ncca

NCCA Audio-Visual reports

22 мая, четверг, 20.00

bad loop, Esem, Planet Boelex

Лейбл www.kahvi.org открыл миру таких мастеров idm как Lackluster, planet boelex, esem, stud и др.

 bad loop (Финляндия)

Финский электронный проект российского происхождения, сочиняющий качественный downtempo и idm. Несмотря на сравнительно недолгую историю коллектива, проект успел засветиться на нескольких международных фестивалях, а также гастролировал в Европе, в частности в Англии. Первое выступление в Москве.

Esem (Болгария)

Альбом проекта Esem – Scateren изданный бесплатно в формате ogg на лейбле Kahvi.org стал одним из самых скачиваемых в истории нетлейблов. Первое выступление Георгия Маринова в России несомненно станет событием в музыкальной жизни столицы.

Planet Boelex (Финляндия)

Проект финского музыканта Оскари Сорри, полюбившегося московской публике на NCCA Fest 2007, вновь с концертом в ГЦСИ. На этот раз новая программа, уже отыгранная на фестивалях K?lmk?la Paide (Эстония), Virus Art Festival (Литва) и Klusa Daba Festival (Латвия).

 Вход 300 руб.

ncca

NCCA Audio-Visual reports

24 апреля, четверг, 20.00

Framewatcher, Funckarma

IDM / techno / ambient


Framewatcher (Москва)

Определяя свое творчество, Дмитрий Макаров употребляет термин ambient slicing, разрезание эмбиента. На сегодняшний день FraweWatcher является одним из самых ярких и перспективных музыкантов российской электронно-экспериментальной сцены. Его дискография насчитывает уже более 20 единиц изданных носителей.

Funckarma (Нидерланды)

Дуэт братьев Funcken, много лет известных под разными псевдонимами: Funckarma, Quench, Legiac и выпустивших не один десяток релизов на таких лейблах как U -Cover, M-Tronic, Merck, Skam и др. с единственным концертом в столице.

Гцси продолжает сотрудничество с артистами лейбла Sending Orbs. После выступления в прошлом году Kettel и Secede на этот раз публику ожидает выступление самой именитой группы этого лейбла дуэта Funckarma.

Вход 300 руб.
м. Баррикадная, Краснопресненская
ул. Зоологическая д.13

как проехать

Концерт на Last.Fm

www.ncca.ru
ncca

NCCA Audio-Visual Reports

 Государственный центр современного искусства приглашает на следующий мастер-класс:

Программа «Конец времени композиторов… или  реальное будущее»

7 февраля, четверг, 20.00

 «NCCA Audio-Visual Reports»

Мастер-класс по технике виджеинга от наиболее востребованного  как на родине, так и за рубежом, московского видеохудожника, участника многих международных фестивалей Никиты Цымбала. Приемы и технологии (software и hardware). 
Руководитель программы – Д. Ухов

Куратор - Г. Стефанов
Вход 100 руб

Live video Generator

Hi Everybody

I' m new here, and a noob with Max/Msp/Jitter, but slowly I' m trying to learn it by myself or following a course, let' s see.!

So, I' m wondering for the moment, if exist a simple patch/program to download and use, that create vectors, wireframe, fractals video (like Nodebox stuff) from an audio out "following" beats

I' d love to use it while I' m Djing. I use Traktor, I suppose that I need a patch that get audio from Traktor out or Mic In and go into Max. I' ll put the video out on an external video and it' s done. I don' t need/want to control it

A kind of "Itunes/Media Player visual" but more intresting

8)

Cheers

Filippo

(no subject)

hello everyone

i'm looking for a patch or a similar one to those which jonny greenwood (radiohead) created couple of years ago and which he uses during his solo in "go to sleep" (at the end).

maybe any of you guys could help me..


if there are any similar patches written by someone of you, i'll be very gratefull if you'd share them with me.


thank you once again.
accent shadow

boy, am i a MSP novice.

so i do fine when it comes to Max, but i stopped using it around MSP's introduction. I bought a copy, but my school had Kyma, and that ended up being my tool of choice. i'm not in school anymore, so now i'm going back to MSP, and i'm running into some issues.

what i'm trying to build goes like this:

a soundfile gets played, something with a pretty constant beat, but a fluxuating BPM (by fluxuating i mean milliseconds - the tempo doesn't change, but the performance isn't "metronome accurate", as most performances are not). i want to capture a "strong beat" from the sound file with bangs and then measure the ms space between the bangs.

how do i get MSP to reliably measure my dB and then find 'spikes' in the dB to translate to a bang? How can i get MSP to measure only the spikes that i want and ignore other things such as syncopation that also hit that dB range?
medved
  • njazz

(no subject)

Hello!

A bit offtopic (on 50%, exactly) - i'm working now on connecting MaxMSP with VVVV via OSC, does anyone have and experience in that and are there any patches around available?

thanks))


xpost in idm_making community
Gone

New Around Here

Hey all.  I'm very new to this community, and to Max/MSP itself, for that matter.

First of all, this community looks really cool, and I'm very glad it exists.

Second, I'd like to just ask a quick technical question about Max, that is probably pretty basic...

If I have MIDI being generated algorithmically within Max and I do something like open a sub-patcher, I sometimes (depending on how complex what's going on is) lose sync between different parts of the piece.  The same thing happens when I use MIDI Yoke (a free program that someone at Cycling 74 recommended) to allow me to pipe MIDI output from Max into other applications (for example, I'll have Max's midi out connected (via MIDI Yoke) to a MIDI input in Cubase.  Then I'll start my Max patch, notes will begin being generated, but then when I maximize Cubase it will lose sync.)  There are a few other things that cause the sync to be lost as well, but those are the only ones I can think of right now.  Any ideas why this would be?

Third, I'd like to just share a bit about myself and what I do with Max...

I use Max mainly as a composition tool, to generate MIDI data using algorithms, which I then bring into Cubase or something and assign each track to different VST instruments.  I'm still at a pretty basic level, though (I just started learning Max a couple of weeks ago, from the PDF documentation).  I'm also interested in learning to use Max as a live performance tool, and for making softsynths.  My first Max track (which is still a work in progress) can be downloading by right-clicking HERE and choosing Save Target As (assuming my link actually works, which it should...).  Here's how this piece works: a 3 voice harmony is generated randomly in the key of whatever I transpose to, with 2 octaves range in each voice, and each range offset by 1 octave from the next (so the tenor and soprano ranges effectively overlap the alto range).  Rhythmic value for each note is also chosen randomly (the options are 1/16, 1/8, and 1/4 notes), and velocity is randomized for each note.  To make things more interesting, certain notes, when played at a high enough velocity, trigger pre-sequenced MIDI files of large, high-velocity chords to play, for added energy/dynamics.  Then the output of this random note generator is fed into 2 sequencers which record specific bars and loop them, in a sort of rondo style, with one of the 2 sequencers always playing the same thing, and the other one changing every time.  At the moment that's all the piece does.  I'm hoping to make the structure more complex once I've learned Max a bit more.  Oh and, for the sounds used, all I did was save a MIDI file of what Max generated, then bring it into Cubase and assign a kalimba (African finger-piano) patch and a synth I created in Native Instruments' Absynth to it.  I figured that sounded a bit better than general MIDI piano... ;)  Anyway, if anyone downloads the track, please tell me what you think, give suggestions/criticism, etc.

Again, awesome community. :)
  • Current Music
    Steve Reich - Six Marimbas