I think what stands out about this one is the ramping up of everything that made the first film good, the multimedia effects mixing is really good here, a lot more blending of 2D, CGI and even live action elements without it being distracting, I also love the jazzy, almost bossa nova soundtrack here, I'm biased but it's really my favourite kind of music, so it's a delight to hear it here, reminds me of PS1 Capcom fare and Ridge…

The entire visual style, composition and animation of this trilogy is still stunning to this day, these films almost feel like they were made with magic, for all the glazing shit like JJK or Demon Slayer get today for their fluid animation, this was doing that, with such seamless multimedia integration, the 2D characters, 3 backgrounds and vehicles, occasional live action footage with the sea, hell sometimes 3D cel shaded characters too, it's so much more visually interesting, impressive and…

This is one of the most poorly put together, amateur productions I've ever seen in my life, it's also a film where disabled people, two of them, people who aren't entertained for any film role that isn't "look at how sad his life is" pity pieces, are the heroes, in an unamigiously antifascist dark woke film strangely prophetic of what Trump II would end up being like, gave me a good laugh every few minutes, some utterly ridiculous nonsense that…

absolutely haunting portrayal of trauma, the exploitation of "true crime" as a pop art, and how the victims of serial killers are often forgotten. a traumatised Laurie is not gonna be some badass guntoating action hero, instead she flips through cycles of mania, depression, breakdowns, she's not exactly a pleasant person to be around, trauma does that to people. Loomis pretty much being a true crime podcaster years and years before that became a thing is also really good commentary…