Benton Fraser (
rathernotsay) wrote in
lastvoyages2018-12-04 01:17 am
01 - Action/Video
[Spam]
When Benton Fraser opens his eyes to find himself perfectly healthy and in his own bed -- not dying on a train station platform, not paralyzed in the hospital -- he knows what he should do. He remembers the conversation he'd had with the Admiral, if in a very fuzzy, nebulous, bleeding-out-at-the-time kind of way. He knows he should get up, seize this second chance by the horns, and go out and face his newest duty: redemption.
Instead, he rolls over, stares out the window for a while at what is definitely no longer Chicago, and eventually falls asleep.
It's been a very long day, in his defense. A very long week. And while he's fully committed to the idea of redemption-seeking, to the need for it, the thought of actually getting up and going about it is such a massive undertaking that it feels like a weight pinning him down to the bed.
He's already failed-- well, everyone. In every possible way. A nap won't make that any worse.
It ends up taking him the better part of a day to actually get himself up, dozing off and on, slowly discovering his new circumstances in between: the expanse of space outside; the surprise of the new scar on his spine where Ray's bullet had caught him, killed him; the startling silence of his apartment without Diefenbaker, without his father's presence (he even checks, but he's in the wrong afterlife for that, he supposes).
It's boredom that wins out in the end, more than anything. Boredom and hunger, which is another interesting post-mortem surprise.
***
When he finally makes it out of his cabin, then, his first goal is a burger and fries in the Cafeteria. After his hunger is sated, he keeps exploring, but in an aimless, even listless way. He knows he needs to know his surroundings, but the drive just isn't really there.
Still, he pushes on, with the telltale newcomer's slightly lost look on his face, hands stuffed uncomfortably in the pockets of his jeans or touching doors, signs, things that don't typically beg to be touched, in a sort of tactile exploration of his own design. He can be found just about anywhere with inmate access or an open door.
[Video]
[Eventually, he'll even find his way to the network. He looks a little lost here too, actually, but more in the way of someone coming to grips with brand-new technology: he eyes the camera uncertainly, brushes a hand through his already neatly-groomed hair, and shifts a few times in the frame before he seems satisfied.
He folds his hands behind his back and stands very straight. He looks, and sounds, like a Nice Young Man.]
Hello, everyone. My apologies for the interruption; I'm new. My name is Benton Fraser.
[No Constable, no spiel; he's never been more off-duty than he has been since yesterday.]
I think I have my bearings, more or less, but I did have one question: is there any way to find out what's happened to someone in the outside world?
[He's practiced this question to make it sound like mere curiosity: like something that would be convenient if so, but ultimately unimportant if not.]
When Benton Fraser opens his eyes to find himself perfectly healthy and in his own bed -- not dying on a train station platform, not paralyzed in the hospital -- he knows what he should do. He remembers the conversation he'd had with the Admiral, if in a very fuzzy, nebulous, bleeding-out-at-the-time kind of way. He knows he should get up, seize this second chance by the horns, and go out and face his newest duty: redemption.
Instead, he rolls over, stares out the window for a while at what is definitely no longer Chicago, and eventually falls asleep.
It's been a very long day, in his defense. A very long week. And while he's fully committed to the idea of redemption-seeking, to the need for it, the thought of actually getting up and going about it is such a massive undertaking that it feels like a weight pinning him down to the bed.
He's already failed-- well, everyone. In every possible way. A nap won't make that any worse.
It ends up taking him the better part of a day to actually get himself up, dozing off and on, slowly discovering his new circumstances in between: the expanse of space outside; the surprise of the new scar on his spine where Ray's bullet had caught him, killed him; the startling silence of his apartment without Diefenbaker, without his father's presence (he even checks, but he's in the wrong afterlife for that, he supposes).
It's boredom that wins out in the end, more than anything. Boredom and hunger, which is another interesting post-mortem surprise.
***
When he finally makes it out of his cabin, then, his first goal is a burger and fries in the Cafeteria. After his hunger is sated, he keeps exploring, but in an aimless, even listless way. He knows he needs to know his surroundings, but the drive just isn't really there.
Still, he pushes on, with the telltale newcomer's slightly lost look on his face, hands stuffed uncomfortably in the pockets of his jeans or touching doors, signs, things that don't typically beg to be touched, in a sort of tactile exploration of his own design. He can be found just about anywhere with inmate access or an open door.
[Video]
[Eventually, he'll even find his way to the network. He looks a little lost here too, actually, but more in the way of someone coming to grips with brand-new technology: he eyes the camera uncertainly, brushes a hand through his already neatly-groomed hair, and shifts a few times in the frame before he seems satisfied.
He folds his hands behind his back and stands very straight. He looks, and sounds, like a Nice Young Man.]
Hello, everyone. My apologies for the interruption; I'm new. My name is Benton Fraser.
