top four: some rom and com :)
hard to find things to say about either this movie or david lynch that haven't already been said. for me, lynch was always a vanguard of film culture - often the unifying director for a group of bickering film devotees to agree on and an singular iconoclast that constantly inspired other singular iconoclasts. i don't necessarily know where that culture is going: the respect we have for artists and for each other seems to be fading away into the abyss…
enjoyed it! very charming! did feel sort of mcu-ish both in its need to never be too sincere or risk alienating a modern audience and the relative disinterest in socio-political ramifications of a major galaxy spanning crisis (do we really care about anyone on earth that's not grace or stratt? not at all!). plus some stuff that i think doesn't make sense when you think about it for longer than five seconds. but it was a good time and ryan…
i can always measure my mental wellness by how tempted i am by de niro completionism again
i like how i slowly went from "hmmm... this will probably be overhyped" to "lovely movie but i'm not feeling it" to "that's their song and sam is playing it... again" to "wow, imagine watching this in 1942 when you didn't even know if the Allies would prevail against the Nazis and here they are singing in a bar with fear and courage on their faces" to "WE WILL ALWAYS HAVE PARISSSS" as i fling myself on the couch.
This review may contain spoilers. I can handle the truth.
so, the two teenagers have a manifesto. the woman has a manifesto. everyone has a manifesto. let's see about this film's manifesto.
Rule 1: there are two boys and a woman. boys love girls. girls love boys. boys love boys. don't worry about it.
Rule 2: the country side is hot and expansive and your car is so small and limited. you stare out the glass and try to understand. don't think too hard.
Rule 3: don't ask the woman…