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Posted by Kate Mothes

International Aerial Photographer of the Year Contest Highlights the World from Above

For a structure that was completed nearly 90 years ago, San Francisco’s Golden Gate Bridge possesses a kind of timeless modernity. It’s been the subject of countless photographs, often seen in the background from Baker Beach or from the overlook in Marin County. Its towers rise 500 feet from the roadway, but we typically can only see the structures from that level. For photographer Marcin Zając, a drone’s-eye view revealed a unique perspective of this iconic landmark.

Zając’s image is one of 101 finalists in the 2026 International Aerial Photographer of the Year, marking the second year of the competition. Photographers around the world submitted nearly 1,600 entries, with the top honor awarded to Azim Khan Ronnie, who draws on his background in journalism to capture human activities like fishing and harvesting crops.

an aerial photograph of agricultural workers harvesting red chili
Azim Khan Ronnie (Bangladesh), “Harvesting Red Chili”

Photographs considered for the competition range from drone views to shots taken from airplanes or the tops of buildings. Subject matter ranges from erupting volcanoes and geological phenomena to architecture and cultural events. See the top 101 photos on the contest’s website.

an aerial photograph of a bird standing in the center of a round pond surrounded by red foliage
Vitaly Golovatyuk (Russia)
an aerial photograph of an island landscape with a full-circle rainbow framing the view
Paolo Lazzarotti (Italy), “Complete Rainbow”
an aerial photograph of myriad ridges of a desert landscape
Paweł Jagiełło (Poland), “The Valley of Forgotten Rivers”
an aerial photograph of the annual pilgrimage of Wari in India, where hundreds of people lay down on the ground around a shrine
Sanghamitra Sarkar (India), “Wari”
an aerial photograph of a turquoise river floweing beneath a bridge
Avishek Patra (India), “Confluence”
an aerial photograph of a horse rolling around on the ground and rustling up dust
Fabio Pappalettera (Italy), “Tumbling White Horse”
an aerial photograph of stampeding horses in a dusty landscape
Kah-Wai Lin (U.S.), “Thunder of Hooves”
an aerial photograph of serrated ridges of a dry, desert landscape
A.J. Rich (U.S.), “Serration”
an aerial photograph of an erupting volcano
Clément Coudeyre (Iceland), “The Floor Is Lava”
an aerial photograph of a nearly abstracted pattern of water flowing in a brown hue
Cédric Tamani (Switzerland), “Downstream”
an aerial photograph of a river and streams flowing through a verdant landscape with dramatic shadows
Luca Fucci (Italy), “Flame Vein”

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article International Aerial Photographer of the Year Contest Highlights the World from Above appeared first on Colossal.

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Posted by Rebecca Schoenkopf

Hello again friends and frenemies! It’s time to play “which Wonkette post are you sharing today?”

Is it this one?

Share

Perhaps you will share my artisanally curated morning news link tabs (although perhaps not, it seems fairly late in the day to share morning news links, unless you are in Hawaii maybe). (I know many of you are in Hawaii, because I met you!)

Maybe this is the one you will be sending to a friend or a social media site: ugggggh Graham Platner ughhhhhhhh. SO MAD RIGHT NOW.

A lot of people are sharing this by Robyn, about this Heritage Foundation lady the New York Times is writing about so often she might as well be a Black lady running Harvard or gender-affirming care! Except those things and or people are cool, and this lady is a weirdo who wants to get teens big-preg and ban IVF.

Oh oh oh oh this beautiful ICE-murdered man and his beautiful family, oh oh oh oh.

The president’s gilded Qatari bribe zeppelin strikes again, is a thing you could share.

Marsha Marsha Marsha!

Send to a friend, and make them

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we’ll see you bright and early for tabs!

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Posted by Evan Hurst

Have a gander at this new Marsha Blackburn for Tennessee Governor ad and tell us if you would have given her permission to do this, were you her husband and/or pastor. (It is unfair to assume Blackburn chose this herself, as conservative white women in the fascist Christian system she is fighting for really aren’t supposed to be wilding out like this without written permission.)

A few notes/questions, aside from “wow, that’s racist”:

  1. How many times did she run her lines? Because her delivery is extremely awkward and stilted and mush-mouthed and “Fiddlesticks, Mamaw left her teeth in the ladies’ room at the wine bar in Franklin again.”

  2. To be clear, the entire commercial looks and sounds like Marsha filmed this after a long afternoon at that wine bar, which we are somehow sure exists.

  3. How many goddamned fortune cookies did Blackburn take?

  4. How many goddamned fortune cookies did she proceed to play with and smush in her granny claws?

  5. As a home ec major from the Mississippi State University class of 1973, Marsha Blackburn should know that none of this is how we eat fortune cookies.

  6. Did she even go to cotillion? And if so, can they see her now, with crumbs in her hair like she spends her days at saloons?

  7. You are really supposed to only have one fortune cookie, maybe two if you get a garbage one on the first try like “Put on a red dress and go dancing!” That is not a fortune, and the user is entitled to one (1) more try. Not 46 more tries while she furiously, ravenously searches for a fortune that says “CHINA COMMUNISS PARTY SUX.”

  8. Did Marsha clean up after her own nasty ass, or did she leave the employees at the Chinese restaurant she invaded to do that?

  9. Speaking of, were they amused by this display from Confederate Nana?

  10. Is this even the first time she’s done this?

For God’s sake, look at this:


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In the commercial, Marsha’s narrator says that as governor, she will “hunt down every communist,” which is slightly unhinged. But again, with that home ec major, we do not know what in her background (besides mouth-frothing, ignorant redneck racism) makes her think she’s got the skillset to do whatever she imagines it takes to “hunt communists” as the governor of Tennessee. Also not sure what she thinks going after China will do to rescue Tennessee from its status as a backwoods pigfuck state with nothing going for it besides the musical contributions of liberals in Nashville and Memphis whose political voices fascists like Blackburn are always trying to smack down.



Haha just kidding, she’s one of them backwoods racist pigfucks, pandering to her fellow backwoods racist pigfucks. Backwoods racist pigfucking is all any of them understand. That’s why she’s going after China.

If you get this fortune you are entitled to free egg rolls for life. Sorry, those are the rules.

Also, does she know (of course she doesn’t, she’s an absolute moron) that fortune cookies, if they actually come from anywhere in Asia — they’re kind of thoroughly American these days — come from Japan, or as Donald Trump calls it, the Islamic Republic of Japan? Indeed, there is lots of Japanese shit in that video, including the soy sauce.

But again, she’s a dumb racist pig, from a long line of dumb racist pigs. The last thing on her mind is trying to see through her overly hairsprayed Southern lady Designing Women meets walk-of-shame bangs to try to tell Asian people apart.

The gong at the end of the commercial is a nice racist touch.

In case you missed it, here is a fun video from last week where a reporter asked Marsha why, considering how she is running for governor, she won’t hold town halls or actually talk to voters in any meaningful way. Confederate Nana was NOT pleased. And then the elevator she had been waiting for, which she had just entered, started betraying her, hilariously.

