OSCA:Tutorials

From Opening Sequences & Closings Archive
Tutorials



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Our goal at OSCA is to document as many title sequences as possible, and how you can help, is by writing articles for the wiki.

This tutorial is designed to give users a rundown of how articles on OSCA should be formatted, as well as comprehensive descriptions on page elements you may run into.

How Do I...

New to MediaWiki?

No problem! If you need help learning the features of the MediaWiki editing system, please refer to MediaWiki Help. This will give you a quick guide on how to edit on the MediaWiki system. This manual may not be needed if users are already familiar with editing on Wikipedia, FANDOM, Miraheze, ShoutWiki, or other WikiForge wikis.

Article Elements

Articles on OSCA use a standard format. In order, the article formatting elements used are:

  • Page Buttons - Use this template if there are additional pages connected to the company, such as sequence Variations or Trailers.
  • Credits - Credits should be added to all new pages. It informs the reader the users worked on the article they're reading. *
  • Infobox - A template that summarizes the company's background. Useful for articles of larger studios.
  • Background - A crash course on the program's history. This may prove more helpful than infoboxes, in certain scenarios. *
  • Table of Contents - Helps for easier navigation in an article. Three different types are presented.
  • Header - Shows the time period the sequence was used between, as well as where it is placed chronologically. *
  • Gallery - Where images and videos of the sequence are displayed. *
  • Description Sections - The most important part of any article. *
  • External Links - Add supplementary material about the program's history.
  • Chronology - Links programs to its successors (and/or predecessors).
  • Navboxes - A small box at the bottom of the page which allows for easy navigation between pages.
  • Categories - Where articles with a common trait or topic are placed for sorting. *

Any elements tagged with "*" are required on all pages.


Page Buttons

(optional element)
Where a page also has a Sequence Variations page or you intend to create them, you should add the {{PageButtons}} template to allow for easy navigation between these pages. The markup for this is as follows: {{PageButtons|title=company name|Sequence Variations=1|Trailers=1}},

which results in: Template:PageButtons You can add or remove any of the three additional parameters depending on your needs, for example:

{{PageButtons|title=company name|sequence Variations=1}}, Template:PageButtons


{{PageButtons|title=company name|Trailers=1}}, Template:PageButtons

If using this template, be sure to put it on all the pages you added buttons for to ensure coherent and smooth navigation between them.


Credits

See OSCA:Adding Credits for guidelines on how to add credits. An example is provided below:

The following syntax was used:
{{PageCredits|description=The people who wrote the descriptions for the sequences.|capture=The people whose image captures are included on the page.|video=The people whose videos are included in the page.|edits=The people who made small edits to the page over time.}}


Infobox

(optional element)

Infoboxes are used to give the reader bite-sized information about the program being described in the article. Remember, not all articles have infoboxes, as some companies do not have sufficient information to warrant it.

Example

Description Elements

Lead Section

This is the lead section. The paragraph you type here will describe the history of the media whose title sequences you're describing. Talk about information such as who created the media, the company that produces it, its reputation, and more. It's a good section to write for those who may not know about the media's backstory. Remember, it is required to bold any program name the first time it is mentioned. Also, if the background needs to be split into multiple paragraphs, you are able to do so. If very little about the program is known, then a simple statement such as "(Program name) is a (country name) production" or something similar may suffice, provided there is actually very little information on the Internet. If any companies are mentioned to produce or distribute the work, it is suggested to link to their AVID articles.

Example

After Walt Disney lost the rights to his star character Oswald the Lucky Rabbit, he created Mickey Mouse as a new series, which became the first cartoon series with sound. The series ran from 1928-1942 and from 1947-1953. They were distributed by Celebrity Productions (1928-30), Columbia Pictures (1930-32), United Artists (1932-37) and RKO Radio Pictures (1937-53). Disney's own Buena Vista Distribution company reissued older cartoons after 1953.


Table of Contents

(optional element)
When an article has more than three separate sections, a Table of Contents is automatically included for easier navigation on the page. Typically, they look like this:



However, there are cases where visual previews of the sequences may be desired. For that, the ImageTOC template is available, which supports up to a hundred different sequences. An example of it is below:


The following syntax was used:
{{ImageTOC |Dot.png|1st Sequence |Dot.png|2nd Sequence |Dot.png|3rd Sequence |Dot.png|4th Sequence |Dot.png|5th Sequence |Dot.png|6th Sequence |Dot.png|7th Sequence |Dot.png|8th Sequence }}


Sometimes, when a program has gone through one or more name changes, the SeparateTOC template may be of use instead, which supports up to ten name changes. An example of it is below:


The following syntax was used:
{{SeparateTOC | Old Name| {{ImageTOC |Dot.png|1st Sequence |Dot.png|2nd Sequence |Dot.png|3rd Sequence }} | New Name| {{ImageTOC |Dot.png|1st Sequence |Dot.png|2nd Sequence |Dot.png|3rd Sequence }}}}


At the top of a sequence description, you will see this header. This is an example of what it looks like:

??? Sequence/Intro/OP/Outro/ED (????-????)


The header provides some info about the sequence's lifespan: The first set of question marks are used to identify if the sequence is the 1st in the article, 2nd, 3rd, and so on.

The second set is to signify what year the sequence is introduced. Remember, if specific dates are available, use those. If the sequence is still being used today, omit the fourth question mark set, otherwise insert the year/date the sequence was last used. Additionally, the set has to cover the sequence's official lifespan, meaning where the sequence officially debuted and ended. The following will not factor into the sequence's lifespan:

  • Trailers and TV spots
  • Premieres at film festivals and other similar events
  • Home media releases (for film and television only)
  • Unreleased media (e.g. beta builds of video games)
  • A news article, webpage, or video revealing the new sequence

However, if the sequence made its only appearance on any of the above options, then they can be counted into their lifespans. They are also permitted to be mentioned in the Availability section if necessary. Also, dates in which the sequence was used or revived for a brief period of time should not be included unless if it has seen normal use since. If the dates are close to each other in terms of time, then they can be consolidated into one lifespan. A sequence that briefly returned 10 years after the time it was retired will not include the newer date in the header.

