coffinturk (
coffinturk) wrote in
lastvoyageslogs2024-11-13 05:39 pm
Entry tags:
Vincent Valentine on Rhododactylos
Who: Vincent Valentine, Various
Where: Rhododactylos and Surroundings
When: Event Period Nov 12 Through ??
Warnings: (if necessary) Potential for body horror, human experiments, dubious actions, tragic and problematic relationships (through Truth Seeing)
[ Here are some truth bulletpoints. Vincent will initially not realize the danger and then go out alone for a bit (but this is circumvented by last minute additions) and then may ride out with people on purpose before disappearing to explore the island for resources. A few of the 'silver lined' tin vessels will be present, even if not everyone brought their own for his trips. ]
I. At the Beginning...
a. The vessel Vincent has chosen is a sail and rudder affair. Three could fit comfortably enough but the whole of the vessel could be steered by one with clever work of sailing rope and tiller, particularly in such calm seas. There's a small hatch to tuck cargo- a small amount of emergency supplies has been packed but it is mostly empty- and some oars in case the wind falls off, but other than that no frills.
"Ready?" he asks who has joined him. He seems to understand the basics of using a sailing vessel and might have even been seen earlier taking a few trial runs to make sure he understood the ship and hadn't forgotten. People are welcome to offer aid on the tiller or sail front; Vincent isn't going to argue people wanting to put in the work.
...Unless they don't know how.
b. ....Or maybe it's another trip and the former Turk has already found out the catch of fetching the dawnlight water. To that end he'd only go with people he was truly close to on purpose; Aerith, even Cloud. But that doesn't mean there can't be... unintended passengers. There might not be a lot of room to hide in the boat (unless you can make yourself really small and hide in the cargo hatch) but overt stubborness can win when weighed against the trouble of finding another boat only to have it occupied.
....Or there could be a sudden addition of a last minute passenger when Vincent has already sailed out far enough to not make it worth returning to dock.
II. Intentional
But there are those Vincent would be keen to get a glimpse of truth. Even if it bares his own, the price is weighed as worth the cost, on the chance he could find out something worthwhile. Whether that's intention or.... potential.
[ ooc: HMU if you want a thread on this premise. He won't outright say he's fishing for truth but he won't deny it if confronted. Either way people will not be forced to go with him. ]
Island
[ Vincent will eventually find the strain of truths revealed a bit too much and disappear into the island's internal reaches, looking for supplies, talking to the people who have gone native and marking caches of cellars they no longer have a need for and finding good spots to harvest food for ship's supplies. ]
III. Honey Bee In [Network/Spam]
Vincent is found contemplating what looks to be an old apiary. A combination of woven and pottery hives, some empty or broken but others still possessed of thriving hives; albeit ones untended for quite some time. Harvesting won't be straightforward, even if you don't consider the bees.
Someone might happen upon the area and find him musing options. But eventually he'll also pull out his communicator and reluctantly start a video feed.
[ Video .==. Camera facing outward to the old apiary before turned to face Vincent again. ]
Know anything about bees or beekeeping?
IV. Fishing
Somewhere in an out of the way grove of wild olive trees the scent of a campfire might be caught... and cooking fish. There's no smoke; the person who built it is clever enough to keep it banked and smokeless.
Gathering olives aren't why Vincent Valentine is here though.
A stream of fresh water runs through the grove and at this particular spot has a depth and breadth that allows it a slow, meandering journey to its destination elsewhere. Roots and reeds and rocks make it a perfect refuge for fish. A satyr had pointed him in the direction and somewhere, the gunman had come across some fishing equipment that was still fit for the job.
The line is in the water, a pole touched lightly with the gunman's right hand to detect tremors that would indicate a bite. Vincent himself is braced against a boulder with a worn face; a spot of comfort that has been hollowed by countless people doing the same thing.
There are a few stick-speared fish, gutted and beheaded, roasting near the heat of the fire. And if somewhere were particularly observant, they might notice an amphorae that probably has wine wedged in a current and clearly meant to keep the contents cool.
