I think the fact the cameo list is fifty times the size of the first film’s sums up the film.

Faintly lacklustre, no hussle, limited grit. Mildly diverting and attempts to say something about modern journalism which it does pretty well.

Saw a comment this week about how this isn’t a queer film and it’s far more interested in the relationships between straight women and work, and it made me appreciate this film even more.

More like Fantastic Snore

Disney films still do the twist in Act 3 huh?

The politics of these films fascinate me. How does this all work? Why are fish edible? Why are lynxes oligarchs? Why are they wanting to be a zoo?