And here’s another fun video that just dropped of Marsha completely unable to offer an opinion or string together words on whether she agrees with the University of Tennessee Knoxville’s recent $1.9 million settlement with former professor Tamar Shirinian, who the school fired last year during the MAGA pitchfork parade against anybody who expressed anything but mourning and regret over the untimely passing of Ch*rl*e K*rk, whose memory blesses no one and whose name shall be forgotten, PBUH, in hell.

Good thoughts ‘n’ thinkin’, Marsha!

But again, to be fair, Marsha’s husband and/or pastor weren’t there, so she might not know what she thinks on those subjects yet.

She knows what she thinks about fortune cookies, though, which is SMASHY SMASHY PLAY WITH FOOD RUIN ENTIRE BOWL OF FORTUNE COOKIES. Also racism.

This a serious woman who would like to be the governor of a state.

OPEN THREAD.

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Posted by Grace Ebert

Ana Elisa Egreja Takes a Magical Realist Approach to Migration in Her Rich Still Lifes

“Improbable but not impossible” is how Brazilian artist Ana Elisa Egreja describes the unexpected companions in her vibrant still lifes. Combining the architectural motifs, animals, and fare common in her native São Paulo with elements from abroad, Egreja positions domestic spaces as sites of change, where migration and cross-cultural pollination come to bear.

In a new suite of 15 oil paintings, the artist draws on the long tradition of Dutch Golden Age still lifes alongside the contrived qualities of collage. Tablescapes filled with fresh flowers and shiny produce also contain cellophane-wrapped snacks and canned goods. Egreja acknowledges flight as a rich symbol of freedom and migration, and birds swirl overhead and perch atop the uncanny objects. There’s also a pair of window pieces, blanketed in 24-karat gold leaf and decorative wrought grilles, which serve as an interstitial spot for the winged creatures to pause as they move between interior and exterior.

a painting of five black cats lounging on a red patterened couch in front of a wooden blind covering a sunset
“Interior with Five Cats at Sunset [Interior com Cinco Gatos ao Pôr do Sol]” (2026), oil on canvas with beaded curtain, 63 x 74 3/4 inches

Egreja’s focus on bridging these divides emerges in her renditions of sunsets, too, with their bold gradients rippling from crimson to amber across living spaces. This glowing feature backdrops both “Interior with a Jaguar and Sun Conure,” in which a forlorn feline lounges on an Art Deco sofa, and “Interior with Five Cats at Sunset.” The latter also contains a sculptural element as the vibrant light streams through a beaded curtain mounted to the painting’s edge.

Taking a magical realist approach to migration, Egreja questions the hard boundaries we perceive between private and public space, wildness and domesticity, as well as international borders. She also renders these lines illegible to our non-human counterparts, nodding to an ongoing organic exchange between seemingly disparate entities.

The works shown here are part of the artist’s first solo exhibition in the U.S., titled The Flight of Color, which runs from July 16 to September 5 at Jessica Silverman in San Francisco. Explore more of the artist’s practice on Instagram.

a jaguar lounges sadly on an ornate corner bench with birds flying around
“Interior with a Jaguar and Sun Conure [Interior com Onça-Pintada e Jandaias-Sol]” (2026), oil on canvas, 63 x 74 3/4 inches
a painting of a metal wrought window with red birds
“Window with Scarlet Tanagers and a Golden Sky [Janela com Tiês-Sangue e Céu de Ouro]” (2026), oil and 24 karat gold leaf on canvas, 31 1/2 x 31 1/2 inches
a still life painting filled with watermelons and fruits and parrots perched all over. there's a bold floral background
“Red Table with Chinoiserie, Macaws, and Parrots [Mesa Vermelha com Chinoiserie, Araras, e Papagaios]” (2026), oil and 24 karat gold leaf on canvas, 47 1/4 x 86 5/8 inches
a primarily orange still life with birds and elaborate fabric on the table and background
“Still Life with Embroidered Fabric [Natureza Morta com Tecido Laranja]” (2026), oil and fabric on canvas, 11 3/4 x 15 3/4 inches
a painting of a metal wrought window with parrots
“Window with Parrots and a Golden Sky [Janela com Papagaios e Céu de Ouro]” (2026), oil and 24-karat gold leaf on canvas, 31 1/2 x 47 1/4 inches
a still life with purple and pink produce on a table with a purple bird and a gold background
“Magenta Still Life (Sunset) [Natureza Morta Magenta]” (2026), oil and 24-karat gold leaf on canvas, 14 1/8 x 23 5/8 inches

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article Ana Elisa Egreja Takes a Magical Realist Approach to Migration in Her Rich Still Lifes appeared first on Colossal.

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Posted by Lorenzo Marquez

Lupita and Zendaya got the spotlight posts this time, which means the rest of the cast of The Odyssey must step up and have their looks for the Paris premiere assessed. It is the law.

 

Anne Hathaway

She’s been killing it on this tour; unveiling some of the chicest red carpet maternity looks we’ve seen in years. This is gorgeous and unexpected, but it feels wildly off for July. Still, it has a quiet strength and elegance to it that looks great on her. Love the necklace. Hate the ruffled edge of the bustline.

 

Tom Holland

Fantastic color, strange collar.

 

Matt Damon

Looks great, if a little sloppy. That top button needs to be done. We love the collar and are very appreciative of the contrasting shirt and tie, although the latter is looking mighty sloppy.

 

Charlize Theron in Dior

We hate white lace and we tend to strongly dislike the types of Dior designs she goes for, but this looks stunning on her — even though we kind of hate it. That skirt is trying to do way too much.

 

John Leguizamo

It’s boxy, the color is terrible for him, and the shirt should have been white.

 

 

We absolutely love how hard this whole cast is going for this promo. We figure that ladies, who are all red carpet icons, are fueling the stepping-up.

 

 

[Photo Credit: Kristy Sparow/Getty Images for Universal Pictures]

The post Red Carpet Rundown: THE ODYSSEY Paris Premiere appeared first on Tom + Lorenzo.

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Posted by Gary Legum

VC-25B Bridge aircraft arrives at Joint Base Andrews, begins commissioning flights. (U.S. Air Force courtesy photo).

Bestest boy Donald Trump’s $400 million Qatari bribe jet made its overseas debut this week, hauling the president and a rogue’s gallery of the rogue’s gallery that is his entire administration over to the annual NATO summit in Ankara, Turkey. (Seriously, look at that flight manifest — a mischievous Air Force One steward could have had a lot of fun with some cans of soda and several boxes of Ex-Lax. Just sayin’.)

Whose hearts, even those that beat in the chests of the haters, could fail to fill with patriotic pride at the sight of this magnificent jet with its new red, navy blue, and gold livery soaring across the Atlantic, arriving at the summit in all its American majesty, announcing that the United States is still the classiest and most glorious of all nations?

Subscribe to Wonkette, your one-stop shop for all luxury jet news.

