“I’m her daddy now.” 😭

I walked into The Mummy (2026) with high expectations. The trailer was striking, and I’ve been a fan of Lee Cronin ever since he proved he can balance brutality with style. What he delivers here leans heavily into that same DNA. There’s a clear echo of Evil Dead in the way this film embraces gore, shock, and relentless tension but it never feels like a copy. It’s Cronin doing what he does best, just through a…

“I’m the king of the world!” - He was not! 

There’s a reason Titanic (1997) has never really left the cultural conversation it isn’t just a romance, or a disaster movie, or even a period piece. It’s all of those things at once, layered so carefully that every storyline feels essential, never excessive.

What always hits first is the chemistry between Leonardo DiCaprio as Jack Dawson and Kate Winslet as Rose DeWitt Bukater. On paper, the “love at first sight”…

“They can take your blood, your body… but they can’t take what your soul remembers.”


Sinners (2026) is a film that doesn’t just hold up on a rewatch. It expands. The first time, it’s overwhelming in the best way with the music, the performances, the violence, the emotion. But going back to it, you start to see how intentional everything is. Nothing feels random or thrown in for spectacle. Every moment feels like it’s rooted in something deeper such as…

“There’s something in here.”  Okay Sherlock lol

The Descent (2005) is a horror film that doesn’t just rely on what’s lurking in the dark, it turns the darkness itself into something suffocating and inescapable.

There’s something instantly compelling about the setup. A group of friends bonding over something they’re passionate about, only for it to spiral into something brutally unforgiving. The film opens with a traumatic accident that lingers over everything that follows, anchoring the emotional weight through Shauna Macdonald…