how the fuck was this his 2nd movie????
The start of this movie was really amazing, it easily could've been just a simple shot, but Panahi instead makes it a visual storytelling masterpiece
First you see a school (WHERE ALMOST NO ONE IS OFF FRAMED AT ALL) then the camera slowly follows multiple people (I think showing their upper body was a symbolism of the little girl still not having a feeling of not being understood by anybody? but idk…