And who could fail to snicker when Trump had to meekly leave the summit in one of the old Air Force One jumbo jets that he has decried as barely functional relics, because the new one doesn’t have all the necessary security features yet?

To answer the first question: Us, because Air Force One is a flying bribe scheme that was carrying our braying ass of a president, who embarrasses this nation every time he opens his mouth. We dread his overseas trips to meet with our allies like we used to dread eating vegetables when we were four.

And to answer the second question: Not us, because rolling out a new project before it is ready is such a common Trump move that backfires on him every time. Think of all the fuckups that fell flat and generated huge backlash due to rushed, shoddy workmanship and poor planning. All because President Baby was too impatient to do the job right: the Reflecting Pool, the Great American State Fair, the war with Iran, the ballroom, the parenting of his children ... the list is endless.

But Trump has been drooling over this jet ever since the Qataris offered it up in early 2025. Being Trump, he was impressed by the plane’s luxuriousness. Also being Trump, who is so personally cheap that he probably still has the first dollar he ever made screwed to the floor somewhere, he was impressed that it was free. Also also being Trump, his ego was doing somersaults over his belief that a bunch of grotesquely wealthy Middle Eastern sheikhs were gifting him a 747 because they just love and respect the United States so darn much now that he’s president again.

What might have impressed Trump the most was that as part of the deal to take the plane, he gets to take it with him when he leaves office, allegedly to be part of his presidential library. Which would seem to contradict his assertions that the plane was a gift to the people of the United States, not just him personally.

In the reality in which the rest of the world dwells, the Qataris had been trying to offload the plane for five years and had found no takers. The possibility that that might have been because it was the luxury jet version of a 1973 Ford Pinto, and that they might just be happy to have found a sucker who would take it off their hands, would not occur to Trump.

The obvious fact that the plane would need so much retrofitting to be as secure as the jets he uses now that it wouldn’t be available until almost the end of his presidency also would not have occurred to him. Or if it did, he wouldn’t care because his need to be ferried around in such a plane would outweigh any concerns for safety: DURRRRR LOOK AT MY COOL NEW JET EVERYONE BOW BEFORE THE CLASSIEST PLANE EVER NO ONE CAN BELIEVE HOW CLASSY IT IS DURRRRRRRRR.

Thus, he decided to roll out the jet by flying it to Turkey. Which shares a border with Iran. You know, the country with which we are currently at war. A country that he broke a very fragile ceasefire to bomb just this week while he was in the country next to it.

So for all the fanfare surrounding the maiden international flight of the new Air Force One, it is no surprise the Secret Service wouldn’t let Trump return on it. The plane has not yet been retrofitted with required security measures like missile defense systems and hardened wiring that protects its electrical systems against electromagnetic pulses caused by nuclear weapons detonating. The little things upon which the lives of a couple of hundred people rely every time Air Force One flies anywhere.

Being the Trump White House, they couldn’t admit that the big wet boy had complicated everyone’s lives again with his childishness. So they pretended the flight out was all a grand security plan, as Oddjob impersonator Steve Cheung claimed in a statement:

“As the president has said recently, there are many enemies of America who have their sights on him, and we use every tool at our disposal — including distraction and misdirection — to address those threats.”

It ... doesn’t seem like a great security precaution if you tell everyone exactly what you’re doing, but what do we know.

After the summit, both planes left Ankara on Wednesday and flew to an American airbase in England. Hilariously, Trump claimed he was taking the new Air Force One to the airbase because all the Air Force people stationed there are clamoring to get a look at it:

“We just landed and met up with our new Air Force One, which was sent earlier to RAF Mildenhall, so we could show the wonderful Servicemembers, as per the entire Base’s request,” the Republican president said on social media. “They were very excited.”

Oh sure, we bet this was the biggest thing to hit Mildenhall since Zsa Zsa Gabor’s last USO tour.

Once everyone in England got a good luck at the big new jet that they will never fly in, Trump boarded it for the flight home. Which means he took two separate Air Force Ones, which cost who knows how many taxpayer dollars per hour to operate, on a round trip to Turkey because he had to show one of them off like he’s ten and the plane is the latest offering from Hot Wheels.

On the other hand, we had all those taxpayer dollars just sitting around unused after massive cuts to Medicaid and SNAP. What else were we going to do with them?

Yes, yes, feed people and give them healthcare. It was a rhetorical question.

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Posted by Lorenzo Marquez

At the Paris premiere of The Odyssey, Zendaya switched things up from her string of cheek-sucking cosplay moments to… whatever the hell this is.

 

The jacket is kind of fun and fabulous, but the dress is chintzy and tacky. The whole design seems to be playing with underwear and bridal design tropes, but we confess to not seeing the point of it. We really hate the rough edges in the bodice, but not as much as we hate the scalloped hedges in the skirt. And we guess they were trying to go with something of a tea-stained effect, but it just looks stained to us. The off-white parts just look dirty. In related news, we continue to dislike the work of her hair and makeup team. We don’t know… we get that she and Law Roach are all about creating these moments, but the returns feel like they’re diminishing with each entry.

Style Credits:
– Custom Louis Vuitton Dress
Messika Jewelry
Styled by Law Roach

 

[Photo Credit: Kristy Sparow/Getty Images for Universal Pictures]

The post Zendaya in Louis Vuitton at THE ODYSSEY Paris Premiere appeared first on Tom + Lorenzo.

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Posted by Doktor Zoom

Lorenzo Salgado Araujo, in a family photo, via LULAC fundraiser on GoFundMe.

After national outrage at ICE’s murderous mass-deportation campaign in Minnesota brought millions of Americans out into the streets in over 3,300 cities and towns, the agency has tried to take a lower profile while actually ramping up arrests. As Robert Reich points out, ICE hasn’t backed off at all, it’s simply trying to be less visible:

ICE has quietly doubled its immigrant arrest quota. It’s now arresting 2,000 people per day.

But you’re not hearing about it because the new head of the Department of Homeland Security, Markwayne Mullin, has decided to quietly spread ICE agents around the country instead of targeting one Democratic-controlled city at a time.

Rather than fueling media spectacles, lawsuits, and community backlash, ICE is now going about its ruthless business in more hushed tones.

But it’s not quite possible to carry out Donald Trump and Stephen Miller’s ethnic cleansing agenda in complete silence, especially when the goons are as brutal and trigger-happy as ever, as we see this week in Houston, Texas.

Tuesday morning, an ICE agent shot and killed Lorenzo Salgado Araujo, an undocumented immigrant who had been in the US for 35 years, building the American dream — quite literally: He worked in home construction, building up a small business, eventually building his own home, and raising three sons, whom he was able to send to college. But he crossed the border a few years after the 1986 “Reagan amnesty” that legalized millions of people, so his American dream, and his life, were forfeit.

ICE issued the usual statement claiming that the shooting was completely justified, although so far there’s been no video to confirm (or to refute) the feds’ story. Gee, where have we heard language like this from Trump’s Secret Police?