There is a simplified way to do this; the {{Ordinal}} template. When adding sequences, simply add the number you're up to into this template (1, 2, etc.) and it will automatically change to 1st, 2nd, etc. This template simplifies the process of re-adding the suffixes (st, nd, rd, th) to the numbers if a sequence is removed or relocated on the page for some reason.

Examples

Header for only one sequence:
Sequence (November 28, 1915-February 4, 1918)


Header for the nth sequence:
3rd Sequence (March 27, 1923-January 20, 1924)


Header for sequence with an official revival:
2nd Sequence (July 4, 1979-March 19, 1997, October 4, 2013-)


Incorrect example - Redundant numeral for the company's only sequence:
1st (and only) Sequence (1990's)


Incorrect example - Header for sequence with unofficial nickname:
2nd Sequence (X's Brother) (1972-1974)


Incorrect examples - Covers dates in which the sequence made a brief appearance:
5th Sequence (June 16, 2000-March 17, 2006, 2010, April 12, 2019)

2nd Ssequence (1994-2012, November 25-27, 2021)


Incorrect example - Separate lifespans are too close to each other in time:
5th Sequence (September 18-December 4, 1999, September 16, 2000-May 15, 2004)



This is where images and videos of the sequences will be displayed, for readers to get an idea of what the sequence looks like, as well as to view videos of the sequence's full animation. For more specific info, see OSCA:Adding Captures.

Put any images here, using the gallery template.

Put any YouTube videos here, using the YouTube template.




Description Sections

Logo: You know the ones, it's the short video segments that serve to identify the production company or companies that worked on the program! If a program's sequence uses a production logo to open or close a program, add them within this segment.

  • Shall a page be available, use the syntax {{AVID link|Production Company name goes here}} to link to a description of the logo on the Audiovisual Identity Database.
  • If the logo appears before the start of an opening sequence, place it in front of Visuals. If the logo appears after the credits, please place it after Audio.
  • If a logo combination exists on the media, use a forward slash (/) to separate the two companies.
  • If a logo/logo combination changes based on print of the media, please describe those below the original print.
Examples

Single logo examples:
Logo: The 1928-1936 Columbia Pictures  logo plays, fading into the title card.
Logo: The 2016 Klasky Csupo  logo is played.

Multiple logo examples:
Logos:
Television: United Plankton Pictures, Inc. /Nickelodeon Productions 

Home Media: United Plankton Pictures, Inc. /Nickelodeon Home Media/Endcaps 


Visuals: The heart of it all. This is used to describe what happens in the visual identity. Start by stating what the background looks like, and then describe any animations that happen during the sequence. Be very descriptive on this part - try to describe some smaller details if possible. This section should be written in a neutral point-of-view (NPOV) and in third-person; avoid using first-person pronouns.

  • Colored text in descriptions are strongly discouraged, which also includes text visualizations. Doing this does not benefit the text at all, and especially not the reader, because it only sacrifices readability for the sake of unnecessary flair.
  • If the visual is a still image, describe it as best as possible, including the background and objects depicted in the image.
  • Take your time on these, and make sure you revise. Leaving certain details out may lead to discrepancies between the description and the actual visuals.
  • You can also list what specific font(s) a sequence uses if you're able to identify it, which we recommend using MyFonts' WhatTheFont tool for. Simply upload the capture containing the font you want to identify, click on one of the highlighted texts containing the desired font, and review the results from there. Make sure to check for any design inconsistencies between the original sequence's font and the results before adding.
  • If the visuals are the same as another but with a minor difference, do not simply redirect to that section and state the differing detail. You may copy and paste that sequence's description over to the new one with the small detail re-worded. Identities sharing the same as another's with no indicators for the specific division should be taken out or replaced with a note mentioning this fact.
  • If applicable (e.g. voices on opening or closing sequences and live actors), mention the name of the actor who portrays the character.
Examples

Animated sequence example:
Visuals:

  1. A blue drop of water ripples over a black background, segueing into a red space background. A yellow outline of a Seraphim zooms out. Fading into a blue starburst background, a blue outline of the Kabbalistic tree of life as depicted by Robert Fludd pans downward, followed by a glowing flame. The screen flashes into the EVANGELION wordmark followed by "エヴァンゲリオン" in orange zooming out below and "新世紀" flashing in above.
  2. A headshot of Shinji over a blue sky background, as silhouettes of Shinji, Asuka and Rei appear. Shinji softly smiles.
  3. Over a twilight background, another outline of the Kabbalistic tree of life as depicted by Athanasius Kircher appears as a silhouetted finger presses down, followed by Misato (both headshot and silhouette) looking upward. Then Misato is seen sitting down as another headshot of Shinji appears. A window with Rei inside appears, crossfading into a close-up of Rei's eye.
  4. EVA machinery is seen as Shinji pilots EVA-1. Cuts of Gendo, Misato, Ritsuko, and Rei appear. EVA-1 is seen powering up and unleashing 12 pairs of wings made of light.
  5. Shots of various Evangelion episodes, intercut with title cards and headshots of supporting characters. The sequence ends with a credit for Hideaki Anno, wiped away by a shot of EVA-1 zooming out, crossfading into various shots of Shinji, and then a red title card with scrawly writing.

