This really worked for me for a few different reasons. First and obviously is the stellar directing by Kristoffer Borgli, who paces this movie very effectively with quick, unexpected cuts and transitions which adds that bit of thrill I so welcome into any dark comedy. Next is the story, which gets my thoughts moving the more I think about it. The whole point of this film, the title, and its marketing is the element of performance that we associate with…

At some point while watching this film I fell asleep in my class which I haven't done before. It might be because watching this at 9 am in a dark room in a very uncomfortable chair is already difficult as is. What then followed was that I entered my own dream where I could see myself watching this film in class, however this version of the film contained scenes that were not actually in the movie. I'm not sure which…

I fucking loved this movie. It's not for everyone, but it's certainly for me. I had huge hopes going into this becuse liminal horror and liminality as a concept is fascinating to me. Kane Parsons just scratches the surface of what's possible in this weird, multimedia approach to filmmaking and horror. 
 
The film dissects memory and human consciousness, and the idea that you can never truly remember something exactly as it happened. Parsons visuals as he slowly unravels this…

Between this and Beau is Afraid, Ari Aster is getting way too comfortable and we should all be terrified. This man does not give a fuck what anyone thinks of him or his movies and that's been clear since Hereditary. For what it's worth he's 4/4 now just solely off the fact I left this movie in the strangest state since Beau is Afraid.

Eddington is about manipulation at its core and successfully manages to make fun of the whole…