“From information we are receiving, he rammed an ICE law enforcement vehicle, refused to follow multiple verbal commands, and weaponized his vehicle in an attempt to run over an ICE law enforcement officer resulting in our officer firing his weapon in self-defense.”

Why yes, that statement is nearly identical to the lies DHS told after ICE and Border Patrol goons murdered Renee Good and Alex Pretti in Minneapolis, and after any number of non-fatal incidents where the government claimed someone was trying to “attack,” “ram,” or “run over” officers — only to be disproven once video of the shootings became available or when the allegations fell apart in court.

Sure, maybe this time the official statement is true, and will be supported by evidence. But given the long history of constant lying by everyone in DHS, we have ZERO reason to expect that ICE’s version is anything close to what actually happened.


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According to his son Ronaldo Salgado, Lorenzo Salgado Araujo’s Tuesday morning began like any other workday: Lorenzo got up at 5 a.m., ate “a hearty meal prepared by my mom,” and headed off in his white van to pick up members of his construction crew.

Ronaldo got a call from his mother, who said his father was in trouble and asked him to go find him.

The first inkling of what had happened surfaced on his phone. Community activists were posting about Immigration and Customs Enforcement officers in the heart of a Houston neighborhood many Mexican immigrants call home. When he reached the site, Ronaldo Salgado saw his father’s white work van. Then a video popped up on his social media feed: It showed a man struggling on the ground after being shot by an ICE officer.

“I recognized him immediately,” Ronaldo Salgado said, sobbing as he recounted the events to reporters. “Not from his appearance, but from his voice, crying for help as he lay on the street bleeding out.”

Ronaldo Salgado wrote on Facebook Wednesday that he “spent the majority of the day at the crime scene waiting to hear anything about my father,” but learned nothing. At a press conference, he told reporters that his father was a law-abiding man who had no criminal record, and that the feds’ claims that Lorenzo had tried to run over ICE agents didn’t sound anything like his father.

Ronaldo also told the Texas Tribune yesterday that he believed his father thought he was going to be carjacked. “I know this in my heart, he thought that he was going to get robbed for his tools. […] One of his worst fears is that someone took away his work tools because that is how he made his livelihood.” He added that his father almost certainly would have pulled over and complied if the ICE vehicles following him had been marked, or if he’d known the masked men were law enforcement.

Then all the bigots on social media howled that of course Lorenzo Salgado Araujo couldn’t possibly be peaceful or law abiding, because he was ILLEGAL and if he had simply self-deported years ago this never would have happened. The only relevant thing to MAGA is whether someone is an immigrant or not — and as we increasingly see, the distinction between “legal” and “illegal” isn’t even relevant anymore.

On that note, Ronaldo Salgado also told reporters at yesterday’s presser that his father

had filled out paperwork for a legal work permit and submitted good character affidavits and fingerprints. Ronaldo Salgado said 18 months had passed, and they expected the permission to be approved.

In an interview with the Texas Tribune, Ronaldo Salgado said that he had sponsored his father’s application for legal residency — all three sons are US citizens — and that his father carried a copy of the paperwork with him at all times. He also said that the family had planned for the possibility that his father might be stopped by ICE: “He’s always been aware of what to do in the event that he got pulled over, he was detained […] He knew he wasn’t supposed to sign anything, he knew that he wasn’t supposed to give them a hard time.”

Online chuds then insisted that doing it the right way didn’t matter because Salgado Araujo lived here for 30 years without magically becoming a citizen, which they think is easy to do even though it’s incredibly difficult. (Then they default to “never shoulda been here illegally.”) Republicans will continue opposing any attempt to fix the broken immigration system, because it’s simply too effective an issue for stirring up angry rightwing voters and getting them to the polls.

After the shooting Tuesday, three others in the van were also detained, including Salgado Araujo’s brother. ICE’s Inspector General is investigating the killing, which in the past might have suggested an objective review, but let’s not get our hopes up. Oh, and the FBI is investigating, too, but they’re investigating the dead man for “the potential assault on a federal law enforcement officer.”

The family and advocacy groups, including the League of United Latin American Citizens, are calling for a transparent, independent investigation of the shooting; LULAC is offering a reward of $5000 for information or videos that will lead to “the arrest, indictment, conviction, or exoneration of any person involved in this potential murder.” The family is also taking the initial steps toward filing a federal wrongful death claim against the government.

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Posted by Kate Mothes

Rob Hann’s Chromatic and Quirky Landscapes Evoke Long-Distance Road Trips

For more than three decades, Rob Hann has pursued the inimitable and notable, turning his lens toward public figures like Tom Hanks, David Byrne, Chloe Sevigny, Ray Lotta, Willem Dafoe, and many others. He also ranges across the breadth and length of the U.S., traversing storied highways like U.S. 89 in Arizona, a popular route to the Grand Canyon, or U.S. 90 in Texas, which passes through the artistic enclave of Marfa. Not unlike the way he captures portraits of people, his characterizations of the country’s endearingly quirky and remote places highlight individuality, presence, and the passage of time.

Hann’s subjects range from handmade road signs and vintage buildings to peculiar local attractions like trees completely covered in shoes. He sometimes captures site-specific artworks such as Nancy Holt’s “Sun Tunnels” (1973-76) in Utah’s Great Basin Desert or Magda Sayeg’s crocheted retro camper trailer at El Cosmico in Marfa. There’s often a tinge of tongue-in-cheek humor, too, such as a sign reading “ICY” amid an arid desert landscape in southeastern California or a half-buried car.

a photograph by Rob Hann of a home or shop window in a pink building with paintings of blues and jazz musicians
Clarksdale, Mississippi

“Although my photos are usually very simple, I often like it when the viewer is not quite sure what it is that they’re seeing, when they have questions,” Hann tells Colossal. “I’m often attracted to things that are amusing, unintentionally funny, or things that are puzzling.”

For the vast majority of his career, Hann has shot with an analog Mamiya 7, only recently adding a digital camera to his routine: a Hasselblad X2D. One of the major differences is that the Mamiya takes a roll of film with only 10 frames, so there’s a more disciplined approach to avoid wasting rolls. With digital cameras, the number of images is only limited by the space on an SD card. “I try to make good decisions as I shoot and avoid wading through huge amounts of images on my computer when I get home,” Hann says. “With both cameras, I only use one fixed lens, and when shooting film, I just use one film stock.”

Color images have also emerged as an important tenet of Hann’s practice despite an earlier preference for black-and-white photography. “I was required to also shoot colour when working for magazines and record companies,” he says. “I could do it but struggled to make the colour photos special or make them feel like my own. It took me many years to get my head around making consistently good colour images.” Today, the emotive potential of color, explored through different levels of saturation and warmth, plays a significant role.