Visuals: A golden-yellow sun rises. As the sun approaches the center, a rotating CBS eye appears, surrounded by a ring rotating outwards consisting of the words "movies", "theater", "television", "personalities", "art", "books", "music", and "opinion" (in a Frutiger typeface). As the ring of text continues to rotate, the sun from the last intro forms with its rays rotating around the middle of the sun. The CBS eye moves forward and fades out, and then the box from the last intro, this time with "ART", "MOVIES", "THEATER", "DESIGN", "MUSIC" and animated words representing the stories featured in the episode scroll downwards as the camera begins moving towards the right eye of the sun. "S U N D A Y M O R N I N G", with the letters spaced apart, flies in as the letters move back together. As the camera move through the eye, "Charles Osgood" wipes in from the left below "SUNDAY MORNING". A cloud with the set inside appears and zooms in, eventually covering the entire screen.

Still sequence example:
Visuals: On a grey background, the words "DISNEY CARTOONS present A" are at the top of the screen. The words "MICKEY MOUSE" are below them in a cartoonish font, and the words "SOUND CARTOON" below them. In the middle is the cartoon's title. Below the title is the phrase "A WALT DISNEY COMIC by UB IWERKS". Below that is the phrase "Recorded by Powers' CINEPHONE System" with "CINEPHONE" in its logo font. The copyright date is at the very bottom. On either side of the words are Mickey Mouse (holding a hat) and Minnie Mouse (doing a flirty pose), respectively. Once the card fades out, the title remains on screen for a few more seconds before fading out completely.
Visuals: Against a shiny backdrop are the heads of Curly (looking at the other Stooges with a shocked expression), Larry, and Moe with their names below them. Above them are the name "THE THREE STOOGES" in a longer version of the previous title card's font, along with the text "COLUMBIA PICTURES CORPORATION" and "presents" above the name, the word "in" and the short's title below their heads, and copyright information below. The heads and title have stronger drop-shadows than other elements. The other titles play in a separate screen.

Incorrect example - Description is written in a conversational tone (first-person plural is used to address the sequence):
Visuals: In the first cap, we see a big screen surrounded by curtains while a weird-looking creature conducts an orchestra totally full of animals.

Incorrect example - The appearance of the actual sequence is not described:
Visuals: On a black background is the title card of Tom and Jerry.

Incorrect example - Usage of stylized fonts or colored text diminishes readability:
Visuals: A light yellow sun rises on a black background. When the sun reaches the middle, it zooms backwards and then an orange CBS eye logo zooms forward with a trail following it.

Incorrect example - Describes the visuals that are the same as another sequence with a minor difference by redirecting it:
Visuals: Same as the 1990 news intro, except the text reads "EVENING".


Trivia (optional): If there is some trivia about the sequence, put them in this section. Examples include: the person/company that designed the sequence, what software was used, some behind-the-scenes facts, official or notable nicknames the sequence was given, etc.

  • Avoid putting information that is pop culture related/doesn't relate directly to the sequence or its production. We recommend putting those in our dedicated pop culture sequences page instead.
Examples

Single trivia examples:
Trivia: The photo used for Larry's head was probably taken in the same session as the first intro, as his hair is arranged almost exactly the same way.

Multiple trivia examples:
Trivia:

  • The opening lines were based on lines Stephen Hillenburg said to kids as a fake sailor while working at the Orange County Marine Institute, albeit with "ye" spoken instead of "you" in "Are you ready, kids?"
  • The Painty the Pirate painting was painted by Calvin Liang.
  • In "A Skin Wrinkle in Time", GrandPat Star is sung the intro to remember SpongeBob. At the end, SpongeBob blows his nose flute.
  • "Truth or Square" features parodies of this intro with Squidward, Patrick, and Mr. Krabs.
  • "Unreal Estate", likewise, has a parody of this intro with three other houses besides SpongeBob's. These include a banana, hot pepper, and a chicken parmesan hero.
  • In "Handemonium", SpongeBob summons Hans to fight the glove of the Chum Bucket by reenacting the first bit of the intro.
  • The doodle of SpongeBob on the intro is nicknamed the "Colored DoodleBob" by fans post-"Frankendoodle".
  • Its production code is 127, the same code as the broadcast version of "Help Wanted". It was storyboarded between "Reef Blower" (126) and "Valentine's Day" (128).


Incorrect example - Trivia does not relate to the sequence directly:
Trivia: At the time, ABC was the most watched television network in America due to the popularity of Who Wants to Be a Millionaire.


Variant(s) (optional): If there are different variants of a sequence (such as a prototype or an extended variation), add and describe them here. It's suggested to underline key portions of the variant being described, to make locating it easier.

  • Do not describe one-off variations here. In other words, the variant is specific to only one movie/show. These should go on a separate sequence variations page.
  • If a variant is rare or unusual, be sure to avoid inserting POV terms such as "surprise", "strange", "odd", etc. If you think a rarity of a variant is notable, mention it in the Legacy section below, though it may need a form of community consensus.
Examples

If the sequence has only one variant:
Variant: Similar to other sequences from its time period, the sequence may appear on the top or bottom of text cards.
Variant: There was an early version of this sequence, which is slightly longer than the later version.

If the sequence has multiple variants:

Variants:

  • A still variant of the standard sequence exists, which appears on the original release of Sophie's Choice.
  • Some Australian releases with the Australian version of the sequence do not have "TM".
  • A B&W variant of the standard sequence also exists, which appears on the 1982 VHS release of The Diary of Anne Frank and the 1983 VHS releases of Modern Times and Intolerance.
  • Another Australian variant also exists, where the sequence appears in the corner and Australian television and radio announcer Pete Smith (most famous for his announcing of the Australian version of Sale of the Century) introduces the film.

