David Collins (
hostileterritory) wrote in
lastvoyageslogs2024-07-01 02:20 pm
Entry tags:
variable one;
Who: David "The Guest" Collins AND YOU??
When: Late June/first chunk of July
Where: Around the barge-- specifically right now the gym, the library, the art gazebo, the deck, and (sort of) the infirmary.
What: David is having a Hard Time adjusting to life outside of regimented control.
Warnings: Potential for violence if David's programming gets Set Off, feel free to ping me at
researchboner if you have any hesitations, curiosities, or concerns! Oh, and side note, yes, he looks very much like Arthur Lester--if a little taller, and with blue eyes instead of brown.
The first few days on board are...
Well, he kind of hates it, thanks, and not because he's a prisoner or because the place makes no logical sense, though there's a bit of that too.
He hates it because for the first time in a long time, the first time in more than a decade, he has no idea what to do with himself. He has no mission. He has no strict schedule. A job, yes. Times when the dining hall serves meals, classes or social gatherings that happen on an established calendar. But nothing deeply mandatory. It's like being a balloon suddenly let go, whipped off and away on a breeze that doesn't carry him anywhere important. It paralyzes him in a way he's never experienced before. An open range of possibilities that feels more like a mine field.
It's hard enough to deal with that, never mind trying to navigate it all without saying too much about where he's from. Without saying enough to necessitate murder.
This place might be even more complicated to handle than he thought.
Books have never been a priority for David, but there are a lot of restless hours to fill in this place. More hours than most people have, with how little he sleeps.
Still, he's as new to this as he is to not having every hour of his day more or less accounted for. He wanders the stacks for a long time, unsure how to choose something, unsure what he even wants to choose. He spends a lot of time picking books up, turning them over in his hands, fanning the pages, skimming the contents, putting them back.
He eventually approaches whoever he finds in the stacks or at the circulation desks, an apologetic look on his face.
"I don't suppose you'd have any advice on choosing material for someone who's never been much of a reader."
Well, he's supposed to work here, so that's something, anyway. He shows up for his shifts exactly on time, and does whatever he's told with the dutiful quiet of someone who's used to taking orders. When he's not doing anything specific, he'll keep a general eye on the place, help anyone who looks like they're having trouble, and even suggest posture changes or specific exercises for people he sees using equipment non-optimally.
He's here a lot in his off hours, too, pushing himself harder than he probably should while he's still recovering from injuries. They're gone, John healed him, but the fatigue from blood loss lingers, and David is curious to see how much he's still capable of doing with the limitations of the barge in place.
It's unnerving. All of it.
He told Charlie that art wasn't really his thing, and that's true. But he finally goes to the art gazebo in a mix of boredom and curiosity.
He walks around the place a bit like a certified clumsy person trying to navigate through a store full of porcelain, or a cat hemmed in by puddles. Doesn't quite touch anything, no matter how close he might inspect it. The smiles he offers anyone he encounters are the neutrally social things one provides to strangers, though there's an edge of discomfort to them that isn't there most of the time.
When he reaches the instruments, he lingers a little more. Actually does touch things, though he does his best not to make any actual noise. Runs a fingertip over a violin string, touches a key on the piano light enough that it makes the quietest ping.
He shakes his head and steps back like he's waking himself up from a dream.
To himself, he says, "You'd be better off with finger paints."
David does not go into the infirmary. He doesn't know why he even goes to look at it, except that it's like picking a scab or pressing on a bruise. Testing himself. Seeing how far he can get before instinct arrests him or makes him want to set the place on fire.
He gets as far as the front door a couple of times before he decides yeah, that's close enough.
He dislikes the deck almost as much as the infirmary. But given that it's the largest open space outside of the artificial ones available in the Enclosure, and given that it's a necessary in-between to get to a lot of places on board, well. David spends a lot of time out there.
A lot of time looking like he might either be about to vomit or like his resting bitch face has set hard enough to crack and show something manic underneath.
Why does it bother him so much?
Honestly, he couldn't say.
Nothing in here spark an idea, or interested in a more specific encounter? PM me or give me a ping on plurk at
researchboner Or just fling something else at me. Go for it!!
When: Late June/first chunk of July
Where: Around the barge-- specifically right now the gym, the library, the art gazebo, the deck, and (sort of) the infirmary.
What: David is having a Hard Time adjusting to life outside of regimented control.
Warnings: Potential for violence if David's programming gets Set Off, feel free to ping me at
The first few days on board are...
Well, he kind of hates it, thanks, and not because he's a prisoner or because the place makes no logical sense, though there's a bit of that too.
He hates it because for the first time in a long time, the first time in more than a decade, he has no idea what to do with himself. He has no mission. He has no strict schedule. A job, yes. Times when the dining hall serves meals, classes or social gatherings that happen on an established calendar. But nothing deeply mandatory. It's like being a balloon suddenly let go, whipped off and away on a breeze that doesn't carry him anywhere important. It paralyzes him in a way he's never experienced before. An open range of possibilities that feels more like a mine field.