Hann is currently working with The Artist Edition toward the publication of a new book titled Wonder Valley, which is slated for release sometime later this year. Follow updates on Instagram.

a photograph by Rob Hann of a car buried in the desert in California
Lucerne Valley, California
a photograph by Rob Hann of a tree along the roadside in the desert of California that is completely covered in shoes and other detritus
Highway 62, California
a photograph by Rob Hann of a vintage gas station that reads "Bob's Oil Co." on the sign
Grand Forks, North Dakota
a photograph by Rob Hann of a road sign that reads "icy" amid the desert landscape of eastern California
Yucca Valley, California
a photograph by Rob Hann of a crocheted camper by Magda Sayeg at El Cosmico in Marfa, Texas
Marfa, Texas
a photograph by Rob Hann of the facade of a simple building with a single entrance and a hand-painted sign that reads "Full Gospel House of Prayer"
Mojave, California
a photograph by Rob Hann of a small barn in rural Montana with a painted sign in the shape of a stop sign on the roof, with the word "meth" in the center
Highway 287, Montana
a photograph by Rob Hann of an illuminated star decoration in front of a house in Needles, California
Needles, California
a photograph by Rob Hann of a retro gas station at dusk in the California desert
Mojave, California
a photograph by Rob Hann of a handmade sign on the side of the road in Arizona that reads "really really good"
Highway 89, Arizona

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article Rob Hann’s Chromatic and Quirky Landscapes Evoke Long-Distance Road Trips appeared first on Colossal.

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Posted by Lorenzo Marquez

How are we feeling about this one, darlings? Lupita Nyong’o is one of our sainted icons of fashion, but that doesn’t always mean the details line up perfectly when it comes to her choices. The star of The Odyssey came to the Paris premiere working the one style of dress that gets the most complaints and critiques round these parts.

 

A see-through frock. We’ll give this one credit for at least being a little interesting. And we appreciate that the lining/undergarment situation is subtle and non-distracting. But that color’s harsh and there’s a good argument to be made that this feels more appropriate for the beach or poolside. On the other hand, serving body seems to be something of a theme with her for this tour. She’s definitely gorgeous, but is the frock working? Put another way:

Lupita Nyong’o’s Coral Reef Dress:

IN or OUT? 

 

Style Credits:
Custom Chanel Dress from the Resort 2027 Collection
Styled by Micaela Erlanger

[Photo Credit: Kristy Sparow/Getty Images for Universal Pictures, chanel.com]

The post Lupita Nyong’o in Chanel at THE ODYSSEY Paris Premiere: IN or OUT? appeared first on Tom + Lorenzo.

T LOunge for July 9th 2026

Jul. 9th, 2026 01:31 pm
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Posted by Lorenzo Marquez

Jeff’s Cellar Restaurant – Sunway City Ipoh, Malaysia

Shall we go for dark eleganza today, kittens. Let’s. It’s THURSDAY and we’re heading to the airport to start the next portion of our vacation, but fret not, for we have many opinions on matters of little importance to impart to you today. Let’s kick things off with cocktails, shall we?

 

Isaac Mizrahi Documentary ‘Unzipped’ Acquired by Janus Films, Theatrical Re-Release Planned for September
Janus Films has acquired North American rights to Douglas Keeve’s “Unzipped,” a groundbreaking documentary that follows Isaac Mizrahi as he launches a new fashion collection in 1994. The company will re-release the film in theaters this year. A 4K restoration of “Unzipped” will open in New York on Sept. 25 before expanding nationwide.
Released to critical acclaim in 1995, “Unzipped” not only highlights the boisterous, charismatic Mizrahi as he set out to put his imprint on haute couture, it also features a who’s who of models like Naomi Campbell, Cindy Crawford, Kate Moss and Linda Evangelista, as well as celebrities like Eartha Kitt and Richard Gere. The film presents a fly-on-the-wall portrait of Mizrahi’s creative process. Keeve and Mizrahi were dating at the time, but making the film contributed to the collapse of their relationship.

 

Emmys Nominations 2026: Kathy Bates, Paul Anthony Kelly and Summer House Among the Biggest Snubs and Surprises
The 78th Primetime Emmy Awards takes place on Sept. 14 and will be hosted by Mariska Hargitay

The 2026 Emmy nominations are here and they’ve come with quite a few surprises.
On Wednesday, July 8, the Television Academy unveiled its list of nominees for the 78th Primetime Emmy Awards, which takes place on Monday, Sept. 14.
This year’s nominees included a few first-timers and big names, although some familiar faces and big performances were not recognized.

 

How to Achieve Winona Ryder’s Iconic Pixie—a.k.a. The Haircut of the Summer
Trends have a way of circling back. Case in point: flared jeans, millennial mint, and now, the haircut that defined the ’90s: Winona Ryder’s pixie cut.
“What made Winona’s pixie so special was that it never felt too perfect,” says celebrity hairstylist and hair designer of Stranger Things, Sarah Hindsgaul, who worked with Ryder on-set. “Because she cut it herself, there was texture, surprise, and these random shorter pieces that made it feel alive. It had this instinctive, almost childlike freedom to it, but on Winona, it became incredibly cool and rebellious.”

 

London Estate Where Princess Diana’s Reported Face-Off With Queen Camilla Took Place Lists for $33 Million
The South West London home has hit the market.

The home where Princess Diana reportedly confronted Queen Camilla over her then-rumored relationship with King Charles has officially hit the market for $33.5 million.
According to the Sotheby’s listing, the sprawling South West London estate (known as the Ormeley Lodge) features 10 bedrooms, 7 bathrooms, a guest apartment, a drawing room, a library, a swimming pool, a tennis court, original fireplaces, and is set within 2.3 acres of walled gardens. What’s more, it also includes a wine cellar.
The home is also in a prime location, between Richmond Park and Ham Common, and only 10 miles away from Hyde Park Corner.

 

The Pill Box Nail Trend Is the Perfect Playful Summer Manicure
The capsule-inspired manicure only needs two colors and a steady hand.

Color block manicures come back every summer, but this season’s version has a more playful diagnosis. Enter pill box nails: a bold, graphic manicure trend that splits the nail into two clean blocks of color, creating a capsule-like effect that feels fun and made for summer.
Annabelle Taurua, a beauty expert at beauty system, Fresha, says the look taps into beauty’s current appetite for throwback, feel-good designs. “The pill box nail trend leans directly into this nostalgic resurgence with its bold, block colors, offering that classic ’90s playfulness,” she explains.

 

19 Crochet Hairstyles for Natural Hair That Prove This Technique’s Endless Versatility
They offer low-maintenance wear and endless options.

Crochet styles don’t always get the same level of attention as knotless braids or sew-ins, but ask anyone who has sat in a stylist’s chair for eight-plus hours, and they’ll tell you: crochet hair is one of the most time-effective protective styles. This versatile technique delivers the look of individual braids, twists, curls, or loose textured hair in a fraction of the time, making it a favorite for anyone who wants maximum impact with minimal time spent.
“Crochet styles are low-maintenance protective styles that give your hair a rest and break from the rigamarole of daily styling,” says celebrity hairstylist Kim Kimble. Part of the appeal lies in its endlessly customizable options. One appointment can leave you with beachy boho braids worthy of a tropical vacation, while the next can transform your look into a head full of voluminous curls worthy of a red-carpet moment.