Variants:

  • A version exists on Battle Beyond the Stars with "NEW WORLD PICTURES PRESENTS" under a shut black aperture with a faintly visible blue outline, then it fades to "A ROGER CORMAN PRODUCTION". In this version, we zoom into the aperture as it gains red streaks on each blade and opens up at the end.
  • A superimposed variant has the symbol on top of the text "NEW WORLD PICTURES INC PRESENTS", all of which is in white.

Variants:

  • There is also a sepia-toned version.
  • There is a blue-toned variant on Souls for Sale.
  • A still image containing another version of this sequence was spotted on a 2011 CBS Sunday morning news broadcast. Here, the sequence is brighter due to film deterioration, and the lion's appearance is different as well. He also stares directly at the camera. Unfortunately, this version of the sequence is currently lost, possibly from the vault fire that happened in 1965.

Variants:

  • Depending on the film, the colors are different.
  • An in-credit version exists.
    • A closing variant exists, where the print sequence is at the bottom of the screen with "A Paramount Picture" overlapping over it. Below is the copyright notice reading "COPYRIGHTED [YEAR] BY FAMOUS PLAYERS-LASKY CORPORATION". At the center of the screen is "The End". At the top of the screen is a rectangular box with "A FAMOUS PLAYERS-LASKY PRODUCTION" inside.
    • A blue toned version of this also exists.

Technique: This is a short section. State the animation technique and/or the type of effects being used in the sequence. These are some of the usage examples:

  • Analog computer/Scanimate animation/switcher/effects: This sequence was animated using effects from an analog device, such as Scanimate or switcher. This animation style can be characterized by the use of trail effects, shines, panning/zooming, etc.
  • (2D/3D) CGI/computer animation/effects: This sequence was made using computer software, either in 2D or 3D. Some examples of 2D software include Adobe-Animate (formerly Flash) and Toon-Boom.
  • Live-action: This sequence was produced entirely using live-action footage.
  • Motion/Camera-controlled animation: This sequence was designed/animated using a computerized stop-motion camera. More often than not combined with cel animation.
  • Traditional/Cel animation: This sequence was drawn traditionally using ink and/or animated frame-by-frame on cel sheets. Recent sequences with this technique would colorize the drawings digitally, via digital ink-and-paint.

For a comprehensive guide on identifying more of these animation techniques, visit this page.

If two or more of these techniques are combined, you can put both in this manner: "A mix of (TECHNIQUE) and (TECHNIQUE)."
You may not redirect Techniques to another sequence in this manner: "Same as Example Media".
If the sequence is still, do not put "None" as the technique, as that implies identities are made out of thin air. Instead, you may describe that the technique of a still sequence includes digital graphics, superimposed, a cel sheet, printed image, etc.

Examples

Single animation technique example:

  • Technique: CGI complied at Eyeball Studios NYC, with design and animation by Benjamin Hill.
  • Technique: Ink and paint.
  • Technique: A still, printed image.
  • Technique: Live-action footage with an illustration composited over it. There are skips throughout the footage, likely due to deterioration or splicing.
  • Technique: Live-action footage with an illustration composited over it. The end cards and chapter cards are still illustrations.

Multiple animation technique examples:

  • Technique: A mix of 2D and CGI animation.
  • Technique: Live-action model work combined with wiping effects.

Incorrect example - Not specific enough:

  • Technique: 2D animation.

Incorrect example - Describing what moves in the sequence:

  • Technique: The light beams, the ripples, the glowing, the flash.

Incorrect example - Unnecessarily praising the sequence's animation:

  • Technique: Nice CGI animation.

Incorrect example - Unnecessarily criticizing the sequence's animation:

  • Technique: Cheap CGI.

Incorrect example - Redirecting the Technique to another sequence which encourages misuse:

  • Technique: Same as Example Productions.

Incorrect example - Implies the identity is made with nothing:

  • Technique: None.

Incorrect examples - No. Too lazy. You can do better.

  • Technique: Everything.
  • Technique: All the animation in the sequence.

Audio: Describe the music theme played, whether as a genre (e.g., rock) or as specific instruments (e.g., guitar and drums), and/or the type of sounds are being used in the sequence.

  • If possible, also mention how the theme or sound is made and who made it.
  • If a specific piece of music is used, identify it and consider inserting a link to an upload of the music on YouTube, Vimeo or a similar site if available, in cases where the music and/or artist is less well-known.
    • One way you can try identifying specific pieces of music is to use the Google app's Voice Search function (specifically "Search a song") and playing the sequence's audio for Google to identify. You may also visit this page to identify other commonly used instruments and techniques used to compose the audio.
  • If a sequence doesn't contain audio or is silent, put "None".
Examples

sequence only used one music track in its lifetime:
Audio: Beginning after Painty's "Oh...", a sea shanty-like tune plays composed of an accordion, a bass guitar, some drums, an acoustic guitar, and a flute that plays a short jingle once SpongeBob shows up. The theme was written by Stephen Hillenburg and Derek Drymon, and composed by Hank Smith Music.


sequence used multiple music tracks in its lifetime:
Audio: Two different versions were used:

  • A rapid synthesized warbling (which sounds like helicopter rotor blades spinning), getting louder as the sequence gets closer to the screen, followed by a sub-bass 110hz sine wave hum when the sequence stops spinning.
  • Sometimes, a synthesized build-up is heard, accompanied by a soft crash as the sequence stops zooming.

Incorrect example - Description is written in a conversational tone (first-person plural is used to address the audio):

  • Audio: We hear a series of synthesized shining sounds, followed by a nine-note brass tune, a couple of synth blares, and a four-note orchestral tune. This theme was composed by Jerry Goldsmith.

Incorrect example - Does not specifically describe the audio:

  • Audio: Rock music.

