...has arrived!

(The bad news is that I got fewer contributor's copies than the contract promised, which means I received fewer copies than the number I'd promised to autograph and send to certain folks. But I'll work that out one way or another.)
Reading over the book again today for the first time in two years, including Chris Roberson's introduction and Tracy Knight's afterword, I was suddenly blindsided with a happy realization: I knew why this year had been such a bad one for me writing-wise.
Because I'd forgotten (or maybe misplaced) my sense of adventure.
I suddenly realized that all of my favorite of my own stories has that sense of adventure, one way or another. City has it overtly. The Camelot Book had it, my one completed YA fantasy novel, The Dark Horse, had it. The same is true for my favorite short stories.
The Navy Book doesn't have it. The Neo-Arthurian Book has it only in fragments, but is wide open waiting for me to include it. I can't think of a single short story I wrote this year that has it, and the lack is telling.
No adventure, and writing is no fun. I don't mean that I expect writing to be fun every day, but it is for me overall. Except that it wasn't this year.
I can speculate about why this is, but it's not really important to this entry. This should have been glaring obvious to me but I suppose I lost that truth amid, well, the glare.
I feel like I've gotten a new lease on life.
Oh, and I made one re-discovery too: I've been pretty sluggish about submitting my work in 2007, and (aside from the agent search for the Camelot book, as well as sending the novel to an editor last week) my novel submissions this year have been practically zero. But reading City reminded me of how addictive publishing can be, and I caught myself thinking So when am I going to sell my next book?
I'll let you know when I do.
In the meantime, Happy Halloween!