V. Cellars
In the marble buildings there are cellars to be found and while Vincent is still near the harbor, he can be found wresting the door of one such stores open, revealing cut stairs leading into the cooler earth.
"Want to lend a hand checking this out?" It's a question that might drift back to someone on approach, maybe even if they hadn't done much to announce their presence. But it's not as if Vincent is perfect; he might also be followed by someone that doesn't draw notice.
Wine and oil and vinegar along with other not-so-preserved treasures await. Most will go to the Barge, but it can't hurt to take a bit for one's own devices.
VI. Nap
There will be no naps in the sun. But here and there, Vincent might be found in the shadows of an old building, leaning against an olive tree in an overgrown orchard or simply perched somewhere and tucked out of sight among the marble buildings. Eyes closed, arms folded over his lap and breath even.
So the man does sleep on occasion. It won't last long; he's not totally foolish as to put his guard down with so many people of dubious nature and strangers who might seem welcoming wandering around the island. As to why he simply doesn't return to his cabin?
Even he, on occasion, enjoys the sight of the sky and smells and breeze of the world he's chosen to live in... existentially speaking.
VII. Cast..... JUST KIDDING Actually the Wildcard.
[ If it doesn't fit above, feel free to get in touch with an idea! ]
Where: Rhododactylos and Surroundings
When: Event Period Nov 12 Through ??
Warnings: (if necessary) Potential for body horror, human experiments, dubious actions, tragic and problematic relationships (through Truth Seeing)
Dawnlight Ride
[ Here are some truth bulletpoints. Vincent will initially not realize the danger and then go out alone for a bit (but this is circumvented by last minute additions) and then may ride out with people on purpose before disappearing to explore the island for resources. A few of the 'silver lined' tin vessels will be present, even if not everyone brought their own for his trips. ]
I. At the Beginning...
a. The vessel Vincent has chosen is a sail and rudder affair. Three could fit comfortably enough but the whole of the vessel could be steered by one with clever work of sailing rope and tiller, particularly in such calm seas. There's a small hatch to tuck cargo- a small amount of emergency supplies has been packed but it is mostly empty- and some oars in case the wind falls off, but other than that no frills.
"Ready?" he asks who has joined him. He seems to understand the basics of using a sailing vessel and might have even been seen earlier taking a few trial runs to make sure he understood the ship and hadn't forgotten. People are welcome to offer aid on the tiller or sail front; Vincent isn't going to argue people wanting to put in the work.
...Unless they don't know how.
b. ....Or maybe it's another trip and the former Turk has already found out the catch of fetching the dawnlight water. To that end he'd only go with people he was truly close to on purpose; Aerith, even Cloud. But that doesn't mean there can't be... unintended passengers. There might not be a lot of room to hide in the boat (unless you can make yourself really small and hide in the cargo hatch) but overt stubborness can win when weighed against the trouble of finding another boat only to have it occupied.
....Or there could be a sudden addition of a last minute passenger when Vincent has already sailed out far enough to not make it worth returning to dock.
II. Intentional
But there are those Vincent would be keen to get a glimpse of truth. Even if it bares his own, the price is weighed as worth the cost, on the chance he could find out something worthwhile. Whether that's intention or.... potential.
[ ooc: HMU if you want a thread on this premise. He won't outright say he's fishing for truth but he won't deny it if confronted. Either way people will not be forced to go with him. ]
Island Escape Exploration
[ Vincent will eventually find the strain of truths revealed a bit too much and disappear into the island's internal reaches, looking for supplies, talking to the people who have gone native and marking caches of cellars they no longer have a need for and finding good spots to harvest food for ship's supplies. ]
III. Honey Bee In [Network/Spam]
Vincent is found contemplating what looks to be an old apiary. A combination of woven and pottery hives, some empty or broken but others still possessed of thriving hives; albeit ones untended for quite some time. Harvesting won't be straightforward, even if you don't consider the bees.
Someone might happen upon the area and find him musing options. But eventually he'll also pull out his communicator and reluctantly start a video feed.
[ Video .==. Camera facing outward to the old apiary before turned to face Vincent again. ]
Know anything about bees or beekeeping?
