something they thought they saw, or, in fact, conflating several different stories....

What Do You Do with a Phantom Sailor Suit? A New Note with Some "New" Old Evidence on Cornell Woolrich, the Blackton Sisters and the Infamous Story of the Sex Diary

I had some vague knowledge of Woolrich, but pretty much only as 'er, wrote noir novels in the 30s or thereabouts? some of them became movies???'

I'm also slightly sceptical of the 'unconsummated marriage' alternative narrative simply because if you realised you had made A Dreadful Mistake this was probably an easy out via annulment? (will concede that I have personally written scholarly article deconstructing a famous allegedly non-consummated marriage narrative in the light of the British divorce laws of the early C20th)

But the whole 'create sensationalist account on basis of I think this happened/I made it all up' is not unfamiliar to moi.

sovay: (Otachi: Pacific Rim)
[personal profile] sovay
Following the successful conclusion of one of [personal profile] spatch's appointments for a change, we returned to Belle Isle Seafood and this time it was a beautiful gold-tilting evening and we could seat ourselves at one of the weather-polished open-air tables and a server came by with her pad of guest checks and for what we estimate to have been the first time in six and a quarter years we ate at a restaurant together. I got a plate of smelts piled just as high and sweetly sanded and ate them down to the fried tips of their tails and the delicate bones. Rob assures me that his baked haddock was as flakily rich as it looked under its crumbs and juiced lemon. We had duly observed the warning sign about the seagulls, but mostly we saw sparrows leaning like acrobats through the diamonds of the chain-link and a common tern that made an air-slicing swoop into the water after a small silver struggle of fish. I twisted corners of napkins into earplugs because of the planes roaring out of the peach-haze over Logan. The serpentine water was full of the shivered reflections of boats and the piers built green shadows under their Plimsoll lines. When we came home by way of Revere Beach where the glass-backed combers were still curling in high, the sun doubled itself fierily in the salt marsh off North Shore Road. Even more so now, the sea feels like a lifeline. Everything feels like choking and it is so important to have reasons to breathe.

Daily Happiness

Wed, Jul. 8th, 2026 08:14 pm
torachan: (Default)
[personal profile] torachan
1. They got the AC fixed at work! The guy was already working on it when I got there and he seemed to get it fixed pretty quickly. Everyone else in the office was very excited about it not being so hot, too.

2. I finished up the second of the Star Wars movie poster puzzles.



These really are fun little puzzles, though I will be glad to move on to something a bit more challenging once these are done.

3. Carla arrived safe and sound in Wisconsin this afternoon. Unfortunately the AC was not working well on the train, which is not what you want for an almost two day journey during the height of summer, but at least it wasn't fully off, just spotty in the rooms while still being nice and cool in the hallway. And now she's in the hot, muggy midwest, but at least her aunt and uncle's house has AC.

4. There is a new yuzu green tea from my favorite bottled green tea brand (Itoen's Oi Ocha series) and it's on sale at work through today. I only noticed it today at lunch when I bought a bottle for myself, so I bought a case (12 bottles) before I went home, so I could have them to bring for lunch. When I just buy a drink here or there I don't always use my employee discount as I always use the self-checkout and don't always have my badge with me to scan, but if I make a larger purchase I always make sure to, so I got the employee discount (which is only 10% but better than nothing) plus the sale price.

5. Jasper loves hanging out on this box in my closet lately. If I can't find him, this is always the first place I look!

Fiction

Wed, Jul. 8th, 2026 04:46 pm
rivkat: Dean reading (dean reading)
[personal profile] rivkat
Am I just noticing it, or is there a real surge in current fsf that takes religion seriously as part of its plotting, characterization, and worldbuilding?

Jason Pargin, There Are No Giant Crabs in This Novel: A Novel of Giant Crabs: existential horror )

Charlotte Brontë, Jane Eyre:reader, I reread it )

Francis Spufford, Nonesuch: WWII fantasy )

Ann Leckie, Radiant Star: revolution has consequences )
Alexis Hall, Hell’s Heart: sapphic Moby Dick ... in ... spaaaace )

Peter Watts, Fold Catastrophes: cyborg futures )

Naomi Kritzer, Obstetrix: reproductive horror )

Chuck Tingle, Fabulous Bodies: nope )

John Wiswell, The Dragon Has Some Complaints:one dragon, several heads )

Adrian Tchaikovsky, Green City Wars: uplift noir )

Caitlyn Paxson, A Widow’s Charm: fantasy romance with some door-slamming farce )

Allie Therin, Edge of Mercy: empaths in love )

M.A. Carrick, The Eye of The Leviathan:faeries and the Inquisition )
oursin: Photograph of small impressionistic metal figurine seated reading a book (Reader)
[personal profile] oursin

What I read

Finished Second Wind, which was really a bit kitchen-sinky in all the stuff that happened to Our Hero the Physicist Turned Weatherman - I thought Rare Form of Bovine TB was really going a bit far after all the flying through hurricanes etc.

