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More The concept of zillenials taking psychedelics and dancing to REM in a crypt below Hollywood Forever Cemetery…
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More Watched one row in front of Leos Carax, Denis Lavant, and Baby Annette.
Not really a film but my favorite thing I’ve watched at Cannes so far. Exhilarating film essay and perhaps the best I’ve seen since F For Fake.
Leos Carax has been more experimental with form than almost every filmmaker who get his kind of budgets, but is still struggling with the “where do we go from here?” question that seems to be plaguing a lot of ppl…
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There are few working filmmakers whose characters feel as deep and emotionally resonant to me as Sean Baker’s. First half works better for me than the second (there’s a pretty distinct tonal switch) but the ending hit me like a ton of bricks and I’ve been thinking about it all day.
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