root (
themostfun) wrote in
lastvoyageslogs2024-04-10 06:12 pm
Entry tags:
- !flood,
- !open,
- kahl,
- root,
- sameen shaw
✨sweet dreams
Who: Root and you!
Where: around the Barge
When: throughout the "You Call It Madness, But I Call It Love" flood
Warnings: Murder, torture, death, murder of a child, forced institutionalization and medication, and TBA in specific threads/comments. Plotting comment here - feel free to tag in here to do things we've discussed! Especially if I don't tag you first! We can start vagueish and get more specific, I'm game for a lot. Also feel free to tag in if something catches your fancy even if we didn't plot prior :>
The Barge has forced her into something resembling a routine, which she dislikes but (mostly) adheres to because it's not as if she can just take off and go on an adventure by herself.
The only fixed part of her day is her mid-morning maintenance shift, which she goes through with her usual, slightly unsettling cheer. Sometimes, though, she'll slow down, tightly gripping whatever is in her hands, her smile turning into a scowl she's clearly fighting to keep from being anything more than a neutral look. Are those lockers along the hallway walls? Is that a bell you hear, telling you it's time to move classrooms? No, it can't be, and she is going to ignore it as hard as she can, until you or the dreamscape force her to face it.
In the library, the book you're holding might turn into Flowers for Algernon for a second, and another girl's voice will tell you it's good as she walks off to go home, only to get kidnapped and murdered. Or whatever screen you're looking at might show you the classic Oregon Trail game. ...or maybe it's an old, abandoned library, a makeshift base of operations that you may or may not be imprisoned in, complete with a tracker for an anklet.
Sometimes when she's doing dancing or parkour practice on deck or in the gym or the Enclosure, or out walking the dogs, the mood shifts. She'll find herself focused, stalking someone who is not a bargizen, either to gather information or to kill them. Sometimes, she's the one being followed. In those same places, she'll seem like she's relaxing, but really, she's being given a breather by a woman with syringes and a scalpel at her disposal. Or she'll be tense as she watches Shaw get killed in all manner of ways, and she'll be unable to go and help her.
If you find her talking to herself, she's talking to the Machine, her god, her source of purpose. She is keen on playing up the idea that she might be hearing voices in a mental illness sense, even when she's seen in uncharacteristically bland clothing and shoes without laces and a medical ID bracelet, her hands shaky from medication she doesn't need but has to take.
Once the dream or memory or mixture of these ends, she might apologize. Maybe. Probably not. Regardless, she'll smile!
Where: around the Barge
When: throughout the "You Call It Madness, But I Call It Love" flood
Warnings: Murder, torture, death, murder of a child, forced institutionalization and medication, and TBA in specific threads/comments. Plotting comment here - feel free to tag in here to do things we've discussed! Especially if I don't tag you first! We can start vagueish and get more specific, I'm game for a lot. Also feel free to tag in if something catches your fancy even if we didn't plot prior :>
The Barge has forced her into something resembling a routine, which she dislikes but (mostly) adheres to because it's not as if she can just take off and go on an adventure by herself.
The only fixed part of her day is her mid-morning maintenance shift, which she goes through with her usual, slightly unsettling cheer. Sometimes, though, she'll slow down, tightly gripping whatever is in her hands, her smile turning into a scowl she's clearly fighting to keep from being anything more than a neutral look. Are those lockers along the hallway walls? Is that a bell you hear, telling you it's time to move classrooms? No, it can't be, and she is going to ignore it as hard as she can, until you or the dreamscape force her to face it.
In the library, the book you're holding might turn into Flowers for Algernon for a second, and another girl's voice will tell you it's good as she walks off to go home, only to get kidnapped and murdered. Or whatever screen you're looking at might show you the classic Oregon Trail game. ...or maybe it's an old, abandoned library, a makeshift base of operations that you may or may not be imprisoned in, complete with a tracker for an anklet.
Sometimes when she's doing dancing or parkour practice on deck or in the gym or the Enclosure, or out walking the dogs, the mood shifts. She'll find herself focused, stalking someone who is not a bargizen, either to gather information or to kill them. Sometimes, she's the one being followed. In those same places, she'll seem like she's relaxing, but really, she's being given a breather by a woman with syringes and a scalpel at her disposal. Or she'll be tense as she watches Shaw get killed in all manner of ways, and she'll be unable to go and help her.
If you find her talking to herself, she's talking to the Machine, her god, her source of purpose. She is keen on playing up the idea that she might be hearing voices in a mental illness sense, even when she's seen in uncharacteristically bland clothing and shoes without laces and a medical ID bracelet, her hands shaky from medication she doesn't need but has to take.
