suit

I'm in Time Out New York

This picture was taken pretty late in the night...like 3 AM so my security, Eric 'Beefcake', and I look pretty haggard but, hey, I'll take it. The picture is small so you can't tell that my face is on the million dollar bills bursting out of our briefcases. Ohh, you also can't tell that I'm wearing silver shoes. We're the last picture on the slideshow!

http://www3.timeoutny.com/newyork/…

Source photo is here:

http://www.flickr.com/photos/31356…

The bills are here:

http://richhorner.com/img/swankski…
http://richhorner.com/img/swankski…
http://richhorner.com/img/million-…

The street performers were pretty pissed when we put these in their donation hat :) lol
Dmitri Shostakovich

If at first you don't succeed, get a drill

A couple weeks ago, I went up to Boston to record the wonderful Julia Torgovitskaya aka juliatorgo at Tufts' exceptional new Distler Performance Hall in the Granoff Music Center. I use an incredibly simple, cheap and effective rig to record live to two which consists of 2 AKG C 414 B-XLS microphones, 1 Aphex 207D and an M Audio Microtrack. This allows for pretty transparent and noiseless stereo 24/96 recording for around $2000 which is ideally suited to classical or anything else where you want to capture the true sound that needs no tonal manipulation.

Well, after more than an hour of recording, we were onto Monica's Waltz from Menotti's The Medium (which I must confess I am not fond of) and I started getting intermittent pops on the left channel. I had no idea why as I had never had any problems with this rig and there didn't seem to be any pattern to the pops or correlation with anything we were doing. My only guesses were that the tube in the Aphex was going or the power in the room was problematic as the readout on my power conditioner was up around 122 volts. Thankfully, we managed to get the takes we needed.

A few days later at home I plugged my 207D in and just watched it for a few hours. Sure enough, it eventually started popping randomly on channel 1 despite the fact that nothing was connected to it. I think the problem was that this unit has no cooling and being over volt and racked next to other gear was a recipe for disaster. I opened the unit up to make sure though.

What a mistake that was.

As much as I love this unit, they definitely skimped on the chassis. I have no idea how two of the top plate screws were held in place previously as they do not fit the threads. I can only assume that the less than precisely placed holes on the plate clamped the screws into place by not lining up with the threaded sockets. Well, I think I am correct as one of the screw heads got separated from its body when I forced it in with my Dewalt. This caused the face of the unit to bow rendering the spring on the digital rate selector inoperable.

So now I have to get this screw body out that is not extending beyond the chassis. After about 30 seconds of attempting to rotate it with a false head made out of putty, I opted to instead destroy the plate around the threaded socket with my drill.
Dmitri Shostakovich

Probably about 2 ppl will understand why this is funny/alarming

I come across a lot of retarded shit everyday in computing. Admittedly, computing is REALLY phuqqing hard and it's unreasonable to expect everyone to be 100% on 100% of the time so some dumb shit is inevitably going to make it into the system. Well, nagios has a broken check_mailq plugin which ALWAYS tells you that the mailq is OK when run with the default settings because it doesn't correctly parse the output from mailq when run as a non-privileged user which is there to tell you that mailq has to be run as a privileged user. So, I thought of three solutions:

1) Add the nagios user to the mail group and then change the permissions on /var/spool.

2) Setup the nagios user to be sudo NOPASSWD for the mailq command or the check_mailq.

3) Make mailq setuid root.

1 may not be the best idea because a process may "fix" the permissions on /var/spool.

2 is kindof a pain in the ass because you have to alter how nagios is calling the plugin.

