Ok, relax, no one’s handing this film a crown. This isn’t some genre-defining masterpiece. In the same way Project Hail Mary isn’t even in the same conversation as Interstellar or 2001, Obssed doesn’t come close to The Witch, and Hereditary is in another universe entirely. This isn’t “elevated horror.” It’s messy, self-aware, slightly ridiculous horror. And honestly, it works better if you judge it on those terms.
What really carries the film is Inde Navarrette. She’s absurdly good. The way…