IV. Fishing
Somewhere in an out of the way grove of wild olive trees the scent of a campfire might be caught... and cooking fish. There's no smoke; the person who built it is clever enough to keep it banked and smokeless.
Gathering olives aren't why Vincent Valentine is here though.
A stream of fresh water runs through the grove and at this particular spot has a depth and breadth that allows it a slow, meandering journey to its destination elsewhere. Roots and reeds and rocks make it a perfect refuge for fish. A satyr had pointed him in the direction and somewhere, the gunman had come across some fishing equipment that was still fit for the job.
The line is in the water, a pole touched lightly with the gunman's right hand to detect tremors that would indicate a bite. Vincent himself is braced against a boulder with a worn face; a spot of comfort that has been hollowed by countless people doing the same thing.
There are a few stick-speared fish, gutted and beheaded, roasting near the heat of the fire. And if somewhere were particularly observant, they might notice an amphorae that probably has wine wedged in a current and clearly meant to keep the contents cool.
V. Cellars
In the marble buildings there are cellars to be found and while Vincent is still near the harbor, he can be found wresting the door of one such stores open, revealing cut stairs leading into the cooler earth.
"Want to lend a hand checking this out?" It's a question that might drift back to someone on approach, maybe even if they hadn't done much to announce their presence. But it's not as if Vincent is perfect; he might also be followed by someone that doesn't draw notice.
Wine and oil and vinegar along with other not-so-preserved treasures await. Most will go to the Barge, but it can't hurt to take a bit for one's own devices.
VI. Nap
There will be no naps in the sun. But here and there, Vincent might be found in the shadows of an old building, leaning against an olive tree in an overgrown orchard or simply perched somewhere and tucked out of sight among the marble buildings. Eyes closed, arms folded over his lap and breath even.
So the man does sleep on occasion. It won't last long; he's not totally foolish as to put his guard down with so many people of dubious nature and strangers who might seem welcoming wandering around the island. As to why he simply doesn't return to his cabin?
Even he, on occasion, enjoys the sight of the sky and smells and breeze of the world he's chosen to live in... existentially speaking.
VII. Cast..... JUST KIDDING Actually the Wildcard.
[ If it doesn't fit above, feel free to get in touch with an idea! ]

no subject
"Well, hello there," she calls out cheerfully. If he was sleeping before, she's not going to let him do it now.
no subject
But it seems that won't be the case. Beach and sun are not really compatible locales for one Vincent Valentine, a man who seems determined to lurk quietly out of sight and in the shadows. He even managed to find one such place; the remains of a ruined marble seating area in which he'd found a quiet nook to watch passersby from.
He had just closed his eyes for a moment, surely. They're open again, ruby red and peering out at Justine. Slowly he slips from the bench and rises to his feet to step out into the sun.
"Afternoon. You're dressed up."
Though she always seems to be by his standards.
no subject
She approaches cheerfully enough, her hands clasped in front of her.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
Unintentional B
But really, why did it have to be early dawn, and taking such a long time to get to?
This morning he might have slept in a little, and arrived to the island shore a little too late and most vessels with rowers had already set off. Not keen on rowing himself out -he might as well have ran out again if that was the case- he tried to squint into the darkness to see who was still out there in the horizon.
Oh, that boat there looked decently sized, and he thought he even recognized its temporary owner....
Which was why with a push of his feet, Wu Xin took off from the shore and was airborne. And in a beautiful wide arc, landed in Vincent's little boat with a light cat's touch. He came down by the till with a force that caused the boat to rock only a little, not bad considering he practically descended from the sky.
"Early morning greeting to Senior Vincent. Senior wouldn't mind taking one more along?"
no subject
Before Wu Xin lands, Vincent abruptly looks skyward, hand on the grip of Cerberus and ready to be drawn. Narrowed eyes take in details and by the time the monk neatly and almost imperceptibly- given the factors of physics that should be considered- he's let his hand drop to his side again. The rocking of the boat doesn't seem to phase him at all.