3 is super easy. It's just a single command:

# chmod u+s `which mailq`

Check out what I found though. This is on CentOS 4.5:

$ ls -lA /usr/bin/mailq
lrwxrwxrwx 1 root root 27 Sep 18 2007 /usr/bin/mailq -> /etc/alternatives/mta-mailq
$ ls -lA /etc/alternatives/mta-mailq
lrwxrwxrwx 1 root root 23 Sep 18 2007 /etc/alternatives/mta-mailq -> /usr/bin/mailq.sendmail
$ ls -lA /usr/bin/mailq.sendmail
lrwxrwxrwx 1 root root 23 Sep 18 2007 /usr/bin/mailq.sendmail -> ../../usr/sbin/sendmail
$ ls -lA /usr/sbin/sendmail
lrwxrwxrwx 1 root root 21 Sep 18 2007 /usr/sbin/sendmail -> /etc/alternatives/mta
$ ls -lA /etc/alternatives/mta
lrwxrwxrwx 1 root root 27 Sep 18 2007 /etc/alternatives/mta -> /usr/sbin/sendmail.sendmail
$ ls -lA /usr/sbin/sendmail.sendmail
-rwsr-sr-x 1 root smmsp 746328 May 2 2007 /usr/sbin/sendmail.sendmail

Yeah, uhh, as if that symlinking isn't amusing enough, don't set mailq as setuid root :)

Also, for the developers reading this, I've always hated when a single command has its behavior multiplexed by looking at its call method. /etc/init.d/net.eth0 anyone? Isn't that practice discouraged by the GNU coding standards? Well, if you need a real world reason as to why you shouldn't be doing that in your programs, here you go. Obfuscating what program actually being called might lead to someone accidentally setting their MTA to setuid root because they think they're only chmodding some helper program.
hair

I'm on the radio tomorrow (Monday). You can listen online!

I'm the featured guest for this coming Monday's Death by Metal from 10PM to midnight on WMBC 560 AM - UMBC's radio station.

I anticipate much music from and discussion about seminal forward thinking atonal and ametrical death metal acts such as Cynic, Atheist, Gorguts, Meshuggah, SUNN and Edge of Sanity as well as Wagner, Scriabin, Stravinsky, Penderecki, Xenakis, Schnittke and various electroacoustic music.

You can tune in online at http://broadcast.umbc.edu:8000/wmb….
hair

Another FREE Show: The Music of Erich Zann Friday, January 26th at Peabody

Witness my triumphant and loud return to the illustrious Peabody Conservatory's Griswold Hall.

What:
Richard Edward Horner plays Richard Edward Horner
A solo electric guitar recital by the American Master

Program:
The Music of Erich Zann - Horror in Five Movements

When:
Friday, January 26th 8PM

Where:
Griswold Hall
Peabody Conservatory of the Johns Hopkins University
1 East Mount Vernon Place
Baltimore, MD, 21202
Go in the main entrance at the above address and take the elevator up to the second floor and make two rights.

I imagine people will be going out afterwards.

Please try to let me know if you are coming in from out of town and if you need a place to stay or anything else.

As always, attendees are strongly advised to bring hearing protection (ear plugs).

If you would like to help promote, you can use this PDF or the image below.



Thanks, Rich(ard)
Richard Wagner

Third Practice

A big thanks goes out to everyone who made my last show at Peabody Conservatory. I will post some audio clips in the near future. I have yet to see either of the videos yet.

I will be attending the Third Practice Electroacoustic Music Festival in Richmond, Virginia on November 3rd and 4th.
Alban Berg

Go see Michael Hersch play The Vanishing Pavilions in Philly (10/14)

My teacher, Michael Hersch, is premiering his massive new piano work tonight in Philly. I plan on being there.

The following was taken from http://www.networkfornewmusic.org/…

Saturday, October 14, 2006 at 8:00 PM

Philadelphia, PA

THE VANISHING PAVILIONS
The glimmering imagery and eloquence of British poet Christopher Middleton inspire a major piano solo by Michael Hersch, an exceptional young composer and pianist who has created "remarkable - and sometimes ecstatic - excitement in the world of classical music." — The Washington Post

St. Mark's Church
1625 Locust St.
Philadelphia, PA

Box Office: $20 general admission, $15 seniors, $10 students