It's hard enough to deal with that, never mind trying to navigate it all without saying too much about where he's from. Without saying enough to necessitate murder.
This place might be even more complicated to handle than he thought.
LIBRARY - OTA
Books have never been a priority for David, but there are a lot of restless hours to fill in this place. More hours than most people have, with how little he sleeps.
Still, he's as new to this as he is to not having every hour of his day more or less accounted for. He wanders the stacks for a long time, unsure how to choose something, unsure what he even wants to choose. He spends a lot of time picking books up, turning them over in his hands, fanning the pages, skimming the contents, putting them back.
He eventually approaches whoever he finds in the stacks or at the circulation desks, an apologetic look on his face.
"I don't suppose you'd have any advice on choosing material for someone who's never been much of a reader."
GYM - OTA
Well, he's supposed to work here, so that's something, anyway. He shows up for his shifts exactly on time, and does whatever he's told with the dutiful quiet of someone who's used to taking orders. When he's not doing anything specific, he'll keep a general eye on the place, help anyone who looks like they're having trouble, and even suggest posture changes or specific exercises for people he sees using equipment non-optimally.
He's here a lot in his off hours, too, pushing himself harder than he probably should while he's still recovering from injuries. They're gone, John healed him, but the fatigue from blood loss lingers, and David is curious to see how much he's still capable of doing with the limitations of the barge in place.
It's unnerving. All of it.
ART GAZEBO - OTA
He told Charlie that art wasn't really his thing, and that's true. But he finally goes to the art gazebo in a mix of boredom and curiosity.
He walks around the place a bit like a certified clumsy person trying to navigate through a store full of porcelain, or a cat hemmed in by puddles. Doesn't quite touch anything, no matter how close he might inspect it. The smiles he offers anyone he encounters are the neutrally social things one provides to strangers, though there's an edge of discomfort to them that isn't there most of the time.
When he reaches the instruments, he lingers a little more. Actually does touch things, though he does his best not to make any actual noise. Runs a fingertip over a violin string, touches a key on the piano light enough that it makes the quietest ping.
He shakes his head and steps back like he's waking himself up from a dream.
To himself, he says, "You'd be better off with finger paints."
INFIRMARY (or like the hall outside it) - OTA
David does not go into the infirmary. He doesn't know why he even goes to look at it, except that it's like picking a scab or pressing on a bruise. Testing himself. Seeing how far he can get before instinct arrests him or makes him want to set the place on fire.
He gets as far as the front door a couple of times before he decides yeah, that's close enough.
DECK - OTA
He dislikes the deck almost as much as the infirmary. But given that it's the largest open space outside of the artificial ones available in the Enclosure, and given that it's a necessary in-between to get to a lot of places on board, well. David spends a lot of time out there.
A lot of time looking like he might either be about to vomit or like his resting bitch face has set hard enough to crack and show something manic underneath.
Why does it bother him so much?
Honestly, he couldn't say.
WILDCARD
Nothing in here spark an idea, or interested in a more specific encounter? PM me or give me a ping on plurk at

Gym
David's behavior is a breath of fresh air, but haunting the gym like he does, just like Abel himself does, he starts to catch something off. It probably would have taken him less time if he hadn't been so distracted watching him do sets under the guise of making sure his technique was right.
It should be addressed though, and he'll do just that, finding time to talk to him as he finishes a set.
"You know, if you're here more than I am, I know you have some kind of problem." He is at least gentle when he says it, "I don't mind the commitment to fitness but everyone has a limit and I don't want you to hurt yourself just because you're restless."
makes Abel suffer
At least Abel doesn't frame his concern as some kind of demand or order--nothing that would keep David off the machines.
"I'm all right, sir. Thank you, though, for the concern."
Re: makes Abel suffer
"You don't have to call me Sir, I wasn't ever anyone's superior officer anyways, Abel is fine." He corrects, placing his hand on his hip, "you know, I've been doing the same thing since I got here. Were you still in service before you arrived? The transition is brutal." Which he is positive is a correct assumption.
Perhaps he could lend him his reintegration book he'd gotten in port, despite the fact that it definitely did have personal notes in the margins, it might help.
Re: makes Abel suffer
Re: makes Abel suffer
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Library
He wanders the library, looking for something new to read when he spots someone who seems genuinely lost more than just meandering. When the man turns to ask the question, he recognizes him, but he doesn't say so.
"Sure. What subjects are you interested in?"
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"I-- Honestly I didn't know there were this many subjects to cover."
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Infirmary
"Hi, new guy. Do you need something?"
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A weird kid, but a kid.
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Art room
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"I was joking. Thank you, though. I uh-- I'm about as good for art as I am for trigonometry." Which is to say, not at all.
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gym;
The restlessness inside him hasn't wavered. Coming to the gym can only help so much, but he's there as often as he can be. The only thing keeping him being there as often as David is, is that Matt doesn't work there. Otherwise, it's probably not uncommon for the two of them to be there at the same time.
