I Love Boosters is an overstuffed, intensely bonkers cornucopia of unbridled creativity, opulent visuals, and high-key hijinks. It's outrageously audacious - and I mean that with the utmost praise possible!

Similar to Sorry to Bother You, writer-auteur-virtuoso Boots Riley delivers an afrofuturistic anti-capitalist critique centered on revolutionary collective action. This time, said messenging is overtly subsumed within the maxed-extraness of a genre-flouting socialist-surrealist sci-fi crime comedy satire.

Seriously, the way that this was unapologetically aligned with radical class consciousness ambitions…

I watched this over the weekend with wifey and we both loved it. There's several reasons why this deeply resonated with me on multiple levels, including:

💽 For me personally, this easily has one of the dopest, most eclectic, and most low-key banger-rific movie soundtracks that I've ever encountered.

🎧 I'll always appreciate a considerate approach to depicting and interrogating trauma. With grace, this film creatively teases out several ways that trauma can impact and haunt and change us, how…

Desire as violation. Desperate yearning mutated into something parasitic and grotesque. The terrifying realization that being “wanted” and being “seen” are not remotely the same thing.

Obsession is the kind of horror film that leaves you feeling “spiritually” contaminated. The kind that violently rips through your skin, crawls beneath, and lingers there like rot. The kind that distorts familiar emotional terrain–unrequited love, longing for connection–into an insidious, uncompromising, waking nightmare.

For me, writer-director Curry Barker achieves cinematic perfection here thanks…

“There is an idea of a Patrick Bateman, some kind of abstraction, but there is no real me. Only an entity. Something illusory. And though I can hide my cold gaze, and you can shake my hand and feel flesh gripping yours, and maybe you can even sense our lifestyles are probably comparable…I simply am not there.”

The obscene life and absurd times of a high-functioning psychopath who's progressively losing touch with reality.

Bateman's hedonistic world is defined by superficial…

If the distinctly Black inspiration behind Boots Riley's Sorry to Bother You, Jordan Peele's Get Out, and Malcolm D. Lee's Undercover Brother had a passionate tryst and made a cinematic lovechild. 🤌🏿🙌🏿✨

They Cloned Tyrone blesses us with an ideal blend of Black humor, Black ingenuity, Black existentialism (defined within the oppressive confines of white hegemony), and conscious Black "drapetomania."

Unapologetically Black and FUBU as fuck. Definitely Tupac's "Strictly 4 My N.I.G.G.A.Z." type energy insofar as there being ample nuances,…