Finished Free for the book-group - account of growing up in Albania just before and just after the Fall of Communism, in a family with rather a lot of intricate backstory on both sides. And a lot of it narrated via perspective of very young person who is, understandably, not being told everything by the parents and living under that particular regime.

Then read JD Robb, Stolen in Death, (In Death #62) (2026), and while I am always pleased when Dallas is not chasing a serial killer or someone with weird perverse agenda, this one did not seem to me one of the top entries in the series, quite apart from the jewel theft from the TATE!!! blooper. (I was trying to construct any scenarios in which there would be v pricey jewels on display alongside, you know, all the PAINTINGS and some sculptures.)

Then I re-read, the first time in a Very Long Time, George Eliot, Felix Holt, the Radical (1866). A lot of it reads like practice-steps for Middlemarch, which has so much more going for it. The plot-stuff to do with legacies, lost heirs, etc, is pretty clunky. Felix himself is somewhat of a pain. There's not much of her humour. Even so, there's some terrific stuff there.

On the go

Winifred Holtby, Poor Caroline (1931), which I appear to have re-read slightly more recently than I thought, though still not very recently.

Up next

There's a new Literary Review. Otherwise, feel I am on a bit of a re-reading things kick.

Daily Happiness

Tue, Jul. 7th, 2026 07:00 pm
torachan: maru the cat sitting in a bucket (maru)
[personal profile] torachan
1. My stomach felt almost as bad this morning when I woke up, but once I got going, I started to feel a lot better, and it wasn't like yesterday where I'd feel better for a while but then anything I ate would make me feel worse again. Not quite 100% but mostly back to normal.

2. There was another ant invasion this morning, though not nearly as bad as yesterday. I was worried that despite my precautions and clean up this morning, I might come home to more after work, since yesterday we had both been home during the day to monitor any scouts and keep things from snowballing, but with Carla out of town, there's no one to keep an eye out during the day. But the diatomaceous earth I put down this morning seems to have been enough and there were no ants in the kitchen this evening and only a couple in the dining room near where they had been coming in. So hopefully I won't wake up to ants again tomorrow.

3. When I first moved offices last year, the area I was in was the coldest in the whole building, but then they made some change and it was the warmest. It was tolerable for the winter and spring, but it's really bad now and I was just sweltering at my desk this afternoon. I put in a request to the facility maintenance department and they said they will get it looked at ASAP so fingers crossed they can get it to a more reasonable temperature.

4. Look at this sweetie girl.

we have achieved PLYWOOD

Tue, Jul. 7th, 2026 10:59 pm
kaberett: Trans symbol with Swiss Army knife tools at other positions around the central circle. (Default)
[personal profile] kaberett

(by which I mean, A very bravely ventured back to B&Q again, this time DID get The Goods, aaaaaaaand then discovered that even cut down they didn't fit in the car so they still needed to be attached to the roof rack with ratchet straps--)

we have achieved PROOF that the windows CLOSE when they have ratchet straps slung around both TOP and BOTTOM

we have a house at 26.7°C and an outside world at 26.1°C and it's time to go to bed

[Gru's plan goes here]

-- but hey, maybe at least we'll manage to discourage it from getting significantly warmer in here? and maybe I'll wake up early enough to open the house up usefully while we're still below 20°C tomorrow morning?

sovay: (Sydney Carton)
[personal profile] sovay
I had no idea until last night that the runaway success of Lock Up Your Daughters at the Mermaid Theatre in 1959 had produced a small boom in Restoration musicals upon the London stage, or at least for two months in 1963 it produced Paul Dehn and James Bernard's Virtue in Danger, a musical translation of John Vanbrugh's 1696 The Relapse which despite a comedically impressive cast including Barrie Ingham, Patricia Routledge, John Moffatt, Patsy Byrne, and Alan Howard fizzled out as a curiosity with an original cast LP. As a musical, it does feel thin on the ground in that most of its songs are glosses on the Vanbrugh, but every now and then it comes up with a minor gem like the devastatingly sincere "I'm in Love with My Husband," the conditional yearning of "Let's Fall Together," or the sweetly clueless "Why Do I Feel What I Feel?" which last is stuck disastrously in my head. It's the catchiest tune in the show and the likeliest to have escaped containment—nothing else in the score rang any bells with me, but this one may have made it as far as Standing Room Only—and its debt to Rodgers and Hart is honorably discharged, but I still couldn't stop thinking of Tom Lehrer.
oursin: Cartoon hedgehog going aaargh (Hedgehog goes aaargh)
[personal profile] oursin

Oxford, 1920. For the first time in its 1,000-year history, the world’s most famous university has admitted female students.

