LiveJournal Revival

Join the LiveJournal Revival!

2021-06-24-002 1200 x 1200

Are you fed-up with garbage, full-of-shit sites where nobody actually communicates, such as Facebook, Instagram, TikTok and Twitter? Do you wish your old friends who've migrated to those sites would return to LiveJournal? The the_lj_revival community has been set up with that aim in mind, and you are invited to join it. If you are already on LiveJournal and still have a Facebook profile, and would like to see more people returning to LJ or setting up accounts here, we invite you to post a link to this community on your Facebook Timeline. If you would like to find out who is still using LiveJournal and make contact with those who are already here, you are invited to copy and paste the 'about me' questions on the profile page and post them with your answers to the community.
  • Current Location
    Edinburgh
eyecon

Black Scorpion

Hope this isn't spam...

Ok, so the band Acrassicauda fucking rocks. They're a band originally from Iraq (formerly the only metal band in the country) and they've been through so much crap I can't believe it. I mean, not being able to make a gig because you're caught on the wrong side of a warzone? That's crazy.

So I was stumbling through the archives of this website I work for when I discovered that we have their movies-- Heavy Metal In Baghdad and Heavy Metal In Istanbul. I bestow them upon you all.

Collapse )

x-posted to anywhere there's metal.
invader

Behemoth in Houston 10/23/07

 Meridian, in Houston TX, saw the visit of the "Radio Rebellion" tour with Beneath The Massacre, Gojira. and co-headliners Behemoth and Job For A Cowboy. Anybody who read my rant on why I think JFAC are eminently unworthy of  this status knows how I feel about how Behemoth deserved to headline this tour above that sorry bunch of scene kids. Anyway, that aside, Meridian is a really good place to go see bands with a big stage and a powerful sound system (that Behemoth soundman Malta was grumbling about and said was a terrible system to work with, more on that later), and the crowd for a weeknight was quite large. Of course, it was also composed of a goodly number of stupid emo scene kids, more on that later too. 

Canadians Beneath The Massacre opened the proceedings with minimal stage banter given the tight schedule the bands were on and while they were skilled players they bored me ultimately. Seems they've listened to Cryptopsy a time or three and I don't really care for tha sort of hyper-technical approach that favors riffs and riffs and more riffs over coherent song structure. Even Nile have structure no matter how tech they get, which is one of the reasons I still admire them even though I think "Ithyphallic" is not one of their better releases. And their image was a bit offputting; four large shaven-headed lunks, especially the vocalist, who looked and sounded like a angered gorilla. Not my thing, ultimately. They didn't suck as badly as JFAC, mind you, they certainly can play, but they just were flailing around in an effort to seem "br00tul" and I don't hang with that too well.

Gojira, on the other hand, were damn good. Very Strapping Young Lad in feel and sound, with long and involved soundscapes that exploded into furious blasts and a confident and powerful stage presence. Their short-haired bassist in particular was a madman, flailing around and both headbanging and windmilling furiously, throwing his Fender bass around and somehow not missing a note. No solos, but they would've been out of place in Gojira's sound and I found myself not missing them terribly. Very nice guys post set, too--my friends and I got to chat with their guitarist and drummer outside the venue and they were very friendly and very approachable. Limited English (they're French) aside they were fun to talk to and they were very happy to be touring the US. Overall, they were powerful and aggressive and I wouldn't mind seeing them again or buying their CDs.

Imagine my annoyance when I found out that Behemoth were up next instead of JFAC who I could've gone outside for to save my energy for the Polski boys. But nonetheless, it was business as usual for Behemoth, which is to say that they annihilated all in their path! It was at this time that my friends on the left side of the stage noted that by the end of their set the monitors and PA speakers on stage left started cutting out badly, which didn't stop them too much at all, thankfully. A variety of tunes were shot out like deadly shrapnel to the audience, even going as far back as their first demos from 1992. The usual suspects like "Decade ov Therion" and "As Above, So Below" were played as well as newer material like set starter "Slaying The Prophets ov Isa" and "Prometherion", and all were blasted out at inhuman velocity with furious conviction as per usual. I expect no less from Behemoth in the live setting other than total annihilation and they have yet to disappoint me. They're early in the tour as well, so we got an especially potent set from them. Malta post set was explaining to me in his limited English that while Meridian's sound system looks good on the outside it really was terrible and hard to work with, as well, and he was far from pleased. In fact, he was aggravated and while they ultimately did end up sounding good, kudos to Malta for his hard work to that end!  
 
