Late Spring فیلم
به کارگردانی آقای یاسوجیرو اوزو در سال ۱۹۴۹، محصول ژاپن، دومین تجربه‌ی من از سینمای ایشان است. فیلمی مینیمال، آرام و دوست‌داشتنی درباره‌ی رابطه‌ی پدر و دختری است، که با واقعیتی شاید در ظاهر تلخ از زندگی روبه‌رو می‌شوند …

اوزو در فیلم، شخصیت اصلی مشخصی را پررنگ نمی‌کند، بلکه رابطه‌ای پر از احساسات لطیف و گاه غمگین را محوریت قرار می‌دهد. مفاهیمی مانند: فداکاری، عشق، زندگی و جریان آن، حضور و فقدان، رابطه‌ی بین مدرنیته و…

I honestly can’t believe that the director of films like Kes and I, Daniel Blake is also the one who made Sorry We Missed You. I really tried to like the film, but I simply couldn’t. None of the characters felt fully formed or convincing to me. The performances were mostly weak, and the direction fell far short of my expectations.

Of course, Ken Loach tried to force the film’s quality to remain at an acceptable level through his signature…

One Battle After Another, directed by Paul Thomas Anderson, makes one thing clear from its opening moments: this is a filmmaker who doesn’t just know the language of cinema—he thinks through it. The film brings together a challenging mix of comedy, horror, action, and melodrama; genres that usually collapse into chaos when combined, yet here they’re arranged with remarkable precision and form a coherent whole. On the surface it’s entertaining, but beneath that it carries layers that reward a more…

“Bugonia,” Yorgos Lanthimos’s latest film, struck me as a remarkably precise and well-balanced work. I’ll try to briefly explore a few of its aspects:

The performances are exceptional , especially Emma Stone and Jesse Plemons, both of whom deliver some of their finest work. Lanthimos clearly understands how powerful this pairing can be, and it wouldn’t be surprising if Stone finds herself approaching a second Oscar nomination. Who knows ! it might even happen.

The screenplay maintains enough rises and…