 

What’s the Difference Between Cold Brew and Iced Coffee?
Hint: One is more caffeinated than the other.

There was a distinct moment when cold brew went from something I’d never heard of to the drink everyone seemed to be ordering. Around 2015, it suddenly appeared everywhere, from independent coffee shops to Starbucks, and my usual iced coffee order started to feel outdated. It was as if regular iced coffee had somehow become less cool overnight, replaced by something that sounded similar but cost a little bit more.
After finally giving in and trying cold brew for the first time, it turned out I actually preferred the taste of regular iced coffee. The real surprise to me, at the time, was that the two drinks weren’t simply different names for the same thing. While both are served cold, they’re brewed using entirely different methods, resulting in distinct flavors, acidity levels, and caffeine profiles.

 

Emmy Nominations Snubs: Taylor Sheridan Shows Overlooked Again as Kathy Bates, Paul Anthony Kelly Miss Out on Expected Nominations
In terms of surprises, Ryan Murphy’s critically panned ‘All’s Fair’ lands two nods as ‘Dancing With the Stars’ and ‘Love Island’ emcee Ariana Madix make the cut in the reality categories.

After years of Taylor Sheridan‘s series failing to be recognized with Emmy nominations in prominent categories, a number of awards experts thought this might be his year with Landman and The Madison.
But neither series landed any Emmy nominations, despite Landman scoring a best drama series ensemble nod from the Actor Awards earlier this year and star Billy Bob Thornton earning a Critics Choice nod for the show’s second season and The Madison being led by the all-star duo of Michelle Pfeiffer and Kurt Russell. Instead, Sheridan’s shows were once again almost entirely shut out apart from a stunt coordination nod for Tulsa King.

 

25 Vintage Photos of Jackie Kennedy Summering in Hyannis Port, Massachusetts
“I always go to Hyannis Port to be revived, to know again the power of the sea,” President John F. Kennedy once said. That feeling of summertime joy and rejuvenation is palpable in old photos of the president and his wife, Jackie Kennedy, at their summer home on the Kennedy Compound in Hyannis Port, Massachusetts.
Their summer sanctuary, and a symbol of Camelot, the compound is a sprawling collection of houses—along with tennis courts, a movie theater, a sauna, and more—across six acres of land that overlooks the water. Depicted on television this year in FX’s hit show Love Story, the compound was established in 1928 and stands today as a retreat for generations of the Kennedy family.

 

The 6 Most Beautiful Food Trails Around the World
As scenic as they are delicious, these culinary journeys offer a deeper connection to local ingredients, traditions, and the people behind them.

There is a distinct magic in tasting something exactly where it was made. It’s the briny slurp of an oyster eaten roadside on a stormy Irish coast, or the velvety warmth of ice cider sampled in a frozen Quebec orchard. When we travel to eat, the journey itself becomes the menu.
As you navigate any of these six culinary trails, immerse yourself in geography and heritage while meeting the dedicated hands behind every bite.

 

Jack Antonoff and Margaret Qualley separate after 3 years of marriage
The pair sparked breakup rumors when Antonoff appeared solo for Taylor Swift and Travis Kelce’s wedding celebrations over the July 4 weekend.

The couple sparked rumors of a breakup when Antonoff turned up without Qualley for Taylor Swift and Travis Kelce’s wedding festivities over the July 4 weekend. Antonoff, with whom Swift has collaborated on numerous projects, was spotted solo heading to Madison Square Garden on July 2, ahead of Swift and Kelce’s wedding rehearsal dinner. He attended the ceremony with his fashion designer sister Rachel Antonoff.
Fans immediately pointed out Qualley’s absence on social media, noting the oddity of her not attending after Swift attended their 2023 wedding in New Jersey.

 

How to Decorate a Bedroom From Start to Finish, According to Interior Designers
Your complete guide to designing a more stylish space.

Decorating a bedroom can be tricky. It’s your most personal space, where you start and end each day, so it needs to feel both calming and functional. In fact, creating a bedroom that looks good and feels good can boost your outlook and well-being—whether you’re starting from scratch or just swapping out a few pieces of mismatched furniture.
To help you pull it all together, here, we asked interior designers to share their go-to tips for decorating a bedroom that’s equal parts stylish and cozy. Follow these steps, and you’ll have an elegant, timeless sleep sanctuary in no time.

 

A Hidden Ancient Roman Villa Was Just Discovered Beneath a High School Near the Colosseum
The remarkably preserved domus, complete with vaulted ceilings and painted walls, is now the focus of an archaeological excavation.
Clever Italian students may have unlocked an archaeological discovery for the ages.
Located just a quarter of a mile away from the famed Colosseum in Rome’s Monti district, sits a 100-year-old high school, Liceo Scientifico Statale C. Cavour. As the first scientific high school to be established in Rome, the school has also earned a legendary reputation for reportedly being built on an ancient villa that was once home to royalty and wealthy aristocrats.
Now, thanks to inquisitive students who took matters into their own hands, the legend has become reality. Located in the basement of the boys’ gymnasium, the school noted an ancient domus, or home for wealthy citizens of Rome, was “accidentally” discovered. The ruins feature intact paintings and stucco decorations and are in “excellent condition.”

 

 

[Photo Credit: sunwayhotels.com]

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Posted by Robyn Pennacchia

Emma Waters, YouTube screengrab

“A Conservative Role Model for Ending the Fertility Crisis”

That is the actual title of a New York Times profile (gift link) on Heritage Foundation Senior Policy Analyst Emma Waters — an ideologue in the mold of Phyllis Schlafly, who also famously traveled around the country telling other women to stay home.

It’s not the first. As writer Jessica Shortall pointed out on Bluesky yesterday, Waters has been the subject of at least two other New York Times profiles on her quest to replace standard fertility treatments with some bullshit called “restorative reproductive medicine” and downplaying her desire to force other women back to the 1950s: “White House Assesses Ways to Persuade Women to Have More Children,” published in April of 2025, and “As Trump Weighs I.V.F., Republicans Back New ‘Natural’ Approach to Infertility,” published in August of 2025.

I guess they figured that after a whole year we’d need a reminder.

Waters and other advocates try to present “restorative reproductive medicine” as some kind of “all natural” approach that takes into account infertility’s “root causes.” As per the August 2025 article, “[p]hysicians who specialize in the approach analyze patients’ diet and exercise habits, while helping them “chart” their menstrual cycles, a process that can help expose certain reproductive health conditions, like endometriosis, that may lead to infertility.” (Nota bene: “restorative reproductive medicine is not a recognized medical specialization.)


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But this is not some “natural” approach that practitioners of modern medicine ignore in favor of pushing unnatural medicines and procedures on patients. Fertility doctors absolutely do all of those things. They are standard practice and there is no difference between “restorative reproductive medicine” and standard infertility treatment other than what it doesn’t include. What it doesn’t include is IVF, intrauterine insemination (IUI), or fertility preservation, because its proponents are ideologically opposed to those things — which is why the American Society for Reproductive Medicine (ASRM) explicitly states that it is “not medical practice but ideology.”

