Thought this was mostly effective at its surrealism, parsons has chops and in there is a middle portion of this where a great stride is found within its abstract limitless and truly insane found footage sequences but then it’s thin narrative kinda comes back to bite it within the 3rd act when it tries to haphazardly connect things back at the end and kinda loses itself in real time. Still, I think the unique atmosphere captured here is strong enough to makes Parson’s debut an imperfect but engrossing horror experience.

As long as Boots Riley continues to create candy colored explosive satires on the never ending plague that is capitalism we gonna be alright.

Just insanely locked in during that entire train chase wow

Still remains one of the most quintessential sequels

Amanda Seyfried innocent

There's a lot of this thats conceptually cool and i like the idea ig? But its a shame its runtime clocks in at about 50 hours long of a lot of the same things happening and a lot of yelling that in many cases is incoherent