Rly funny that mj stans continue to insist this is one sided and needed to include their YouTube documentary commentary to be “less biased”. As if everything here would somehow be less excoriating if it included an estate appointed lawyer going “but have we considered that these little brats just wanted MONEY??”
I'm so in love with the way children fill compositions to the very horizon with information. The world is stuffed and overwhelming and negative space is for losers.
This really tests the idea that a good ending can make a whole film better. The final moment is a fun callback that manages to succeed at being what I think the rest of the film was trying to be: a wry but ultimately loving portrayal of filmmaking in the studio system. Everything before that though? Woof.
If you took the filmmaking style of the Kissing Booth movies (endless montages, multiple unmotivated climaxes, the brightest possible colors), applied it to…
