The art credits are for the central figure, Nature Boy. The image is a detail of the cover of Nature Boy (Charlton, 1956 series) #5.
Endpages with detail from Wow Comics (Fawcett, 1940 series) #6, story unknown.
| Pencils: | Alex Schomburg (signed) |
| Inks: | Alex Schomburg (signed) |
| Colors: | ? |
| Letters: | ? |
from America's Best Comics (Pines, 1942 series) #27 (August 1948) [altered to add references to Super Weird Comics]| Pencils: | E. C. Stoner (signed) |
| Inks: | E. C. Stoner (signed) |
| Colors: | ? |
| Letters: | typeset |
Includes a detail from the cover of The Funnies (Dell, 1936 series) #48.
Unpublished Atlas #1 (March 1945)
| Script: | ? |
| Pencils: | Ed Moritz (credited as Edvard Moritz) |
| Inks: | Ed Moritz (credited as Edvard Moritz) |
| Colors: | ? |
| Letters: | ? |
| Script: | ? |
| Pencils: | Ed Moritz (credited as Edvard Moritz) |
| Inks: | Ed Moritz (credited as Edvard Moritz) |
| Colors: | ? |
| Letters: | ? |
from Master Comics (Fawcett, 1940 series) #9 (December 1940) [page 1 of the original art]Original splash page from Master Comics #9 (December 1940).
Credits suggested by the Who's Who.
This issue was published in 1949 and is considered to be a giveaway comic, with no pricing on the cover. The cover can be found on the internet and in the reprint. Author claims this issue was either never published or is extremely rare.
Hadacol was a notorious patent medicine -- much of it simply alcohol -- created by Louisiana State Senator Dudley J. LeBlanc. Investigated by federal and state authorities, the company collapsed in the early 1950's. This is a comic book created by the LeBlanc Corporation to promote the product----to children.
| Pencils: | John Giunta (signed) |
| Inks: | John Giunta (signed) |
| Colors: | ? |
| Letters: | ? |
Only appearance.
| Pencils: | Charles Quinlan Sr. (signed as Chas. M. Quinlan) |
| Inks: | Charles Quinlan Sr. (signed as Chas. M. Quinlan) |
| Colors: | ? |
| Letters: | ? |
Quinlan meets Cat-Man & Kitten in Cat-Man Comics #15 (November 1942), splash page of Cat-Man Comics #21 (November 1943).
| Script: | |
| Pencils: | Charles Quinlan Sr. (signed as Chas. M. Quinlan) |
| Inks: | Charles Quinlan Sr. (signed as Chas. M. Quinlan) |
| Colors: | ? |
| Letters: | ? |
Penciller revision from Cazeneuve to Rice per reprint.
Jerry Abus is a house name.
The Dart had the uncanny ability to "dart" through the air, hence his name.
| Pencils: | Charles Quinlan Sr. (signed as Chas. M. Quinlan) |
| Inks: | Charles Quinlan Sr. (signed as Chas. M. Quinlan) |
| Colors: | ? |
| Letters: | ? |
| Script: | Jack Grogan (signed) |
| Pencils: | Jack Alderman (signed) |
| Inks: | Jack Alderman (signed) |
| Colors: | ? |
| Letters: | ? |
Last panel shows Mad Monk Rasputin Jr., who plays a large role in the next issue.
| Script: | Fletcher Hanks (signed as Barclay Flagg) |
| Pencils: | Fletcher Hanks (signed as Barclay Flagg) |
| Inks: | Fletcher Hanks (signed as Barclay Flagg) |
| Letters: |
from Jungle Comics (Fiction House, 1940 series) #4 (April 1940) [in black-and-white original art form]Printed from the original art.
First line of text reads: "Fantomah, the most remarkable woman ever known, has such strange powers and insight, that she foresees all that is to happen in connection with jungle life..."