This would be rather startling to the ladies who had studied as home students, at Somerville, Lady Margaret Hall, St Hugh's and St Hilda's, before women were admitted to Oxford degrees which was what actually happened in 1920 -

- and those ladies who were still around were there to collect the degrees they were now entitled to.

I am so hoping that this is a blurb produced either by AI or by some intern at the publishers who has not actually read the book but has gathered that it is about women going to Oxford in 1920?

Because if the book is written in some apprehension that there were No Female Students among the dreaming spires before 1920 I hope the author is visited in her sleep by the shades of all, or at least some of, the women who were, who included some notoriously stroppy and acerbic characters.

This is even more egregious than the historical romance which posited a daughter of an Oxford prof at a date of obligatory celibacy for College fellows, which is a bit niche perhaps, but Women's Struggle for Education is surely well-documented???

(Come on down, Vera Brittain, The Women at Oxford: a fragment of history)

In further Did Not Do The Research, or at least have a Brit-Picker, JD Robb Stolen in Death has significant plot around theft of Important Jewels - from the Tate in London, wtf, surely you meant the V&A....

Recent Reading

Tue, Jul. 7th, 2026 08:46 am
sanguinity: (geek android girls)
[personal profile] sanguinity
And with this installment, I have finally caught up on my library overdues -- things got a little hairy there, while I was trying to bull my way through our final Hum 110 book of the year. Happily, we don't get charged overdue fines, just a replacement fee when the library decides getting their book back has become a lost cause. Which hasn't happened yet, knock wood. *juggles books faster*


Kelley Armstrong, An Ordinary Sort of Evil (2026)

Fifth novel in the Rip Through Time series (not counting another four novellas under the author's private imprint), in which a police detective from 2016 Vancouver BC becomes displaced in time and solves crimes in 1860s Edinburgh, Scotland.

This was a particularly fun installment, but the big question I had going in was: do Duncan and Mallory finally kiss? The novel came out a month ago, and this is the first time in years when a Rip Through Time novel has come out and I haven't gotten a rash of comments on my Duncan/Mallory story (the only one on AO3!) from readers frustrated that they STILL weren't kissing in the novels. So I had my suspicions.
Spoiler:They kiss. And a decent kiss it was, too! Although I flatter myself that I did it better. ;-)


I need to go back and pick up the most recent novella, which is sitting unread on my ereader, but all in all, I'm very pleased with this installment.


Lois McMaster Bujold, Gentleman Jole and the Red Queen (2016)

Read-aloud with [personal profile] grrlpup; first read for her and second read for me. Unlike nearly every other book in the Vorkosigan Saga, this one is neither mystery nor MilSF, instead being very domestic. (It is hilarious to me that every time I prepared to read the next section and asked Grrlpup for a "last time in Gentleman Jole" recap, she nailed it. She does not nail it with mysteries or MilSF, at least not without a ton of scaffolding on my part.) I still very much like this one for all the things it made canon, although as noted before, it is rather babies-forward. I've been holding off on finishing writing a couple of fic until I finished my re-read of this; I suppose it's time now to push those higher in the queue.

Btw, this finishes our planned reading of the Vorkosigan Saga (although we may go back and pick up Ethan of Athos at some point). Next up for cooking-and-picnics read-aloud time: the Temeraire series by Naomi Novik.


Grace Lin, The Year of the Dog, (2006 / 2018)

Middle-grade semi-autobiographical novel about a fifth grader deciding what she wants to be when she grows up, all while learning to navigate her second-generation Taiwanese-American identity. (Spoiler: she wants to grow up to be an author who writes books with Chinese people in them! Congratulations, Grace, on achieving your childhood dreams! So few of us do!)

Published for the 2006 Year of the Dog, then reiussued for the 2018 Year of the Dog, this new edition has more family stories at the end, as well as an interview between Grace Lin and Alvina Ling, Grace's childhood friend, present-day editor, and a character in the book, reminiscing on the development of the book and how Grace altered events from their childhood and for what narrative purpose.

(btw, Grace and Alvina host a children's lit podcast together: Book Friends Forever. Grrlpup is a regular listener -- I honestly thought the podcast was called "Grace and Alvina" until two minutes ago.)

Loved this book when I first read it, and I'm delighted to say it holds up on re-read. And the new bonus material at the back is a real treat!


