And here is a random and condensed selection of various other works completed in recent years:
Mountain, 2016.Red Balls, 2021.Rosca (Light attempt), 2016.Shelving System IV, 2022.Ping Pong Ping, 2018.Boisbuchet workshop, 2023.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Carabí, 2022.Superligera, 2022.Mesas de Choque, 2021.Mari, 2022.Estantería Atico, 2019.Biografia Antoni Arola, 2015.Blau, 2022.Martín, 2020.Coeurs, 2020.Inca, 2021.Valsells, 2022.Botijo Baldosa, 2024.Mel Gibson, 2015.Mesa DAC, 2022.Window Panels, 2018.Lucas, 2018.Muri, 2015.Leon, 2022.Pieza 1 HP, 2005.Shelving System I, 2019.El Hombre de Sal, 2019.Frontón, 2017.Telmo, 2018.Ikea Vitra Vitra Ikea, 2021.Mesa Camión, 2025.Narrow shop, 2020.Pepa, 2021.Ari's, 2017.Mesa Gala, 2019.Aloha Freewall workshop, 2022.Armario Alba, 2018.L Table, 2021.Pre 8, 2018.Peana Ricard, 2021.Save tables, 2018.Mesas Atico, 2019.Yellow, 2017.HTH, 2020.Taco, 2022.Bluejey, 2015.Bonay Hello, 2015.Ibon Kitchen, 2018.Mesarraca, 2019.Sofa Port, 2018.Colgador Bolas, 2023.Mesa Elefante, 2018.Bendita Mesa, 2015.Mesón, 2014.Cama Martín, 2020.AOO bag, 2015.Silla Arco, 2022.Shelving System III, 2021.My Body Office, 2021.Pis O, 2017.Red & Green, 2022.Mesa Forat, 2018.Bar en una botella, 2023.Brown, 2021.Marta, 2020.Mesa Port, 2018.Trineu FCB, 2018.Gordito, 2021.Grada Groga, 2022.Shelving System IV Groc, 2022.Jabalí, 2016.Shelving System II, 2021.Green Kitchen, 2019.Mesas Baraja, 2022.Ari, 2021.Sabadell, 2019.Firma Black, 2017.Atico Kitchen, 2019.Mana Mana Lima, 2022.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.