Incorrect example - Unnecessarily praising the sequence's audio, or using adjectives to describe the audio (this can also violate the OSCA:POV policy):

  • Audio: Either a wonderful piano/string tune (composed by Randy Edelman, who also composed the fanfare for Spyglass's predecessor, Caravan Pictures), silence, or the opening theme of the movie.
  • Audio: A guitar tune with cute-sounding drum beats.

Incorrect example - Redirects the audio to another sequence that encourages misuse:

  • Audio: Same as Example Productions.

Audio Trivia (optional): If there is some interesting trivia about the sequence theme or sounds, such as who composed it, add them in this section.

Example

Audio Trivia: The music, taken from the beginning of Franz von Suppé's "Leichte Kavallerie: Ouverture", was used at the beginning of some old Hong Kong movies.


Audio Variant(s) (optional): If there are one or more variants of the sequence theme or sound, add them here. Again, underline key parts of the variant to make locating it easier.

Examples

Single variant example:
Audio Variant: On Warner Archive's Blu-ray release of The Drowning Pool, it has the second half of the 1999 fanfare playing due to a plastering error, using the 2001 prints.

Multiple variants example:
Audio Variants:

  • A sped-up version of the theme exists.
  • On current prints of Babylon 5, the 1994 theme is heard; pre-1995 episodes use the closing theme of the show.
  • On The Flight Attendant, the closing theme of the show is heard.
  • The sequence is silent on Lovecraft Country.

Voiceover(s) (optional): Used whenever any sequence has a voiceover.


Lyric(s) (optional): A good title sequence needs a theme song, and a good theme song needs lyrics! Write down a transcription of the lyrics in this section, so our visitors can sing along to the theme song!

Examples

Lyrics example:
Are you ready, kids?
Aye, aye, Captain!
I can't hear you!
Aye, aye, Captain!
Oh...
Who lives in a pineapple under the sea?
SpongeBob SquarePants!
Absorbent and yellow and porous is he
SpongeBob SquarePants!
If nautical nonsense be something you wish
SpongeBob SquarePants!
Then drop on the deck and flop like a fish!
SpongeBob SquarePants!
Ready?
SpongeBob SquarePants
SpongeBob SquarePants
SpongeBob SquarePants

SpongeBob SquarePants!


Availability Notes (optional): This section serves as an optional addendum to the availability table below. State any networks/home media/consoles the sequence is found in and/or where it was last seen. Don't forget to italicize titles (or use "quotation marks" for episode names of television shows) from where the sequence can be found.

  • As with the Variant section, POV should be avoided when describing appearances, which include using "tiers" such as "common" or "rare", describing a source as a "surprise appearance", etc. The rarity of a sequence, if community consensus on its status is notable, should be mentioned in the Legacy section.
  • If there is little to no information to which hosting media the sequence has appeared, you may want to use the "Unknown" label at the beginning of the section.
  • This section is optional for sequences that fall under categories in which the sequence was only seen for a limited time. If there is no extra information regarding its availability (e.g. revivals, home media releases, specific name or types of ads), then omit this section.
    • Do not state the lifespan of when the sequences are seen, whenever in theaters or airing on television. The header already stated the obvious on when the identities were used for.
  • When describing where sequences are found, include specific examples. Add a table where you can find everywhere you can find the sequence.
    • Also specify if something that should have the sequence doesn't for some reason.
  • Personal online uploads of sequences are not credible sources. The point of Availability is to describe what primary sources the sequence appeared on. However, if the sequence upload came from the company itself and/or the person/studio that created it, it is acceptable to include that in the section.
  • Don't just say "found on the franchise's releases at the time", name at least some of the releases the sequence is known to be on.
  • Don't make predictions on any upcoming shows or films that you think new sequences will appear on, as they may not even use them.
    • For similar reasons, do not attempt to predict when a sequence will make its final appearance. This also includes saying "this sequence's days are numbered".
  • If a sequence had been spotted on a certain source in the past or now, avoid using the word "recent" to ensure the timeliness of the descriptions.
Examples

Single availability source example:
Availability Notes: The standalone variant has so far resurfaced on The Mystery of the Leaping Fish. The in-credit variant was so far only seen on Hoodoo Ann.
Availability Notes: As with the first Metro-Goldwyn-Mayer sequence, most prints that have this sequence either got destroyed in the 1965 MGM vault fire or were plastered by then-future Metro-Goldwyn-Mayer sequences, with the same going for the other sequences from the company. The only known surviving movies containing this sequence are The Ace of Hearts and The Penalty, the latter of which has the sequence at the end and is plastered on some prints with the MGM "Lion Marquee" endcap. It was stated that the first appearance of the sequence is Polly of the Circus. However, the surviving prints of the aforementioned film do not have this sequence.
Availability Notes: The only known surviving movies containing this sequence are Wild Oranges and Souls for Sale.
Availability Notes: Seen at the end of very early MGM-era films such as He Who Gets Slapped, Lady of the Night, and Cleopatra (1928), and also as an opening sequence, like on Greed.
Availability Notes: Can be seen on The Great American Tag Sale with Martha Stewart, 2022 American Rescue Dog Show, The Final Straw, Claim to Fame and Beauty and the Beast: A 30th Celebration.
Availability Notes: Seen on Hypocrites, Sunshine Molly, and The Majesty of the Law.
Availability Notes: It was seen at the end of films produced by the Universal Film Manufacturing Company, Famous Players Film Company, Paramount Pictures, Pallas Pictures, General Film Company, and Edison Manufacturing Company from this period which includes The Boy Mayor, The Intrigue, The Italian, The Captive, Poor Little Peppina, Why Change Your Wife?, and When Knights Were Bold and at the beginning of films such as The Snowbird. Like many films from this period, they were either destroyed or in the public domain, removing this sequence altogether. In addition, many only carried an in-credit notice rather than this sequence. Despite its rarity, it is intact on the 2020 Blu-ray of The Intrigue: The Films of Julia Crawford Ivers box set.