[No Constable, no spiel; he's never been more off-duty than he has been since yesterday.]
I think I have my bearings, more or less, but I did have one question: is there any way to find out what's happened to someone in the outside world?
[He's practiced this question to make it sound like mere curiosity: like something that would be convenient if so, but ultimately unimportant if not.]

no subject
"Pardon me—you seem lost. Are you new?"
no subject
The man's gentility probably marks him as old-fashioned, too, but Benton is notoriously stuck in the past when it comes to manners, so who knows. He regards him curiously, but politely, as he replies.
"I am, yes. New, that is. I'm not sure about lost." That requires a destination, he thinks, and he doesn't really have one.
no subject
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
video
Hears him, before he sees him. He'd know that voice anywhere. He's had to trust that voice through so many narrow escapes, listen to that voice recount boring stories on stake-outs.
He doesn't even really have to look. Honestly, he doesn't even finish watching the transmission before he hits reply. The angle is weird, the communicator flat on the counter, and he only picks it up after the first sentence is out. He looks so happy, he'd be embarrassed if he knew, and his voice is excited.]
Fraser? Where are you? When'd you get here? What cabin are you in-- how long--?
[It doesn't occur to him, not for a second, that Fraser wouldn't know him. For once he's confident enough to not even consider it. He's already putting down his coffee so he can go out.]
video
I'm... sorry, sir, I'm afraid you have me at a disadvantage.
[His memory is usually reliable, but it's not impossible that someone might recognize him before he does them. He knows he's made waves in his neighborhood; this must be someone who lives in the area. Or... used to, anyway.]
You are...?
video
Real funny, Frase. C'mon, out with it, tell your old pal Ray what's up. You hungry? I got some of that disgusting dried stuff you like so much.
video
video
video
video
video
video
video
Re: video
spam
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
[video]
Hey. My name's Luke. And I'm not sure, but you could ask the Admiral for news. There's also... [He hesitates.] There's a chance there's someone from your universe here. It can happen.
[video]
[Well, that's an absolutely horrible thought, but he forces himself not to react to it. Somewhat, anyway: he manages to keep his expression still, but some of the discomfort forces its way out in what seems like a kind of tic: he clears his throat and tugs at his shirt collar, like he needs a tiny bit more room to breathe.
No, thank you, Barge. Keep his personal life out of this place.]
Hm. How would I get in touch with the Admiral?
[video]
[Luke's aware of Fraser's discomfiture, but not its origins--the guy's new, and that's enough to rattle anyone.]
And you should be able to contact him using your communicator. Whether he'll answer, and whether he knows, well. I can't answer that. It's got to be hard, leaving someone back home you're worried about.
[video]
[video]
[video]
[video]
[video]
no subject
He glances up warily as Benton enters the room.
"Who are you?"
no subject
"Benton Fraser. My apologies." He's Canadian, so it can't stay mute. "Should I have knocked?"
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
[hey what the fuck is up its a talking shape in a hat]
no subject
It takes a lot to push Fraser from reserved to speechless, but that about does it. After a long, shocked pause, he manages:]
Be...fore that, then.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
What brings you here, Benton?
no subject
The Admiral, sir.
[As opposed to... what?]
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
Video
Iris might be able to track someone down, if you ask nicely.
Video
Is that another passenger?
Video
Video
Video
Video
Video
Video
Video
Video
no subject
"Hello, looking around?"
no subject
"Is it snowing?" Or, more importantly: "...Somewhere here?" I. E.: where?
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
[video]
Though if you've got anything from the person you want finding, that's even better.
[video]
[video]
[video]
[video]
[video]
[video]
[video]
[video]
[video] -> [Spam]
[Spam]
[Spam]
[Spam]
[Spam]
[Spam]
[Spam]
[Spam]
[Spam]
[Spam]
[Spam]
[Spam]
[Spam]
[Spam]
[Spam]
[Spam]
[Spam]
[Spam]
[ Video ]
[Yes, yes, he knows, but considering his perfectly straight face it would be impossible to tell this isn't an earnest question without knowing him. As a person.]
[ Video ]
The interruption to whatever you were doing before I introduced myself.
[ Video ]
[ Video ]
[ Video ]
[ Video ]
[ Video ]
no subject
Captain Flint pulls the book from the shelf but glances up sharply when he sees movement from the corner of his eye.
"Inmate or Warden?" He knows the man is new. What Flint needs to establish is who he is and what side he's on.
no subject
Which is why, when accosted in a way that gets his hackles up, he doesn't swear, or snarl, or pick a fight; but his expression shifts just slightly, in a way that makes him look like he could possibly be very stupid. "Benton Fraser. And you?"
He doesn't mind answering the question, per se, of course. He's already outed himself very publicly. But even at a low point like this, he abhors rudeness.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)