SIDE NOTE: Stupid emo scene kids who are too busy ecstatically flailing to watch where they're fucking going in the pit at risk of injuring others need to stay the hell away from these shows. Us real fans don't need to do such things. We go to the shows to enjoy the music, not to get possibly kicked in the head by stupid crowd surfers and dragged unwillingly into the pit or crashed into by idiots who aren't watching where they're going. My glasses flew off of my head at one point (I was down front by the barricade as close as the stupid emo kids who refused to move would allow) when a swell of idiots crashed into those of us on the outskirts. I'm amazed that not only did somebody pick them up and hand them to me after a few moments' mad scrambling on my part, but that they were still intact. It got so bad at several points that a buddy of mine and I were seriously contemplating busting heads to restore order. Not that it would have helped much, alas. Long story short, I left the venue when their set was over and ended up hanging out with them afterward well into the night, but that's a story for another time.       
  • Current Mood
    sore sore
invader

Nergal Said It Best

OK, so I DL'd Job For A Cowboy's album and I am listening to it in the interest of being fair since they're coming to town with my boys Behemoth next month. Annoyingly triggered drum sound, for one thing, and annoying attempts at death metal growls for vocals as well as weak soloing. So far I am thinking "G for Generic" and am wondering why the fuck these boys are co-headlining with Behemoth instead of opening the show as they deserve. They are boring and not terribly original and I think the only reason they're not the first band on the bill is that Brian Slagel (they are on Metal Blade, tragically) is pimping the hell out of them. There was a time *hops on old headbanger soapbox with his ancient leather jacket on* when Metal Blade had the best and heaviest bands in America second only to the legendary Combat Records. What the hell happened? Goatwhore are a notable exception to this rule, the rule that Metal Blade releases inevitably suck ass these days. Has he succumbed to the lure of the almighty dollar? Methinks so, and Mr. Slagel, sir, I hereby direct the charge of "SELLOUT!!!" your way! Not that you give a damn anymore...*hops off of soapbox*

Oh, and re the title of the post...Nergal himself put it best when he told me they were returning to the US to tour with (direct quote) "Beneath The Massacre, us, and Blowjob For A Cowboy". And he said it totally deadpan too. Need I say more? Yes, I do!

Why the FUCK is a baby band like JFAC doing at the top of the bill co-headlining with a titanic band of veterans like Behemoth who've been around for longer and have been touring the US for nearly five years and building a fan base with their touring and performances? And releasing increasingly higher-quality music fueled by passion and commitment as opposed to regurgitating their influences? And doing so without being promoted to death by their record label, doing so with the power of their music above all? I am horribly offended and disgusted on my Polski boys' behalf that they are being subjected to this indignity after so much hard work. They deserve to headline by themselves instead of having to share it with a baby band that is throughly unworthy of the honor! Behemoth are titans for a reason; they've worked up to that status and earned their popularity in the USA the old-fashioned way, they worked for it. This is a slap in their faces. 

What, me, passionate about Behemoth? Never! And no, I don't work for their record label, I should be so lucky. I'm going to shut up now...  
  • Current Music
    Iced Earth, "Framing Armageddon"
invader

Eizo Sakamoto Question

Question for all you J-rock/J-metal aficionados out there *looking Rei_Kun's way*...I recently saw a picture of J-rock/J-metal star Eizo Sakamoto onstage with his band and it appears that he doesn't play guitar live. I was under the impression he played guitar as well as sang; does he play all the guitar parts in the studio (including that staggering shred work) and hire a guitarist for concerts so he can sing and front the band, or does he not play at all? I've seen pictures of him playing, so I was just wondering...thanks, all!
  • Current Mood
    curious curious
invader

New Dimmu Borgir

Is it me or is the new Dimmu Borgir release just kind of...weak? Watered-down, tamed, dumbed down and suffering from weak songwriting to cater to the Ozzfe$t crowd? I've listened to it several times and it's just kinda...there. Disappointing to say the least. Am I alone in thinking this, or...?
  • Current Mood
    disappointed disappointed
invader

It Has Happened...

...there is a Deity of some kind. Deicide have actually released a record that I like for once! "The Stench of Redemption" is simply incredible, and the reason why is very obvious: Glen Benton finally cut loose the Hoffman brothers and hired two proper guitar players. I actually DL'd a couple songs from "Scars of the Crucifix" to compare, and there is no comparison. The Hoffmans were the ones holding Deicide back from taking it to the next level because all they did was rehash the same uninspired Kerry King/Jeff Hannemann wanking on every album, and now that Ralph Santolla and Jack Owen are on board, whew... Santolla is an underrated god! The title track and "Homage For Satan" in particular are where he shines most brightly, and the latter track features some of the best riffing on the record, too. They even sneak in a clean guitar intro on album ender "The Lord's Sedition" and it doesn't feel out of place at all, especially since it segues into a beautiful solo intro and a vicious blasting verse that is one of the most unrelenting on the album. And their Deep Purple cover is pretty well unrecognizable as well (a good thing). I used to be totally unimpressed with Deicide after the first couple albums and now I know why. With two real guitarists in the band it makes a world of difference, and all you death metal nuts out there really need to give this album a chance. Hell, even fans of virtuosic playing should give this a chance.  
  • Current Mood
    impressed impressed