There’s probably a case to be made that the default mode for comedy is complaining. It’s easy to make a joke about how things don’t work like they should, or that even if they did, they wouldn’t be doing what they ought. In “Lucky World”, Robert Benchley takes a much tougher tack: observing how many ways things could go worse yet. This is one of those cases where I think Benchley has a better idea than he’s able to use. Benchley was a great one for depicting things just going wrong and his argument might be stronger if it explored specifics of, say, driving going badly or a movie not coming together at all. Well, you can’t always be at your best; the strain would be too much. And maybe this time around he wasn’t writing for a laugh but to make a gentle argument to readers encouraging them to feel wonder about the world. It feels like it’s an argument echoing Leibniz’s proposal that we live in the best of all attainable worlds, and we’ve spent four centuries laughing at Leibniz for that.
When you come to think of it, the wonder is not that there are so many jammed automobile fenders, bad motion pictures, sore throats, divorces and wars, but that there aren’t more of them. We are living in a world that is shot through with luck, that’s all.
The next time you are up in a tall building looking for a place to jump from, just take a peek over at a couple of busy traffic intersections below. Then figure out how many of those drivers should be at large on the street at all, much less at the wheel of an automobile. Then make your jump.
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When you consider that the world is full of men who can’t stoop over to tie their shoes without bumping their heads, women to whom left and right are interchangeable as a matter of principle, young people whose parents are still wondering when they are going to develop mentally beyond the age of nine—all driving automobiles—then the logical ending to the whole situation is for all the automobiles in the world to pile up on top of one another at one big cross-road.
I, myself, am aghast at the possibilities of such a catastrophe when I think of what might happen in my own case if Nature really took its course when I am at the wheel, and there must be millions of people driving who are no better equipped than I am to guide a motor vehicle through any more of an emergency than a sudden light breeze.
When I consider what would result in the way of pictorial entertainment if I, myself, were asked to direct, photograph, cut or supervise a motion picture, I marvel at the success with which thousands of other people, many of them in my class, turn out pictures which actually hang together, make some sense, and show up on a screen. It amounts to a phenomenon not without the suspicion of black magic.
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Consider the number of young people all over the world who are getting married, day in and day out, for no other reason than that someone of the opposite sex looks well in a green jersey or sings baritone, and then tell me that Divorce has reached menacing proportions. The surface of Divorce has not been scratched yet. We are lucky that everyone isn’t divorced.
Look at the people in the Congress, or the Chamber of Deputies, or the Parliament in London, and listen to what they say. The only logical ending to it all is that the world is headed for dementia praecox, with all the buildings tumbling down, all the water works shooting up into the air and all the citizens bumping into each other with trays of hot soup.
And yet automobiles dodge each other as if by magic, passable motion pictures are produced, many people stay married all their lives and actually don’t seem to mind, and only occasionally does hell break loose entirely.
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It’s a pretty lucky old world we live in, when you consider its possibilities.