Nor does the slight jerk that happens as the wind fills the sail and sends the boat forward at a quicker rate away from the shoreline. It's a perfect wind you could say. Turning around and tacking back...
He sighs. Points at the tiller which is temporarily lashed.
"Man the tiller then." It might not be the most difficult work in these pleasant waters. But it at least will be some work. At least it can be done sitting down?
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
I see what you did there. That was brilliant and I love it.
Re: I see what you did there. That was brilliant and I love it.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
Think they could fade out here?
Fin
Dawnlight - Intentional
no subject
Well, it's better to presume people can't see in the dark than that they can anyway.
"...You can ride with me if you want," he adds after a moment given to the Orion woman to adjust to the fact that she isn't alone.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
iii.
"Hello! I see you've decided to commune with the bees. It's a good choice. Sometimes it's better to commune with a place where bees once were. For reasons both spiritual and practical. Some people think those two thing can stand in opposition, which is just proof of how they can get distracted by binaries when it's really more part of a river."
It's like picking up a conversation he's never put down - mostly because Erskine often jumps from topic to topic within a conversation.
Yeah I know the other scene is ongoing but...
Sigh. The gunman offers a polite nod in return to the wave.
"I see you haven't fallen off a cliff." Heavens forfend if Erskine did and Vincent had to jump down to lift him back to safety. Whatever was happening here with the bees seems to have recently wrapped up.
One might presume some was already catered off-site already. There's footsteps to indicate at least one other person had been around. And one box with some bees sort of fussing around it like they're trying to get in is present. It's not a hive box, and there might be a little bit of spilled beeswax to suggest there's comb inside. Vincent crouches to pick it up, heedless of the bees.
Frankly there isn't much exposed skin for them to sting but he appears untroubled even if they land on the edge of his collar and climb down occasionally.
"Taylor did the talking. Make yourself useful."
He then starts to hold out the box, fully intending to transfer it into Erskine's arms if the man falls for the subconscious instinct to take something that's being handed to him. Watch out for the trap, friend.
Re: Yeah I know the other scene is ongoing but...
(no subject)
(no subject)
(no subject)
AUDIO: Bees
Taylor's the one that keeps them onboard.
[She's very good with them.]
You considerin' bringin' on some'a the locals?
Audio
[ As to bringing on some of the locals. Or maybe asking for help from the locals? Vincent isn't sure. ]
If so, maybe. I'd leave that to the experts. Mostly wondering about the best way to harvest the honey.
[ Which if you wanted to kill all the bees? Easy. If not then maybe ALSO seek a professional. Vincent is indeed a pragmatic soul. ]
Re: Audio
Re: Audio
Re: Audio
(no subject)
no subject
no subject
Yes.
[ Then... ]
You're Taylor?
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
Dawnlight
Which begged the question how Collins now found himself on a boat heading towards an area where they were supposed to gather magic water to repair the prison ship. There were entirely too many things wrong with that.
The short of it was that predawn morning when caught in surprise by the other man while meandering around the docks in consideration, the Irishman found it safer to agree than deny the offer to travel out together. Now Collins sat in a boat with the dark haired man as they sailed out towards the east as instructed and worked quietly in tandem with the other to ensure a swift, easy passage. Well, mostly quiet. Collins deemed it necessary to fill the early morning silence with a softly hummed tune as they worked. It settled him.
It wasn't as if he seemed nervous but there was definitely something of a wariness to the killer as he was stuck in the small space with Vincent as they traveled. Collins certainly knew how to keep his calm under the circumstances. But there was definitely the feeling of a criminal sitting in the same room as a cop.
no subject
But it begs the question; why did he call Collins out if he was not going to use the opportunity of privacy to speak?
Overall, the trip to where the dawnlight is gathered is relatively short, particularly at the hands of two people with skill to manage the boat's course. Still, they'll reach the target not long before dawn itself.
...This too, was planned. At least, inasfar as the point that Vincent calls a halt in the still, fresh waters and weighs anchor.
"Now we wait."