Now, we of course have no damn problem with people who actually do have personal moral issues with IVF or any other fertility treatments trying everything but those things. That’s not my business or yours. The problem is the fact that these folks want this “method” promoted by the government as an alternative to those treatments for everyone. This is a very bad idea! Because it means that patients, older patients especially, could waste time that they don’t have doing something that isn’t going to be as effective.

Of course … that’s the whole point. They want to keep people from getting IVF until IVF is no longer an option for them. Because of how they love embryos.

The article from yesterday makes brief mention of a “report” she co-wrote with other Heritage Foundation employees, explaining that it included “proposals to give Americans financial incentives to marry by the age of 30 and a “large family bonus” for married parents with more than two children.”

You see, just as the Heritage Foundation set out their plans for the hell we’re living now in Project 2025, they also have a blueprint for rolling back all of the gains made by women and LGBTQ+ people in the last century. Isn’t that fun? That’s the report she co-wrote.

The report, titled “Saving America by Saving the Family,” advocates ending no-fault divorce, ending same-sex marriage, somehow eliminating the concept of “gender identity,” encouraging young people to marry not for love but for “duty and virtue” (that duty being “have children”), encouraging women to be financially dependent on their husbands, tearing apart the social safety net in order to make things more difficult for single parents, denying the problem of climate change (to combat people not having kids due to concerns about the planet) and, of course, Christian nationalism. Because if people are Christian, they’ll be more likely to get married and have babies in “traditional” households.

The data are strong that religious people are more likely to get married, marry earlier, divorce less, have more children, and beneficially influence their children’s social development. Because religion has an outside impact on marriage and family, it merits outsized social and cultural support. One of the biggest impediments that religious Americans must confront, however, is widespread cultural and government-enforced secularism.

Oh yeah, you know — that thing that makes it so everyone can believe what they believe without having anyone else’s beliefs forced upon them?

The report goes on quite endlessly about how feminism, the sexual revolution, and the War on Poverty ruined everything by giving women the ability to provide for themselves financially (and get help when they need it), choose when or if they want to have children while still enjoying recreational sex, and generally live the lives they want to lead as best they can.

The fact is, the only thing that really gets them what they want is reducing women’s choices — because, as it turns out, when women are able to choose, they don’t tend to choose “marry at 17 and sit home broke for 25 years until your husband divorces you.”

It would never occur to me to tell Emma Waters how to live her life. It would not occur to me to say that she shouldn’t be Christian or get married or have children, because none of that is any of my goddamned business. I am firmly on team “people should do what they want, and we should work to make things so that individuals can make these choices for themselves, depending on what works best for them.”

For all their complaints about us supposedly “shoving things down their throats,” you really never see us doing anything nearly as extreme as trying to force them to live exactly as we do, simply because we don’t like living in a world where people do things differently from us.


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Because, ultimately, that’s what this is about. The Right is using this idea of a “fertility crisis” to try and get their way on cultural issues, and the New York Times seems to have few qualms about helping them. And, as overplayed as the analogy may be, I’m going to have to point out that it is literally the plot of The Handmaid’s Tale.

According to a panel of Harvard researchers, much of the decrease in the birth rate both in the US and internationally is due to the sharp decrease in teen pregnancies (and is made up for, in part, by women having babies at older ages, thanks to IVF). Most people who are not enormous creeps would agree that that’s a good thing. The panel also pointed out that we might want to be more concerned about the fact that our maternal mortality rate is three times the rates of other wealthy countries, and that having a baby represents an “economic catastrophe” for most American families before we start pushing people to have more babies. “Expanding child care access, postpartum care, and maternal health services […] would improve outcomes regardless of their impact on fertility,” they argued.

I, personally, would like to point out that we do not even have enough ob-gyns for all of the people currently giving birth, particularly in areas run by people who are ideologically aligned with Emma Waters. Areas where it is now even more dangerous to give birth than it used to be, thanks to the anti-abortion laws that force doctors to wait until the last possible minute before providing care to patients in crisis. Also, there are 330,000 to 345,000 children living in foster care in the United States and 10 to 11 million living in poverty. Maybe we should consider taking care of the pregnant people and children we have before we start talking about any “birth rate crisis.” Certainly before we start exploring “rolling back the last century of cultural progress” as a viable solution.

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Posted by Evan Hurst

Well, if there was any doubt what kind of man Graham Platner is before the past couple days, watching how he’s handled his exit from Maine’s US Senate race filled in all the rest of the blanks. He refused to simply gather his things and leave, he dawdled as long as possible, and then he released an 11-minute video explaining why actually all of this is The Establishment’s fault, like The Establishment was asking for it, like The Establishment had sore glutes.

Ultimately, somewhere in there, he announced he was quitting the race.

There’s a lot in this video, but spoiler, there’s not a moment where he takes any responsibility, so if you’re looking for that, you can skip it:

“This is all false,” he says early on. Not only is it false, he says, but “it’s not real.” We guess his accuser has just been hallucinating all these years.

“We were not looking to get into politics,” he says, setting himself up as the one who deserves praise and glory here, not condemnation. “We had no desire to run for office.” (He wasn’t referring to himself as the royal “we,” he started that part by talking about him and his wife collectively.)

“I just want you to think about, like, what you would do, as a regular person, in a position where a much larger world, large forces were working against you personally to accuse you of the worst thing that a person could do. [biiiiiig deep breath].”

He’s still only a minute and a half in. He whines right there that the “corporate media system and the political establishment got to act as judge, jury and executioner.” As if we didn’t all read the extremely detailed, well-sourced, well-corroborated allegation and decide for ourselves.

“Accusations are supposed to be the beginning of things, not the end!”

Sorry, wrong party, this one doesn’t give out merit badges for sexual assault accusations like the MAGA Epstein Republicans.

“I think it’s really important to understand why this is happening in the timeline.”

Because a woman says you raped her and she has the receipts? But nooooo, it’s not his fault! He says it’s all rigged because this was the last week to get him off the ballot! It’s a set-up!

“It’s not the false allegations, though, that have brought us to where we are. It’s the fact that they are being used by the political establishment to put structural pressure on us.”

Hate it when the political establishment puts structural pressure on guys just because a woman credibly says he raped her.

“We live in a political system that is not built for normal people.”

Normal folks who aren’t altar boys who are always getting accused of salt-of-the-earth rape?

“It is a system that is built structurally to make sure that movements like ours cannot flourish.”

Oh my fucking God, ask all the other progressive and DSA candidates who haven’t been accused of anything like this, who are currently winning races nationwide, how they feel about that. Ask folks like Zohran Mamdani why their endorsements got lost in the mail to begin with. People like Alexandria Ocasio-Cortez, who we are guessing clocked who this guy was the second he walked into the bar. Are they part of tHe sYstEM?

