musesfool: Sebastian Stan is trying to seduce you (drunk off all these stars)
i did it all for the robins ([personal profile] musesfool) wrote2013-01-15 10:57 am

"Dangerous longings in lonely bosoms."

Here's a hilarious review of Picnic from the New York Times.

an excerpt:
The Roundabout Theater Company’s revival of William Inge's "Picnic" opened on Sunday night, starring an exceptionally well-developed torso. Of course the torso belongs to a person, the actor Sebastian Stan. But it has been given the kind of lavish individual attention that would seem to warrant above-the-title billing.

As impeccably chiseled and hairless as a marble statue by Praxiteles, this leading body part is not merely decorative. It's the catalyst that sets the plot a-boiling in Sam Gold’s stultifying interpretation of Inge's time-yellowed 1953 drama of a lusty, dusty Labor Day in a small Kansas town. (The show runs through Feb. 24 at the American Airlines Theater.)

Presented au naturel or in a tight shirt ripped at the chest by an admirer (leaving a strategic view of a nipple), it's a sight that arouses dangerous longings in lonely bosoms. From the moment it makes its first entrance, this is a torso named Trouble.

A TORSO NAMED TROUBLE. If that is not the title of a hilarious Steve/Bucky harlequin, I DON'T KNOW WHAT IS*. Also, "Dangerous longings in lonely bosoms." By which I mean, Steve's, since he has a perfectly sculpted yet lonely torso himself.

*though [personal profile] angelgazing points out that it could also be a Middleman title, which, YES.

And here's a link to an interview with him about going shirtless on stage and being excited about Winter Solder, and one with Scarlett Johansson about being on Broadway and also playing Black Widow.

Between this and Anthony Mackie's awesome interviews (and habit of naming costars after baked goods), I cannot WAIT for filming on Winter Soldier to begin.

***

In other news, I've begun watching Cowboy Bebop. I'm not sure how I feel about it yet? So far, there's one thing I love (THE MUSIC. HOLY SHIT, THE MUSIC.), some things I really like (Spike, Jet, Ein, Ed), one thing I'm still formulating opinions on (Faye), and some things that don't really engage me (some of the plots), but I totally understand the Firefly comparisons now, and wouldn't be at all surprised to find Joss was influenced by CB and its crew of ne'er do well bounty hunters.

I've seen up to "Toys in the Attic," so if you comment, please don't mention anything past that episode. Also, I'm watching the dubbed version and I don't really want to argue about subbed v. dubbed. The show's creator prefers the dub, so that's what I'm watching.

I've been enjoying watching it, though sometimes after an episode, I'm like, "Huh, what just happened?" The show gives you all the pieces but often leaves you to put them together.

It's funny, because I feel like I don't want to like Spike as much as I do, but he's so charming and nonchalant and appears not to give a fuck, right up until he does. Also, he lit a cigarette with a flamethrower. *hands* I'm eager for more of his backstory, and really enjoyed "Ballad of the Fallen Angels" despite, or, more likely, because of the OTT-ness of it all. I really hope he gets an attitude adjustment regarding women, though. I thought there were seeds of it in "Heavy Metal Queen," in his interaction with VT, but it doesn't seem to have taken root (yet).

Otoh, I want to like Faye more than I do right now, because she's pretty amazing, but she's like some kind of Jayne/Saffron combination that I'm finding it hard to connect with. (one of my biggest bulletproof kinks is loyalty/trust and one of my biggest squicks is betrayal, so she's kind of pushing my buttons in a weird mixed signals way right now.) I'm anticipating some backstory on her that will help me love her more.

I also like Jet, and not just because he's mostly the sensible one (and has a robot arm, the provenance of which I would like to know). I really liked "Ganymede Elegy" despite some things in it not working (all those jump cuts during his conversation with Alisa in the bar wtf?) - I like that the tragedy in it wasn't blatant (I was afraid Jet was going to have to kill his ex and her new bf), but more that Jet hasn't changed from the overly-protective man that she'd left - he's still the Black Dog, for good or ill; I liked that he took the bounty himself, not just because it was his old stomping grounds, but because that way, he could ensure that no one would get hurt further, and also because his crew needed the bounty and he owed them that, because his loyalty is to them now.

Ed's only been around two episodes, but she's a cutie, though I can see how her antics could get annoying in large doses. And Ein is a corgi in space - what's not to like?

So yeah, I've been watching a couple episodes at a time, since I find it requires my full attention, and I'm enjoying it.