(no subject)
(no subject)
At the Beginning
"Aren't I always?" Cloud replies, taking the seat by the tiller, because of course he wants to drive.
no subject
It'll give him something to hold on to if the not!dramamine isn't as effective.Drawing up the anchor, he pulls on the rope, swinging the sail into the wind in the still-dark sky."More or less," he can't help but comment though. ...Yeah. Yeah. He could have helped it.
The journey out into the ocean, then the gradually calming waters of the east will be, as one might expect, a time for quiet reflection. Vincent doesn't see the need to talk unless it's related to the boat's simple workings and he won't tease Cloud any; having at least the grace for that. They'll make good time.
Well, Cloud's welcome to bring up anything on the way of course. And there are quite interesting things to see. The clear, fresh water. The fish; as pre-dawn begins to lighten the sky. It's really not all that bad.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
Cellar
Jesse gives him an easy smile. Her hair is tied up already in a lazy bun, the leather jacket replaced with a short-sleeved hoodie; she'd mostly wandered over out of curiosity to what he was looking at, but she'll definitely recruit herself.
"You expecting to find anything dangerous?" she asks casually, coming up to keep pace beside Vincent.
no subject
"Hm. Crumbling supports. An assault to the senses." Particularly smell. "Rats."
But he's not worried about monsters.
"Oh. Got a light?" he adds as he proceeds into the gloom. Apparently he wasn't particularly worried about it either until Jesse signed herself up.
The cellar is probably very stable. Given the expertise of construction and the durability of marble, this was probably never in question; there was always risk of earthquakes having unsettled the foundation but if this island ever experienced such things, it has not shaken this particular structure.
There's going to be a lot of dust, a lot of mustiness. Mold. Old grains have sprouted, water does the rest. Shelves are lined with various jugs- amphora. Plenty of cobwebs to indicate insects and spiders.
And there's definitely rats. And where there's rats there's certainly snakes. Things scramble and slither out of sight.
III {Video}
video
[ It boils down to whether or not he wants Yazoo wandering around on his own or under watch. Soon enough there'll be a warden to take his place but for now? May as well take advantage of the Remnant's interest.
A map will be sent if Yazoo agrees. He will not warn about the thorn bushes. But there's paths to get through them. ]
-> Action
There I Go...
1a
"I am. I shall see to ensuring we remain on course, if you can handle the sail?"
no subject
"Gone yet?" is eventually said on the way. It's a simple question. But there's a hidden one underneath. Have you experienced what happens at dawn, Lahabrea?
(no subject)
(no subject)
(no subject)
cw: human experiements, torturous imagry, body horror
cw: implied experimentation on children, off-screen death
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
1b
So it was really no big deal for him to take the till, and for her to sit as a passenger, enjoying the wind.
They didn't need to talk for the start of the trip. In fact, from the way Aerith tilted her face into the breeze, she was enjoying it. A chance to clear her mind before other things were revealed, and they would have to travel carefully back to the Barge.
no subject
Retirement for the Turks, it seems, is often colorful.
But the early morning pre-dawn is familiar, the timing easy to get correct and Vincent didn't complain at having to work tiller and sail.
There is a lantern at the front prow but Vincent needs little extra light; it is for the sake of passengers. East they sail and soon the wavy ocean becomes smooth and fresh water which the boat glides across. And Vincent is a silent one, movement only marked by course correction and adjustment of the sail to catch the wind properly.
Aerith, should she set far enough forward, would never be in danger of the boom and if it were needed to swing so far, a soft warning would rise from the proximity of ruby eyes lit in the shadows at the stern.
Vincent also knows where the clear waters, the lotus and the fish, all of this is in shallow enough a place and in a hidden enough place that they'd see anyone else coming into sight but be out of view of whomever took shorter paths to wait for the dawnlight. Tiller is lashed, the anchor tossed over and the sail furled.
The drift of fabric on the wind and the soft click of boots that is Vincent moving around has a few words added to the ambient sound before the dawn.
"Won't be long. I can look away, if you want."
He won't... look at he truth if she doesn't want him to.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
Veld, Verdot. Tomato, tomatoe.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)