Matt tends not to bother others too much. His own routine keeps him limber and in practice, and always enough rounds on the punching bag to make his knuckles ache. Today, though, it's less about punching. He carefully lines up the bag, holding it while he brings up his knee to mark a kick, then he unleashes a real kick against it. Over and over, both legs, kicks to the front of the bag and the side to keep the feeling in his body.
After all, he has to go back home at some point, right? He can't get lazy.
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"Good form." It's a compliment and sounds like one. "MMA in a past life?"
It's less of a joke than it could be.
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good thing this is before the zero tolerance punchy policy
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Gym
His first few times back in the gym, running through basic stretches and simple forms, that went well enough. Awkward and stiff transitioned to smooth and clean, more quickly and easily each session. He always kept to his own corner, ridiculously intense in his loose trousers and half-laced tunic, but there was a certain tranquility in the routine.
Today he's putting it into practice, poised in the exact centre of a circle of poor unsuspecting mannequins. (There are nine of them. This is definitely random, don't worry about it.) The first strikes are blazingly precise, brutally graceful, and his shoulders ease a little - but the longer he goes, the more he tries to lose himself in the whirlwind of motion, the sloppier they become. He keeps slipping into a different grip, or angling for a different weight; more and more, he pauses for a voice that isn't there. It isn't long before he's missing more than he's hitting, and the frustration burns hot and fierce until he finally throws the sword down with a resounding clatter and a low, snarled curse.
The impact of the longsword all but cracks the floor; the curse is in a language that hurts to listen to, viciously melodic in a way that inspires despair instead of hope.
Then his head whips up, and the fury flees from his features. "I'm sorry, I didn't - "
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He winces when the longsword hits the ground--that's going to need polishing--and his ears feel a bit like someone slid needles down into them, but at least he's not capable of feeling despair, so a win for switching off one's negative emotions.
David straightens up as he's spotted, appropriately sheepish. Maybe too normal about it all. Definitely probably too normal about it all.
"Nothing to apologize for. I was the one staring. Picking up some old skills?"
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cw for SI-adjacent thinking
cw for SI-adjacent thinking still
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...
Outside the Infirmary
Which is why smiles as he approaches the new passenger, trying for welcoming. And he says, "Hey, are you an animal person? The kennels are down here, if you're looking for them." It's giving the guy an out, if he wants.
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"I don't dislike them, but to be honest I've never been around many animals." Other than bomb dogs. "You headed that way? I wouldn't mind taking a look."
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shriek i thought i replied
you're good! I'm slow af
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Art Gazebo
He raises his head, hearing him murmur something, and sets down the pencil he's holding.
"Do you play?" he wonders aloud.
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"Oh, no, sir, not me." A self-depreciating noise that isn't quite a laugh. "Never had the patience or the time."
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...
deck
"Slow, deep breaths through your nose," she says, approaching David. "Or, if you've already tried that, Goji here would love to properly meet you."
Goji glances at David, clearly ready to say hello, then looks back at Root, awaiting the go-ahead. Good boy.
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"I wouldn't mind meeting Goji."
Meditation isn't really his bag, for one, and for another the dog gives them something to talk about that isn't his apparently obvious discomfort.
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Gym
He's in a vest top and shorts: they reveal a body that's scarred and past its prime of strength, but isn't going to seed just yet. He has to stop every now and then to catch his breath or clear his throat.
David is likely to spot him before he spots David.
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Fuck, it slices through a lot more layers than it should.
He notices the way Charlie has to take breaks though, the way his breath rattles from time to time. It makes David's scalp prickle with feelings that don't register.
"Pro or hobbyist?"
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Wild card HOUSE CALL
Someone sure had some fun magic, he might have to ask who. But, he'll tap on his cabin door with his staff, leaning against it as he waits for David to come to the door. At least, he hoped this was his room. Would be kind of weird if it wasn't and he was just out here waiting for a stranger to come to the door.
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He doesn't do anything to block Hanna's view, or try to protect the space, just blinks with surprise when he sees the shorter man.
"Hanna. How are you keeping?"
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Art Gazebo
So he puts his guitar back, stepping out from the music section a few paces before David reaches it, and he gives the soldier a polite nod.
"Sorry to bother you," he says, polite and easy as he goes to pass him. "I was just leaving, you don't have to worry."
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(Voice wrong. Face just slightly wrong, height the slightest bit off. Like the world viewed through a dream. Like a photo warped with heat. Like watching one of those old, old stopmotion movies, with puppets jerking their way through movement that isn't quite realistic. Like-- Like--)
"I wasn't worried, but thank you."
He says the words in a haze, watches Arthur start to go by at their closest point.
It's strange, because he knows it's going to happen the moment before he acts, but only then.
He twists. Tries to put his fist through Arthur's trachea.
And his hand passes entirely through Arthur's throat.
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emetophobia cw
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