What Bong Joon Ho's dystopian sci-fi satire lacks in sharpness, it more than makes up for by showcasing Robert Pattinson as an endlessly resurrected, infinitely copied schlub.

He’s also why the second half of "Mickey 17" works twice as strong as the first. The former heartthrob is now deep into his wild-card phase as the 21st century’s primo screen weirdo, leveraging his handsomeness and charisma in order to sell bolder, batshit character idiosyncrasies.

Is ‘Sinners’ a Western, Crime Thriller, Southern Gothic, or Monster Movie? Yes. Ryan Coogler’s messy but rollicking take on a vampire story blends and bends genres, but it never skimps on entertainment value.

Truthfully, "Sinners" might be more interesting before the vampires show up. Coogler has fun with the logistics of letting the wrong one in, as former friends and neighbors try to finagle an invitation they didn’t need before.

But if Sinners is messy, it’s sometimes pretty glorious, too. Coogler is swinging wide and far beyond the boundaries of franchise fare.

Full review: www.rollingstone.com/tv-movies/tv-movie-reviews/sinners-michael-b-jordan-ryan-coogler-1235307958/