The author of the reprint, who owns the original art for this story, surmises from close examination of Fantomah's face on the splash page that "the editor probably had the face of Fantomah whited out and prettified from Fletcher Hanks' original rendering".
| Script: | Martin Filchock (signed) |
| Pencils: | Martin Filchock (signed) |
| Inks: | Martin Filchock (signed) |
| Colors: | ? |
| Letters: |
On the first page of the preceding text article.
| Script: | Jerry Siegel (credited) |
| Pencils: | Joe Shuster (credited) (layouts) John Sikela (ghosted for Joe Shuster) (finished pencils) |
| Inks: | Siegel and Shuster Studio (credited as Joe Shuster) |
| Letters: | ? |
| Editing: | Ray Krank (original editor) |
Lettered but uncolored original art. On the second page of the preceding text article.
| Script: | Jerry Siegel (credited) |
| Pencils: | Joe Shuster (credited) (layouts) John Sikela (ghosted for Joe Shuster) (finished pencils) |
| Inks: | Siegel and Shuster Studio (credited as Joe Shuster) |
| Colors: | ? |
| Letters: | ? |
| Editing: | Ray Krank (original editor) |

| Script: | Jerry Siegel (credited) |
| Pencils: | Joe Shuster (credited) (sourced) (layouts) |
| Inks: | Siegel and Shuster Studio (credited as Joe Shuster) |
| Colors: | ? |
| Letters: | ? |
| Editing: | Ray Krank (original editor) |
from Funnyman (Magazine Enterprises, 1948 series) #2 (March 1948) [pages 2-5]The reprint accidentally reprints Page 1 of the Crime-Car story in this issue as Page 1 of this story.
Comic panel accompanying the article is from Speed Comics (Harvey, 1941 series) #12, not #13 as indicated.
Story mis-attributed to Speed Comics (Harvey, 1941 series) #12. Correct source submitted by Jonathan Schaper via the GCD Error Tracker.
| Script: | |
| Pencils: | Ben Thompson (signed) |
| Inks: | Ben Thompson (signed) |
| Colors: | ? |
| Letters: | ? |
| Pencils: | L. B. Cole (signed) |
| Inks: | L. B. Cole (signed) |
| Colors: | ? |
| Letters: | ? |
| Script: | S. M. Iger (signed) |
| Pencils: | Chuck Winter (signed as Chuck Winters) |
| Inks: | Chuck Winter (signed as Chuck Winters) |
| Colors: | ? |
| Letters: | ? |
Kangaroo Man was created by Oklahoman, Samuel Maxwell "Jerry" Iger, a businessman, writer and artist.
| Script: | Ruth Roche (credited as Omar Tahan) |
| Pencils: | |
| Inks: | |
| Colors: | ? |
| Letters: | ? |
An Islamic superhero.
Omar Tahan is a house name and not a real person.
| Script: | Art Pinajian (signed) |
| Pencils: | Art Pinajian (signed) |
| Inks: | Art Pinajian (signed) |
| Colors: | ? |
| Letters: | ? |
Steel Sterling appears in the cover art but does not appear in any interior stories in this comic.
Hall becomes Nightshade by donning dark glasses and a special flashlight to his leg, all of which allows Hall to create a gigantic shadow.
| Pencils: | E. C. Stoner (signed) |
| Inks: | E. C. Stoner (signed) |
| Colors: | ? |
| Letters: | typeset |
Phantasmo's entire body on the cover is flesh-colored, making it appear that he is nude.
from The Funnies (Dell, 1936 series) #45 (July 1940) [Pages 1-8]Copyrighted by R. S. Callender.
Page 9 is from the black & white reprint in Large Feature Comic #18.
| Script: | |
| Pencils: | Ben Thompson (signed) |
| Inks: | Ben Thompson (signed) |
| Colors: | ? |
| Letters: | ? |
| Script: | |
| Pencils: | John Jordan ? (credited) |
| Inks: | John Jordan ? (credited) |
| Colors: | ? |
| Letters: | ? |
Script credit suggested by the Who's Who.
| Script: | ? |
| Pencils: | Jim Chambers (signed) |
| Inks: | Jim Chambers (signed) |
| Colors: | ? |
| Letters: | ? |
"Copr., 1941, by R. S. Callender."
| Pencils: | George Gregg ? (Yellowjacket) George Gregg (signed as GG) (inset) |
| Inks: | George Gregg ? (Yellowjacket) George Gregg (signed as GG) (inset) |
| Colors: | ? |
Title taken from the cover.
| Script: | ? |
| Pencils: | Tony DiPreta (signed) |
| Inks: | Tony DiPreta (signed) |
| Colors: | ? |
| Letters: | ? |
Panel from Meteor Comics (Rural Home, 1945 series) #1 (November 1945)