hey demons it’s ya boi

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See, that’s what the app is perfect for.

Sounds perfect Wahhhh, I don’t wanna
morallygreyrobot
goldhornsandblackwool

pretty shitty how baseline human activities like singing, dancing and making art got turned into skills  instead of being seen as behaviors

so now it’s like ‘the point of doing them is to get good at them’ and not ‘this is a thing humans do, the way birds sing and bees make hives’.

morallygreyrobot

op I don’t know if you have any idea how much this post affected my worldview when I first saw it, or how much I still think about it to this day

Pinned Post i love this post so so much
thoughtsthroughfog
nillthirteen:
“heartless-aro:
“aromanticaardvark:
“[image description: image of an Aardvark with grey, yellow and white in the background. Text says “Parents say they just want you to be happy and get married” at the top and “Oxymoron” at the...
aromanticaardvark

[image description: image of an Aardvark with grey, yellow and white in the background. Text says “Parents say they just want you to be happy and get married” at the top and “Oxymoron” at the bottom.]

heartless-aro

Here’s an old aro meme from 2011, which was before the rise of the “Ace Discourse” around 2015 (which may have started out as backlash in response to The Trevor Project deciding to include asexual people around that time). This meme format uses an aardvark to represent aromantic people. At the time, axolotls were often used in similar memes to represent asexuals, so the aromantic aardvark was chosen as the aromantic equivalent of the asexual axolotl. Aardvarks were considered to be somewhat of a mascot for the aromantic community for some time, though they have become less popular as a symbol in recent years.

nillthirteen

This reads like a museum guide showing one of the most prestigious pieces in an exhibit

thoughtsthroughfog
mostlysignssomeportents

Surveillance vs guillotines

"Eugène Delacroix's painting 'La Liberté guidant le peuple' ('Liberty Leading the People'), depicting the French revolution as a ragtag group of peasants led by a flag-waving, bare-breasted incarnation of 'Liberty.' The painting has been altered: the scene is now being observed with a giant, smoke-shrouded CCTV dome, and the distant building have been replaced with a mainframe computer.ALT

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2026/08/11/tragedy-of-the-commoners/#piketty-snowden

image

In the summer of 2013, two esoteric, technical, incredibly important texts were published within weeks of one another: the first is the Snowden leaks, which revealed a system of global, pervasive digital surveillance; the second was Thomas Piketty's Capital in the 21st Century, a book about the economic inevitability (and political instability) of oligarchy:

https://memex.craphound.com/2014/06/24/thomas-pikettys-capital-in-the-21st-century/

If you'd like an essay-formatted version of this thread to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2026/08/11/tragedy-of-the-commoners/#piketty-snowden

In 2013, it wasn't immediately apparent how these two works connected with one another, but in the years since, I've grown increasingly convinced that Snowden and Piketty can only be properly understood as describing two aspects of the same phenomenon.

Piketty's landmark volume was grounded in a detailed analysis of 300 years' (!) worth of global capital flows, painstakingly compiled by a large team of grad students from a massive set of heterogeneous records. The book's conclusion is the statement that "returns to capital exceed the rate of growth over the long term" (abbreviated as "r > g").

This may sound innocuous, but it is explosive. If r > g, then the most wealth will inevitably accumulate in the hands of people who start with the most wealth, irrespective of whether they do anything productive with that money. This means that the alleged heroes of the market system – the entrepreneurs who found and manage the firms that increase public prosperity – are doomed to play second fiddle to the mere plumbers of money, people who "contribute" by accumulating.

The starkest example of this in Capital 21C is Piketty's contrast between L'Oreal heiress Liliane Bettencourt (then the richest woman in the world) and Bill Gates, founder of Microsoft (then the most successful corporation in the world). Piketty compares the growth in the fortunes of Bettencourt and Gates over two periods: first, the period between Microsoft's founding and Gates' retirement as CEO; and second, the period after Gates's retirement from his executive role, when he became a mere investor, no longer an entrepreneur.

During that first period, in which Gates was founding and running the most successful corporation in the world, he accumulated less wealth than did Liliane Bettencourt, who did precisely nothing of value over that period. Bettencourt didn't even manage her investments – that was all handled by some very clever financial planners, lawyers and accountants. In other words: for Bettencourt, doing nothing at all produced more wealth as founding the most successful corporation in the world did for Gates. Bettencourt, a person who owned things, did better than Gates, a person who did things.

And then Gates retired. He stopped doing things and started owning things. He became an investor, whereupon he out-earned both Bettencourt and Gates-the-entrepreneur. Again, the market system allocated fewer rewards to the most successful person in the doing things business than it allocated to that same person once he quit that job and got into the owning things business.

Piketty shows that this holds true across markets and nations and eras: all other things being equal, the market system produces a class of hereditary aristocrats who command the world's capital and direct its deployment, despite never having done anything. The market's most lavish rewards do not go to its most productive participants, but rather, to those participants who have the good fortune to emerge from the luckiest of orifices.

Keep reading

sovereignsolace

I had merely assumed that the NSA is spying on me because they can. (Obviously not for the purpose of selling me more crap, which is why social media spies on me.)

This analysis makes more sense.