Once the dream or memory or mixture of these ends, she might apologize. Maybe. Probably not. Regardless, she'll smile!

Library
Avalon thought they had learned how to detect the odd energies. But as they walk back to the circulation desk to collect the next stack of books that they were reshelving, the world shifts. The library fades away. Everything around them goes dark, the only light coming from the way their own body seems to glow. Humanoid silhouettes emerge from the shadows, surrounding them.
Re: Library
"This needs to be shelved." She holds out the book to Avalon, frowning. "I don't even know why I'd pick this to read."
Zichen isn't even from a world she recognizes, and Hanna's remains were found and properly buried.
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Light seems to emanate from Root’s body as well, like what one might see if they were lying at the bottom of a pool and looking up at the sun.
As she approaches, the circulation desk vanishes, leaving Avalon and Root alone in the darkness.
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"What is this?"
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They can sense her unease. Its tension hovers around them, close enough to make itself known but unable to fully touch them.
“The Rift,” they answer. “This is where I lived before I was brought here.”
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All that aside, he's somehow in an alleyway. And there's Root. He hasn't talked to her as much as other people, but it's a small ship. Hilbert makes it a point to know people and
gauge their weaknesseshave an idea of who they are. There's Root. And she's...changing her wigs? Or at least, going from one wig to put on another."Why are you doing that?" asks the man who, unknown to him, is currently wearing a space suit with a name patch that reads 'Elias Selberg.'
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"Veronique--" she says in a fairly decent French accent, which she drops right away "--needs to go away, and Olivia has to go to her job in the financial district."
As if that makes perfect sense to someone without any context.
She grins at him. "I'm going to guess you know what that's like, Mr. Elias Selberg."
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"There are plenty of us with secrets. Glad to see I am not only one with this particular secret."
A moment's pause before, "You are better at accents than me, though."
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"Practice makes perfect," Root sing-songs. "And my job requires it right now."
Satisfied with how the wig sits on her head, Root sticks a few pins in it to hold it in place.
"What's your reason?"
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As she follows Root's progress, she sees a blur of cammo, and suddenly it's not Root she's watching but Lacey Dixon, who she'd trained with at Parris Island and who she'd gotten along okay with. She closes her eyes, sways slightly on her perch, and breathes in deeply through her nose. Waits. Opens her eyes again.
She isn't on the Deck of the Barge anymore. She's sitting on the stoop of a building that she doesn't recognize, but whose front door declares itself to be the Bishop Public Library.
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She is seventeen. She'll graduate soon. Her mother is dying. The pleasant soreness in her muscles is from ballet practice. She has a test tomorrow that she's more than prepared for. That's not why she's here. She's here to use a computer, to get on the internet, to commit crimes.
Lacey Gilbert and her friends are leaving the library as Samantha walks toward it. They're chatting about a house party, about boys and booze. They're dressed to fit their place in the social hierarchy. So is Samantha: all in black, hair fully turned dark brown from its childhood blond, black nail polish, heavy eyeliner, bone-white eyeshadow.
Lacey and her friends pause as they walk past her, stare, and giggle, a chirpy, malicious tinkling of cursed wind chimes.
They leave. Samantha glares at their backs. Maybe they need to feel Root's wrath. Maybe they're worth a little bit of her time. Maybe they need to learn to be afraid of her.
"Smile, Sammy," says Lacey, as if she were standing right in front of her. "You'll never gey a boyfriend looking like that."
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"I don't need your help," Samantha-- Root, snaps at the stranger who isn't strange at all.
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Gym
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She expects no comfort from anyone who may be here or who may walk into the gym. If anyone approaches, she'll act like nothing happened, despite how clearly upset she is.
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lovescares about die. He hates this place. He's too caught up in his own feelings to comfort anyone.no subject
There had been a scream. She turns and sees Rawne and forces her emotions down.
"Oh, that? Just a vivid dream." She shrugs. Her smile is weak and fractured, but it's a start. "Not unheard of in our line of work."
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Library
"I have to take this back to him..." he muses absently. He looks around.
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"Who?"
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"My dad. He must have dropped it..."
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Is she thirty-six or seventeen? She can't tell right now.
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The world is changed forever, because she's dead, and everyone else is acting like everything is the same.
The world has changed forever, and she's dead, and there's a lanky orange cat sitting half on top of Flowers for Algernon, bright green eyes watching her.
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"If reincarnation is real, I hope I get to be a cat in my next life. You've got it made."
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"Would you like me to search for her soul?"
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Root gives the cat some scratches beneath the chin.
"Please."
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