Meredith Broussard, More Than a Glitch: Confronting Race, Gender, and Ability Bias in Tech (2023)

Exceptionally clear overview of technochauvanism (tech bros thinking they're smarter and better than anyone who has ever tried to solve a particular problem before) and algorithmic bias (when technology reproduces the same racist, sexist, cissexist, and ableist biases of society at large). Each chapter discusses specific algorithmic failures in a different domain: facial recognition, policing and courts, testing and academics, digital accessibility, gender, and medical diagnosis. She also has a chapter devoted to algorithmic auditing and a concluding chapter that highlights various efforts to check, correct, or regulate biased algorithms. (Alas, a lot of the U.S. efforts have since been set back, if not gutted, by the Trump Administration. Stay strong, E.U. -- we're counting on you!)

This book played havoc with my library holds list. It also wasn't great for my browser tabs. Let me share two:

  • Heat Listed. Chicago's predictive policing program told a man he would be involved with a shooting. But it couldn't determine which side of the gun he would be on. Instead, it made him the victim of a violent crime -- twice. (Person of Interest was ripped from the headlines -- this story even happened during 2013! But instead of "the Machine" saving Robert McDaniel's life, it got him shot instead. Twice.)

  • How Eugenics Shaped Statistics. Exposing the damned lies of three science pioneers. (Galton, Pearson, and Fisher, damned eugenicists, all, and one of them was in bed with Nazis. Basically, how the p-test was invented to give eugenics the veneer of objective truth. I am pissed that NOT A SINGLE ONE of my years of statistics classes mentioned any of this. Article has some good conclusions that statistics needs to relax its death grip on "objectivity" for ethics reasons, which my statistics classes have done, but it'd have been nice to have the ethics object lesson actually in class.)
Tags:
sovay: (Rotwang)
[personal profile] sovay
Rewatching John Carpenter's Starman (1984) in full for the first time in decades reminded me of the odd, small cycle in American science fiction of its decade with their almost folkloric exploration of passing for human—learning what it is to be human, which is never required to mean replicating it perfectly. Jeff Bridges as the Starman retains his slight, birdlike glitches of movement and artifically accurate cadences to the last. His eidetic mimicry of television fills in for the cultural tics and expectations he has not yet worked out the rules of, but whose pattern he can reproduce well enough for normal social weirdness. It took me well into adulthood to understand the humor of the scene in Splash (1984) in which Madison is initially upset by a shootout in an episode of Bonanza because that extra-diegetic awareness of acting which a slightly nonplussed Allen explains to her was exactly how I learned to separate my own emotional reactions from fictional images that similarly disturbed me. The Brother from Another Planet (1984) and The Hidden (1987) would be the other titles that come to mind; I may be overlooking others, but the superficial appearance of Earth-humanity is a necessary criterion. Of course they are immigration stories, too, or so many of our heroes wouldn't have an inimical government on their tails. Madison and the Brother even make their respective landfalls at Ellis Island. I would love to be able to interpret this strain as a rebuttal to the paranoia of so much of the previous generation's science fiction where the federal government, fueled by the Cold War and the Red and Lavender Scares, was fully justified in blowing the aliens away, but I might need a larger sample set. I can at least track that the nonhuman characters under discussion are just trying to get on with their own lives, whose cosmically personal stakes are love or freedom or knowledge. "I make maps," the Starman explains himself. They feel more like Zenna Henderson's People stories than even something like The Man Who Fell to Earth (1976). I saw three of them as a small child. It was a useful additional reinforcement of the different ways to be a person.

Daily Happiness

Mon, Jul. 6th, 2026 06:47 pm
torachan: an orange cat poking his head out from blankets (ollie)
[personal profile] torachan
1. Woke up to a huge ant invasion in the dining room/kitchen this morning, which was not fun to clean up, but they seem to be staying away so far. Fingers crossed!

2. I have been having really bad stomach issues since yesterday afternoon and I am not sure what the original trigger was. In the evening I did have gyoza and the brand was garlickier than the one we usually get, so that definitely aggravated it, but nothing I ate earlier in the day should have affected me like that. D: I have been feeling really bleh all day because of it (and ended up working from home) but it has been a reminder that even with all my stomach issues, it's so much better than it was when I first developed them. I used to feel like this all the time and now it's really rare. I just hope this passes soon. :-/

3. I got Carla packed off on the train to Chicago this evening. She is going to be gone for a couple weeks to visit family.

4. This morning I went to Sidecar for donuts as they have a new summer menu, including one that is only available on Mondays. The Monday only one is a peanut butter filled malasada with raspberry icing. It was really good but not so much that I feel I need to plan a trip specifically on a Monday. I also got one of their other summer ones, a chocolate cake donut with potato chip streusel. The streusel was super good but I wasn't that into the donut itself. Carla got a passionfruit filled one that she was super happy with, so I'm going to try that one at some point for sure.

5. I love this picture so much. The randomly outstretched arm! His grumpy little face!

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