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Fellatio is oral sex performed on a man. It is a great way to give pleasure, regardless of whether it is for foreplay, after play, or the main event. Giving good fellatio is much more complex than simply bobbing one's head up and down. Like all other sexual skills, it must be learned. Once you get the basics, and are comfortable and experienced with them, try these fice advanced fellatio techniques to increase his pleasure.



1) Encircle your tongue around and around the helmet of his viagra cialis online pharmacy pharmacy, meaning that you lick with the front and back of your tongue.



2) As you're moving up his shaft with your mouth, turn your head a bit from side to side, letting your tongue follow a corkscrew pattern. When you get to that part of the shaft just beneath the head be sure to lick it for a few seconds before moving all the way up to the top. Then repeat this moving down his shaft. What will drive him wild about this is that you aren't just going up and down, you're also going sideways.



3) Stimulating another part of your man's body while performing fellatio is a sure way to tip him over the edge quickly. Try sliding your hands underneath your man's butt and massaging his cheeks while taking him in your mouth, pumping your fingers into his cheeks in time with thrusting up and down along the shaft of his penis with your mouth.



4) To heighten his orgasm, place your thumb at the very base of the penis blocking the tube through which the semen spurts so the the semen cannot escape.



5) After your man has ejaculated, run your hands over his testicles and ever so gently squeeze them between your thumb and fingers. It will feel like another mini orgasm.



If you would like to make fellatio an even better experience for your man by swallowing his semen, read 7 Tips for Swallowing Semen. If you’re ready to learn the ultimate oral sex technique, read my tutorial Deep Throat: What It Is and How to Do It. Once you’ve mastered deep throat, here are five advanced techniques you can learn to make deep throat even more enjoyable for your man.



All women know that men LOVE oral sex, but not all women know how to do it properly. Giving good fellatio is NOT just about opening your mouth and bobbing up and down. To find out what every woman needs to know about giving her man oral pleasure, click here.

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It starts out as the interview from Hell and ends up with a passionate conversation about the joys of chocolate over a Tupperwear-box crammed full of Smarties, Crunchies, Mars Bars and Kit-Kats…

It is 1988, and I am travelling to Great Missenden in Buckinghamshire to interview Roald Dahl for the BBC. I go with numerous warnings hammering in my head: the creator of Willy Wonka and the BFG is known to be difficult with interviewers. If he doesn’t like you or your line of questioning, you can easily find yourself being shown the door quicker than you can say “Oompah-Loompas!”

Of course, I know my stuff (I’ve been reading Dahl long before the writer achieved his status as the country’s premiere children’s author), but I’m anxious - TOO anxious - to impress… So, I have thoroughly boned up on dozens of articles about the man and made copious notes drawn from other people’s assessments of Dahl’s genius. I am absolutely determined to leave nothing to chance…

I arrive and am shown into the sitting room, where I set up my recording equipment. A few minutes later, Dahl enters wearing a cardigan and smoking a cigarette. He is considerably taller than I’d expected and I am intrigued by the way in which he sits down, collapsing his considerable height into an armchair rather as you might close up a large umbrella. The atmosphere is polite, if a little frosty; the eyes are gimlet-sharp rather than twinkly.

And so, the interview begins…

Referring to my numerous notes, I say in as confidant a tone as I can muster: “One commentator has noted that, essentially, your characters are all archetypes----”

I get no further.

“Are WHAT?” growls Dahl suspiciously.

“Archetypes…” I repeat lamely…

“Oh! That’s not a word I’m accustomed to using myself,” snaps Dahl waspishly. “What exactly does it MEAN?”

“Well…” comes the fumbled reply, “It means - um… That is - er… Well, an archetype is…”

The gimlet eyes bore deeper and my voice trails away.

“I see!” snorts Dahl. “You don’t seem to know what it means either! So, do you have anything YOU want to ask me, based on your own knowledge, as opposed to other people’s opinions? Or shall we forget this interview, rather than waste any more of each other’s time?”

Desperate measures are clearly called for…. Abandoning my notebook, I blurt out the first thing that comes into my head: “At the end of George’s Marvellous Medicine, you say that George felt as if he had reached out and, with the very tips of his fingers, had touched the edge of a magic world… Is that what you want your young readers to do?”

There is a long pause. Dahl gives a wry half-smile. I await the inevitable explosion. Instead, comes a question: “Do you drink?”

It has just gone 10.30 in the morning, but I nod.

“Whisky?”

I nod again.

Two large glasses are filled and the interview begins all over again - as if the uncomfortable prologue had simply never taken place - and continues for an hour-and-a-half, with Dahl talking freely and incisively about his books and how he writes them: "Whatever age group I'm writing for, I can instantly and precisely project myself back into what it felt like to be a child of three or seven or nine and then write for that child..."

He talks his philosophy of life: his love of libraries and good teachers and his passion for chocolate which stems from a childhood ambition to work as an inventor in a sweet factory just like the one in Chitty Chitty Bang Bang for which he wrote the screenplay: "Oh, God, but that was an awful movie!"