Multiple availability sources example:
Availability Notes: It can be seen on the earliest films under the Paramount Pictures name. Some films are still around, while others are destroyed.

  • Seen at the end of very early Paramount-era films such as The Squaw Man, The Virginian, The Bargain, The Italian, Carmen, and The Cheat.

Availability Notes: It can be seen on the earliest films under the Metro-Goldwyn-Mayer name. Some films were still around, while others are destroyed.

  • Due to the 1965 MGM vault fire, existing prints of most films from this era have the 3rd sequence plastering this one, this is not easy to come across.
  • Currently, it is seen on He Who Gets Slapped, Confessions of a Queen, The Unholy Three (1925), The Circle, and Battling Butler.
  • It may have also been seen on some original prints of London After Midnight, Lady of the Night, and Ben-Hur: A Tale of the Christ, respectively.

Availability Notes: Seen on films of the era, such as Freaks (1932), Grand Hotel (1932), Manhattan Melodrama (1934), The Thin Man films from 1934 to 1947, The Girl From Missouri (1934), Riptide (1934), A Night at the Opera (1935), Fury (1936), Libeled Lady (1936), Camille (1936), Romeo and Juliet (1936), The Good Earth (1937), Captains Courageous (1937), Topper (1937), A Day at the Races (1937), the Andy Hardy films from 1937 to 1946, The Wizard of Oz (1939), Goodbye, Mr. Chips (1939), Ninotchka (1939), The Philadelphia Story (1940), Ziegfeld Girl (1941), Mrs. Miniver (1942), Gaslight (1944), The Asphalt Jungle (1950), The Bad and the Beautiful (1952), Pat and Mike (1952), as well as the 1930s The Captain and the Kids cartoons.

  • The color variant is quite rare, as colorized versions are hardly ever shown on TV or on video. It is, however, seen on the colorized version of Babes in Toyland (1934), as well as colorized version of The Thin Man (1934), DOSCA Copperfield (1935) (intact on the Russian channels for the former as well as 2000's local stations airings for the latter), Libeled Lady (1936), Camille (1936) and A Christmas Carol (1938) (intact on the Canadian YTV's airing). Also, this might be seen on some variant recreations of these colorized versions of said films.
  • This sequence may plaster Slats on current prints of silent films such as The Navigator, Greed, Lady of the Night, Go West, Ben-Hur: A Tale of the Christ, Torrent, The Scarlet Letter (1926), Flesh and the Devil and The Unknown; his first appearance as the full-time MGM lion was in Our Dancing Daughters.
  • In later years, clips from this sequence were reused for the 1993-1998 MGM/UA Home Video sequence.
  • It was also seen on the reconstructed Turner Classic Movies version of London After Midnight.
  • The last few films to use this sequence were The Affairs of Dobie Gillis, Big Leaguer, The Actress, and Main Street to Broadway.

Availability Notes:

  • Appeared on 2007-2020 episodes of first-run syndication programs such as Live! with Kelly and Ryan, and Tamron Hall among others.
  • The long version is available on Sam Winan's website, on the television section.
  • It was featured at the end of episodes of At the Movies during the Ben Lyons/Ben Mankewicz and Michael Phillips/A.O. Scott eras.
  • Also seen on North American Wii, PS3 and PC versions of Who Wants to Be a Millionaire? for the 2007 version (the DS version uses a still version instead), while the 2013 version was seen in Who Wants to Be a Millionaire? 2012 Edition on the Xbox 360 (Kinect). Furthermore, the 2007 on-air print version was spotted in the North American version of Who Wants to Be a Millionaire? Special Editions on Xbox 360, PS3 and PC.
  • The unused version was unused and may not be the extended version that was used.
  • Reruns of the Meredith Vieira version of Who Wants to Be a Millionaire? on GSN plaster the Buena Vista Television sequences with this sequence. As of 2020, this is the only known instance of this sequence plastering over another one.
  • It doesn't appear on any other series in the Disney-ABC library, as this sequence is seen only on first-run syndicated series.
  • Although the company is still in operation, this sequence has been retired, with Disney Media Distribution's sequence overshadowing this sequence during the 2020-2021 television season.
  • This sequence was retained on 2020-2022 episodes of Right This Minute, which was the final program that was still using it. Right This Minute ended on April 29, 2022, officially ending the usage of the sequence.

Incorrect example - Uses a personal YouTube channel as a source:
Availability Notes: As one of the longest-used end tags, it's fairly easy to find on YouTube when searching for commercials between 1992 and 2004. The company's channel doesn't have a ton of uploads with it, however many Chicago-based commercial uploaders (like gtp2day) certainly do. Otherwise, it's extinct.

Incorrect examples - Does not mention any specific sources:

  • Availability Notes: Seen on films released by the company from this period.
  • Availability Notes: Can be seen on programs from this period.
  • Availability Notes: Seen on tests from 1983 to 1988.

Incorrect example - Uses uninformative phrases:
Availability Notes: Don't expect to see this on Sharpay's Fabulous Adventure and Daphne & Velma, despite the co-founders for the company both being involved.

Incorrect example - Predicts when a sequence will debut:
Availability Notes: Assumed to fully premiere on the 2023 Kids' Choice Awards, due to the usage of this new splat sequence design being used in promotional material for it.

Incorrect example - Predicts when a sequence will retire:
Availability Notes: Even though this sequence may retire as the next sequence comes into the scene, this will still be ultra common.

Incorrect example - Adds a "Tier":
Availability Notes: Rare. Found on [x], [y], and [z].

