Seen too many filmtwitter peons just butchering the ending. I don’t know how you can see the honest adulation of his expression when he looks at his baby and see anything other than pure joy. 

The film establishes in the title sequence (disgusting and offensive to the eyes, might I add) this question of the baby and the ball. This motif returns at the midpoint of the film— Marty has put up Rachel in Deon’s spare bedroom, and he has…