His ultimate appraisal of the books he has written is almost self-deprecating: "I think one or two of them may outlive me and even come to be thought of in a 'classicy' sort of way..."

He also reveals some of his pet-hatreds which include - in addition to the unthinking use of such words as ‘archetypes’ - virtually everyone involved in politics, bad teachers, bad parents and all instances of facial hair, such as the beard sported the terrible Mr Twit and, indeed, by the hapless interviewer!

“I have to tell listeners,” Dahl confides into my microphone, “the gent who is talking with me now has a face COVERED in fungus! It’s really quite DISGUSTING! I can even see part of his breakfast in there! I dare say if it wasn’t smothered in all that ghastly hair, it would be quite a NICE face, but there’s absolutely no way of knowing!”

“Do you have a razor?” I daringly quip.

“Shave in your own time, not mine!” parries Dahl with a chuckle.

“I wasn’t thinking of shaving,” I instantly reply, “I was thinking of CUTTING MY THROAT!”

Dahl roars a long, deep, smoker’s laugh.

At the end of the interview, Dahl signs my copy of his very first book, The Gremlins that was originally to have been made into a Disney WWII animated film.

He inscribes it “With love, Roald Dahl”, asks my date of birth and then adds it to the inscription - but cunningly backdated six years to 1943, the year of publication.

“There!” he bellows triumphantly, “If they come across this after you’re dead, that should screw things up nicely for whoever’s trying to sort your affairs!”

Not wishing to push my luck, I make my thank-yous, pack up my tape-recorder and prepare to leave -- only to be invited to stay for lunch!

A deliciously long and jolly meal eventually concludes with a dessert in the form an outsized Tupperware-box stuffed with sufficient sweets and chocolate bars to satisfy even the great Mr Wonka!

An unforgettable encounter - and a most valuable warning against the irresponsible use of the word ‘archetype’!


© Brian Sibley 2006
[Illustrations (except 'The Gremlins'): © Quentin Blake]

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Wizard, a 13-year-old collared lemur had dislocated her elbow and fractured her radius. While lemurs are masters at leaping and climbing, occasionally they miss a jump or land on a branch that breaks under their weight. In the wild, this would have been a debilitating, if not finally fatal injury. At the Duke Lemur Center, however, the Primate Technicians are on the ball, and Wizard's injury was quickly spotted. Wizard was treated by the world's leading Lemur Veterinarians, Drs. Cathy Williams and Dr. Bobby Schopler. Drs Williams' and Schopler's care was swift and appropriate.
But lemurs are endangered animals, and the fact that these unique creatures occur naturally in only one place in the world, Madagascar, gives the work at Duke Lemur Center a sharp focus and makes it urgent that we succeed in studying and caring for these irreplaceable treasures, who are irretrievable resources. Enter Dr. Dean Taylor and his excellent team: Dr. Alfred Cook, PA Scott Gibson, and Synthes Orthopaedic Equipment Representative, Allan Burris - all of whom donated their time to care for a rare animal the size of a small house cat. (Wizard weighs 6 lbs.)
Everything went well. Wizard's fracture-dislocation of the right elbow was manually reduced and immobilized (closed reduction followed by splint immobilization) without having to do open surgery. Wizard is sporting her neon pink splint and enjoying lots of treats and attention. Soon she will be scampering up trees and leaping from limb to limb with her fellow lemurs - totally unaware of the team of folks who shared their skills and opened their hearts to one small, endangered, and very appealing lemur.

Wizard, a 13-year-old collared lemur had dislocated her elbow and fractured her radius. While lemurs are masters at leaping and climbing, occasionally they miss a jump or land on a branch that breaks under their weight. In the wild, this would have been a debilitating, if not finally fatal injury. At the Duke Lemur Center, however, the Primate Technicians are on the ball, and Wizard's injury was quickly spotted. Wizard was treated by the world's leading Lemur Veterinarians, Drs. Cathy Williams and Dr. Bobby Schopler. Drs Williams' and Schopler's care was swift and appropriate.
But lemurs are endangered animals, and the fact that these unique creatures occur naturally in only one place in the world, Madagascar, gives the work at Duke Lemur Center a sharp focus and makes it urgent that we succeed in studying and caring for these irreplaceable treasures, who are irretrievable resources. Enter Dr. Dean Taylor and his excellent team: Dr. Alfred Cook, PA Scott Gibson, and Synthes Orthopaedic Equipment Representative, Allan Burris - all of whom donated their time to care for a rare animal the size of a small house cat. (Wizard weighs 6 lbs.)
Everything went well. Wizard's fracture-dislocation of the right elbow was manually reduced and immobilized (closed reduction followed by splint immobilization) without having to do open surgery. Wizard is sporting her neon pink splint and enjoying lots of treats and attention. Soon she will be scampering up trees and leaping from limb to limb with her fellow lemurs - totally unaware of the team of folks who shared their skills and opened their hearts to one small, endangered, and very appealing lemur.