Incorrect example - Uses POV phrases:
Availability Notes: This sequence made a surprise appearance on the 2000 Canadian Alliance Atlantis VHS of Terminator 2: Judgement Day and also on the 2000 Canadian Alliance Atlantis VHS of Basic Instinct (strangely, with the IVE Warning screen at the end of the latter tape).


Legacy (optional): Write about how the sequence has affected the sequence community and/or broader popular culture and how much of an impact it's left on them (i.e. if the sequence is well-liked or disliked by the community, such as for the visuals, music, or it appearing on a specific program). If not that important, omit this section.

  • Be sure the section is relevant to the sequence itself. Avoid citing the reputation of a company, show, person, etc., as a sequence's influence, as they may not have anything to do with its impact. Instead, mention it in the Background section.
  • Do not add comments that are opinionated and are only based on your sole judgement, as it violates the OSCA:POV policy. All statements added to Legacy need some form of community consensus. If you think the reception of a sequence is notable, consensus should be required as well. You are also required to cite sources about a reception of a sequence to provide points as well.
  • Legacy is also not a place to be talking about how similar it looks or sounds to a specific sequence, or how that sequence was the first/last appearance of a specific element. Those are more trivial statements and thus should be in Trivia.
  • Legacy also doesn't allow what the community speculates for a sequence, as it has nothing to do with its reception.
Examples

Correct examples:

  • Legacy: Considered a rightfully iconic sequence. However, it has gained some infamy among some for its continual plastering of Disney's previous sequences. Outside the sequence community, it's regarded by some as a metaphor for the company's sheer size and force over the industry (for better or worse). Nonetheless, it's still a favorite of many.
  • Legacy: It's not seen as popular due to its wide prevalence on television, in part due to its plastering older sequences.
  • Legacy: Considered a beautiful homage to the 1936 sequence thanks to its CGI and fanfare. It has been in use for around 30 years, mirroring the longevity of the 3rd sequence.

Incorrect examples - Opinionated comments:

  • Legacy: The sudden appearance of the animation can catch you off guard, but it's harmless.
  • Legacy: The end result just screams placeholder and considering its longevity, that makes sense.
  • Legacy: Everything about this sequence is very cheap, particularly the animation, which wasn't that bad back then, but was still cheap back in the day.

Incorrect examples - Irrelevant trivia about the sequence:

  • Legacy: The extended fanfare will be then used for the company's future sequences.
  • Legacy: This sequence debuted on TV before the movie sequence followed suit.
  • Legacy: This marks the first use of the studio's famous mountain.
  • Legacy: This marks the first appearance of the famed lion, filmstrip, and "ARS GRATIA ARTIS (ART FOR ART'S SAKE)" tagline, all of which would become synonymous with MGM.

Incorrect example - Using a related entity's reputation for the sequence's legacy:

  • Legacy: The many controversies of Harvey Weinstein and his company have permanently destroyed this sequence's reputation.

Availability Section

At the end of a description, add an availability table. If there is no extra information regarding its availability, then omit this section.

This table is important - gather all of the information about where this sequence can be found. State any networks/home media/consoles the sequence is found in and/or where it was last seen. To generate this table, use the following syntax:

{{safesubst:Availability|Lifespan of sequence}}

Afterwards, an "Edit Table" button and a transclusion will be generated when the page is saved. Click the "Edit Table" button to create or edit the table. The table contains the following fields:

  • Title - the name of the media the sequence originates (use the English title if it has one);
  • Original Title - the original name of the media if it has an English title;
  • Date of Release - the date when the media was released;
  • Additional Notes - any additional info about the sequence's appearance, such as specifying if it is a variant or not, if it is plastered on certain prints, etc;
  • Video Link - if available, supply a video link to the sequence's appearance (either YouTube or streaming prints).

There are also additional, optional fields such as:

  • IMDB/TMDB/MobyGames - add a link to any of these databases;
  • Final Date of Usage and Episode - useful for television media if a sequence is only used for a specific set of episodes;
  • Format - the format of the media the sequence appeared on (check the "Enable format field" box for this to work);
  • Print - the specific print the media is on, such as a television station's print or a home video company's print (check the "Enable print field" box for this to work);
  • Platform - the platform the media is on (check the "Enable platform field" box for this to work);
  • Country/Region - the country or region from which the media originates (check the "Enable country/region field" box for this to work).

Each table supports up to 60 entries. You would need to make a new subpage and table if there are more than 60 entries. You can do so by using tabbers and copying the "Edit Table" button's code and specify the target page for the new table.

Don't make predictions on any upcoming shows or films that you think new sequences will appear on, as they may not even use them. For similar reasons, do not attempt to predict when a sequence will make its final appearance. As with the variants table, if a sequence or a variant of it seems rare to you, please avoid using POV terms in Additional Notes by calling the sequence "rare" or "extinct". Any notable information as such should be in the Legacy section above.


Final Note

(optional element)
This can be used on defunct company pages. Here, describe the fate of the company and/or how it became defunct, whether if it merged with another company or if it filed for bankruptcy.

Examples

Final Note

From 2017 onwards, HIT Entertainment programming now has the Mattel Creations (and later the Mattel Television) sequence instead of the HIT sequence. However, the 2007 HIT sequence is still used on DVD releases and trade ads.

Final Note: Between 1920 and 1921, films from Universal would either have an in-credit notice, or none at all. It won't be until 1922 that Universal have an on-screen sequence again.


(optional element)
If there is a site you believe will further inform our readers on the history and/or branding of the company, you can create an external links section. Examples of what you might list here include:

  • A relevant Wikipedia article
  • An IMDB filmography for the company
  • The company's official website
  • A site or article discussing the branding of the company, e.g. a page on TVARK or a similar branding compilation site/forum, an article about how the sequence was made.