***
kate_nepveu: Fuu, Jin, and Mugen looking down, seen from below against sky (Samurai Champloo)

[personal profile] kate_nepveu 2013-01-15 04:09 pm (UTC)(link)
Good luck with _Cowboy Bebop_--I found its backstory entirely opaque. (_Samurai Champloo_ had a similar issue, but I liked the characters better.)
kate_nepveu: sleeping cat carved in brown wood (Default)

[personal profile] kate_nepveu 2013-01-16 04:30 pm (UTC)(link)
FWIW, my _SC_ overview from many years ago: http://kate-nepveu.livejournal.com/161147.html (Gosh, I have to do something to make my old LJ tags more accessible on DW.)
umadoshi: (Al and kitten (papermoon_icons))

[personal profile] umadoshi 2013-01-15 04:11 pm (UTC)(link)
I haven't seen Cowboy Bebop in...forever. Over a decade, maybe. But I remember it being a lot of fun, and I've never looked at a corgi since without thinking of Ein. (I wonder how many corgis out there are named Ein? I like to think there are a lot.)

Yoko Kanno is an amazing composer.

Those actor interviews sound like fun. I'll save them for when I'm finished work for today. ^_^
anotherslashfan: "We exist - be visible" caption on dark background. letter x is substituted with double moon symbol for bisexuality (Default)

[personal profile] anotherslashfan 2013-01-15 04:13 pm (UTC)(link)
Aw, man, this brings up good memories. And Ed! I love Ed and Ed's flaily arms ^^. I only know the subbed version, so I can't say how Ed comes across in the dub - but Ed never got annoying for me.

[personal profile] meri 2013-01-15 04:58 pm (UTC)(link)
Yoko Kanno. The Seatbelts. The soundtracks are pure gold. I've got all of them (four or five) and there are some songs, like Mushroom Hunting, that I just love, even a 12 years after I first saw the anime. I mean, I like the show, and the movie for that matter, but I really love the soundtrack.

[personal profile] meri 2013-01-15 05:00 pm (UTC)(link)
And granted I haven't seen the anime in a long time but I remember just being constantly endeared to Ed. She never, ever annoyed me. And Faye grew on me more than Spike or Jet ever did. Although, now that I'm older I think I'd like Jet a whole bunch more.
lonelywalker: A young man in a baseball cap lying on his back, eyes closed, with the text "effort and error, study and love" (smallville: epic glee)

[personal profile] lonelywalker 2013-01-15 05:54 pm (UTC)(link)
...did the New York Times seriously just review Sebastian Stan's chest?

That's one he can pin up on the fridge.
mad_maudlin: (Default)

[personal profile] mad_maudlin 2013-01-15 08:58 pm (UTC)(link)
Wow, I that review gives me linguist feels AND fangirl feels.
mad_maudlin: (Default)

[personal profile] mad_maudlin 2013-01-16 05:25 pm (UTC)(link)
Just a paper I read last semester that looked at "dismemberment" as a discursive strategy of objectification, and how the strategy also genders its objects; for instance, male sex objects may be dismembered by commenting on the eyes, mouth, face, etc. but women are more frequently dismembered with comments that focus on the body below the neck, either directly (legs, boobs, butt, "curves") or by proxy (through strategic descriptions of clothing, like "silky blouse" or "closely fitted jeans"). This review dismembers both the male and female leads, in similar ways--reducing Stan to "the torso" and Grace to "the legs/the face"--which positions them as desirable objects first, humans (much less actors/characters) second. Given the overall tone of the article, it's at the very least a Gricean bitchslap, but in a critical discourse analysis framework it also dehumanizes them by foregrounding what is visual and physical over what is mental and social, what they are over what they do. It's also interesting how in this process the reviewer adopts the viewpoint of a hypothetical audience member and then projects that audience's hypothetical sexual desires onto the actors' bodies, then situations those desires in the bodies themselves rather than the audience; he doesn't say "I desire these bodies" but rather "these bodies are desirable," not "I seek out these bodies" but "these bodies attract/are attractive to me."

TL;DR I read this review and then I linguist'd.
the_rck: (Default)

[personal profile] the_rck 2013-01-15 10:04 pm (UTC)(link)
For Cowboy Bebop, are you following along with Mark Watches? He's alternating days between Cowboy Bebop and Princess Tutu.
kate_nepveu: Duck in duck form looking out from girl's school uniform, text: "nothing more boring than a perfect heroine" (Princess Tutu)

[personal profile] kate_nepveu 2013-01-16 04:31 pm (UTC)(link)
Oh gosh, I knew I was forgetting something. And I'm loving reading along with his _Tutu_ posts.
shayheyred: (Default)

[personal profile] shayheyred 2013-01-16 03:17 am (UTC)(link)
I watched Cowboy Bebop after I watched Samurai Champloo, and they are both beautiful works. Bebop is fascinating to me, and I hope you like it.