...AKA Unearthly Poe2ic Visions: The Incomplete Will Hindle: Hydroelectric Boogaloobong
New Yorkers! Thanks to collective demand, myself and Giovanni Santia are bringing back a 6-film sampler of our previous Will Hindle retrospective for anyone who missed
For keeping track of things.
Film Programming Three by Three by Three Hundred: Rare 16mm Films An Afternoon With Larry Gottheim Declarative Comparisons: Two by Paul Sharits Interludes: A Programming Exercise (this doesn't really count) Laugh
I saw all of these theatrically, although I guess I should note As Armas e o Povo here (which I do not think has any traces of Monteiro, nor was it included in his retro). Possibly
This has the potential to be a lifelong work in progress, and I am fine with that. Stan Brakhage's work was about redefining the possibilities of the moving image, it's only fair to spend as long
...and his co-director for some of these, Melville Webber.
Underrated early experimental pioneer(s) who could be funny and startling and beautiful, all of these are quite enjoyable and varied. Does Watson have more science films? Maybe
I do not see the point in watching the posthumous compilation of Leni Riefenstahl's Sudan material, Longing for Innocence, nor do I entirely understand the purpose of bringing it into existence.
I also do not see
I consider A Bread Factory one film, but whatever gets this list more attention!
Everything you need to know about Sundance can be summed up by them not touching Wang's funny, insightful, and creative films in
Choosing between the top two is basically a coin flip. Maybe the greatest director of sound alive.
Still need to see Silvia Ocampo and most of her short films.
Missing Krzysztof Kieślowski: -Culling, Checking the King, and Two for the Seesaw have never been widely released, although they played at a festival in Taiwan
And I'm going to hold off on Blind Chance until I
I still need to see the original cut of Monsieur Hulot's Holiday and need to rewatch Jour de Fete, and I'll use that as my excuse to procrastinate on doing a writeup.
You can tell he started out as a video artist. His work tends to skew very high concept. Small Axe doubled his filmography but made his artistic voice harder to pin down - I mean that
Missing Georges Franju, as they're all unsubtitled: -The Moment of Peace (an anthology film he contributed one-third of...it's a Duras adaptation!) -Amiens, Ville Ouverte -Le Magicien du fer -La Discorde
There's also the one early short