If you have level 2 headings on your page, this should be a level 2 heading to ensure the table of contents is formatted properly. Otherwise, a level 3 heading is acceptable.

Example

External Links


Chronology

(optional element)
The chronology template is used for linking defunct companies to their successors (i.e. Metro Pictures, Goldwyn Pictures, & Louis B. Mayer Pictures link to Metro-Goldwyn-Mayer Studios), or for linking major rebrands (i.e. MGM/CBS Home Video links to MGM/UA Home Entertainment and CBS/Fox Video). Two examples are provided below:

Predecessor company
Other predecessor company (for mergers)
'Company'
Other company (for mergers.)
Successor company
Other successor company (for split)
Older Name
'Old Name'
New Name

(optional element)
You can add a Navbox to the bottom of your page for easy navigation between related pages. You can add more than one Navbox if you choose, though typically an article would have a section Navbox, e.g. TV, Film, Home Entertainment and a company navbox, e.g. Warner Bros. Discovery, Sony, Disney, Comcast, Amazon, Paramount Global, Fox, Versant, Nexstar, Hearst, Sinclair, Gray, Tegna, Scripps, Cox, Rincon, Allen Media Group. For a full list of currently available Navbox templates, see Category:Navboxes. Five examples are below:


Categories

Once you've finished your page, you should add it to our category system. You can add a page to a category by adding [[Category:Your Category Here]]. You can see this in action at the bottom of this page, where you will note that this page is in the "Tutorials" Category.

Alternatively, you can turn on HotCat, which can be found on the Gadgets section of your Preferences. This will enable buttons to remove, change or add categories on the category bar.

Which categories do I use?

  • Sequences appearing in film, including theatrical film, short film, direct-to-video film and newsreels are categorized into Category:Film.
  • Sequences appearing in television series are categorized into Category:Television.
  • Sequences (trailers) used by movie theaters/cinemas are categorized into Category:Cinema trailers.
  • Sequences appearing in music entertainment are categorized into Category:Music entertainment.
  • Sequences appearing online are categorized into Category:Online.
  • Sequences appearing in educational media, including classroom films and educational videos, are categorized into Category:Education
  • Sequences appearing in video games are categorized into Category:Video games.

After adding the section categories, be sure to add the country categories according to the media's country of origin, and if available, the company category. For example, the categories for The Three Stooges are as follows:

[[Category:Comedy show title sequences]] [[Category:United States]] [[Category:Television]]


Description Tips

With that, we conclude the article elements section. However, we would like to provide some other tips to remember when writing an article:

  • When creating a new page, you can load a standard template to simplify the editing process. When creating a new page, a box will appear above the editor asking you to choose a boilerplate. Ensure that you have selected the appropriate page template, then click Load. This will load in a blank description template that you can use to build your page. We currently have boilerplates for Standard Pages and sequence Variations.
  • When writing two or more sequence descriptions, make sure you add a line break in between each one so each description will have enough breathing room.
  • If your page mentions a company which has its own article on AVID, please add a link to the company's article with the {{AVID link}} template - for example: {{AVID link|Metro-Goldwyn-Mayer Studios}} produces Metro-Goldwyn-Mayer Studios . This helps tie both wikis together.
  • Use formal lanugage instead of informal/colloquial language (e.g., use "atmosphere" or "feel" in place of "vibe(s)").
Other Tips & Tricks

Page Templates

Main article: OSCA:Page Templates

Adding Citations

If there is a statement written in an article that some are likely to challenge, why not back it up with a reputable source? That is where the References feature comes in. To add references, simply type the following code:
<ref>[URL]</ref>
[1]
The code is to be written directly after the statement in the article in which you want to add a citation. The reference will automatically be listed at the bottom of the page, like so:

  1. [URL]


You can also add text sources if you really wanna go there. Write the reference in the following format:
<ref>Author, ''Title'', (Publisher, YEAR), Pg#-Pg#</ref>
[1]

  1. Author, Title, (Publisher, YEAR), Pg#-Pg#

Moving Pages

If your page title has a typo in it or the subject of your page has changed their name, you may wish to move your page to a new title. To do this, simply go to the "More" menu at the top of the page and select the move button. You will be prompted to provide your changed title. If you are simply moving your page to a new namespace, click on the dropdown that says (Main) and select the namespace you want.

Once you have made the desired change, click the button to confirm your change and the page will be moved. Your original title will be preserved as a redirect, so you won't need to update any wikilinks to your page. If your move was to correct a typo in the title, please blank the resulting redirect page and mark the page for speedy deletion using {{SpeedyDelete|Typo}}. An admin will then delete your page promptly.


Creating Redirects

If the subject of your page is known by another title or an abbreviation, you might like to create a redirect so that any user who searches or links using this alternate name will easily find your page. To make one, simply create a new page with the desired alternate name and put the following on the page:

#REDIRECT [[Your Title Here]].

The markup should produce something like this:

packed
packed

Once you save your redirect page, any user who follows a link to this alternate title will be sent directly to your page.


If your page has Level 2 headings, you might want to use this markup to create a redirect to a certain section of a page:

#REDIRECT [[Your Title Here#Section Name Here]].

The markup should produce something like this:

packed
packed

Alternatively you can use Special:CreateRedirect to make a redirect in a more user-friendly manner. This page also allows you to create multiple redirects at once.

Conclusion

We've reached the end of this comprehensive tutorial guide! We hope this has quelled a few questions regarding how to write articles on the wiki.

Provided are three different demo pages containing examples of proper formatting. They are simply shorter excerpts of an OSCA page, but demonstrate good examples of following the Tutorial Guide.

That's about it. Have fun!

The Team