"Prosecutor Han! You are obscuring law and order with your personal desires."
"Where does the law's authority come from? Is it not from the fundamental desires of the people?"
"Prosecutor Han! You are obscuring law and order with your personal desires."
"Where does the law's authority come from? Is it not from the fundamental desires of the people?"
This review may contain spoilers. I can handle the truth.
Scorsese’s investigation into the corrupted moral condition of this country enters a new register with Killers of the Flower Moon. He identifies here not a clear external cause for this condition but an inherent quality natural to the settlers and as ancient as the Old West itself. King Hale brings the Osage into the 20th century as he claims, introducing them to the violence of private property and family inheritance. Under this system, relationships are all but reducible to contracts…
This review may contain spoilers. I can handle the truth.
Like many of Hong’s early work, Tale of Cinema is haunted by comedic despair. Cigarettes, sleeping pills, and illness give form to our characters’ alienation. In this film, death is the symbol of alienation. In the final scene, Dongsoo lights a cigarette and wonders if he can finally quit. He tells himself that in order to stave off dying he has to think clearly. And Hong's formal recursive layering gives his audience the opportunity for such thinking. He suggests that although we suffer this condition, we rebel by attempting to make sense of it.