He’s only three and a half minutes in. You know those split seconds during Kyle Rittenhouse’s testimony just before he started doing those clown cries? That’s Platner’s demeanor throughout this video. It’s remarkable that he hasn’t bloodied his knuckles punching the bumper of his truck on camera yet.

“They’re going to take everything away from us. Those in power who have the ability to do so are using these allegations as an excuse to take away all of the things we need to run a campaign.”

Yep, it’s a conspiracy, literally everyone is against you. Bye, though!

“They would rather see Susan Collins win than have me be the nominee.”

Uhhhhhhh, sorry, buddy, but do you think all your voters are still with you? Yes, yes, he does. (Very, very doubtful!) Because he thinks he is God’s gift to everything, which is remarkable because Graham Platner, for all his alleged bad boy ruggedness, is nowhere near hot enough to be pulling this poor-me, please-feel-sorry-for-me kind of shit. Dude looks like a Temu Build-A-Bear version of a sexy, blue collar bad boy. Dude looks like he still stinks even after he comes home and takes a shower to wash off a day of oyster-touching.

Dude looks like he knows actually hot bad boy types, but like they run rival oyster farms and give him dirty looks at the diner, because they know he’s a scumbag too.

But no sorry, this is happening because people would like a chance to at least try to salvage a win out of what was setting itself up to be Susan Collins’s easiest re-election yet.

Susan Collins is concerned today, because her entire campaign strategy of dropping oppo on Graham Platner every two weeks until November likely just got flushed down the toilet.

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You may have more patience in you for the rest of the video, but we sure didn’t. Unsurprisingly he tries to dictate what comes next, because he thinks he’s still got leverage here. He keeps blaming the “donor class” and the “entrenched forces,” like he’s a hero in a fucking video game. He finally, after holding you hostage for seven and a half minutes with his sob story, announces that he’s getting the fuck out.

“This is incredibly difficult because I know that some will think it’s an admission of guilt, and it most certainly is not. We’re not doing it because of the allegations. We’re doing it because of the structures that are being taken away from us by those in power.”

Are the powers in the room with us right now? Did they say you drunkenly raped them like a common drunken rapist piece of shit with a Nazi tattoo?

So anyway, that is where we closed tab.

By the way, look who can’t help but defend the credibly accused rapist:

Just cannot help himself. Game recognizing game?

The only thing we do agree with Platner on — but more like we agree with Dean Obeidallah, who made the same argument but isn’t a scumbag — is that Maine Democratic Party leaders do indeed need to read the room and not fuck this up, that this is not the time for trying to snake somebody “mainstream” back into the race, to try to find a way to let senile James Carville-type thinking claw its way back into this race. The voters have indeed said they want something different, a different kind of politics and a different kind of (progressive) candidate.

Dean writes, “If Maine’s Democratic party leaders want to win, then the choice is clear: Pick a candidate that most aligns with Platner’s economic populist message that inspired people to support him. That is why he won 72% of the vote just last month in the Democratic primary.” And Dean mentions a few names and gives background, without pushing any of them specifically. And we cosign that.

The Maine Democrats released this statement on where things will go from here:

And more from the Bangor Daily News:

The Maine Democratic Party’s state committee voted Wednesday to hold a nominating convention to select a replacement for U.S. Senate candidate Graham Platner, according to a party statement and an account of the meeting shared with the Bangor Daily News.

More than 100 state committee members attended the meeting and voted in favor of the convention process, the party said in a statement. The convention would include 500 delegates elected proportionally by county committees, along with the entire state committee, according to the account of the meeting.

This is salvageable, and indeed, the Maine Democrats are the only ones who can ruin this at this point. (No pressure!) We’re only around 100 days out from the election, which we are sure will activate PTSD in a lot of people, but Maine is a lot smaller than the United States of America. We’re sure they can find a bold progressive who doesn’t stink like Graham Platner stinks right now, and we’re sure that campaign can chart a course to beating the shitfire out of Susan Collins.

In this electoral environment? Lord. The Senate races in Texas, Ohio, Alaska, and Iowa are tied up. Literally anyone should be able to find the momentum to beat Susan Collins in a state Kamala Harris won after 107 days by seven points.

Don’t fuck it up, Maine Democrats.

[Bangor Daily News]

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Posted by Rebecca Schoenkopf

Tabs gif by your friend Martini Glambassador!

Whose turn is it to be fucking furious at Graham Platner and his dickfor (collective noun) of bros? (And Ryan Grim hadn’t even posted this yet.) Charlotte Clymer, you’re up! (Charlotte’s Web Thoughts) Yes, “the establishment” tried to take down Zohran Mamdani by supporting a sex pest (and olds murderer), but they didn’t take down Graham Platner. That was women looking out for each other, and the media. (Noah Berlatsky at Everything Is Horrible)

If Only There Had Been a Sign That the Face-Melting Nazi from Indiana Jones Wouldn’t Make a Good Senator. (McSweeney’s)

Ah well, nevertheless! Elaine Chao said her husband Mitch McConnell’s health — maybe most sincerely dead? — “didn’t warrant” flying back from China. (She is apparently back in the US now.) (Daily Beast)


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Did Ken Paxton vote fraud? WELL DID HE? (Pro Publica)

Oh yeah, we’re hauling off the flu experts and COVID scientists. (Gift link The Atlantic)

ICE keeps killing people and lying about it, and absolutely nobody believes them, Houston small business construction man dad edition. What a beautiful family! (The Bulwark) Yay we didn’t put the Wisconsin judge in jail? I guess? (The Guardian)

Pretty damn fast for Trump to ditch his gilded Qatari bribe zeppelin. But he claims he needed to tour it around some bases for the poor enlisted rubes to gawk at, as one does with Air Force One without a president in it. (Mediaite)

Margaret Killjoy wrote this short story a decade ago about driverless cars driving you to jail. It’s not fiction anymore ¯\_(ツ)_/¯ (Vice)

AI is useless and can go screw and nobody better bail it out either, it is NOT too big to fail. (Where’s Your Ed At) Christ, no, don’t let Meta let all its users AI-up all your Instagram photos! Go opt out right now! (Wired) Burying this one about Elon Musk’s Grok letting men AI-sex-up their young-child stepdaughters, and then not cooperating with law enforcement. (Ars Technica) Here’s a much better one to end this graf on, hero Maine librarians teaching residents how to get that AI garbage off their phones! (Bangor Daily News)

The elderly among us will remember Mystery, who showed dudes how to get laid by insulting women. He has a robot girlfriend now! Congratulations Mystery, you’re doing awesome sweetie. (Wired)


Parties upcoming! MISSOULA (July 25), CLEVELAND (Aug. 8) AND PITTSBURGH (Aug. 9), and SONOMA/SF (Nov. 30)! Atlanta has been postponed. TIME TO PARTY!


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Aurendor D&D: Summary for 7/8 Game

Jul. 9th, 2026 12:04 am
settiai: (Siân -- settiai)
[personal profile] settiai
In tonight's game, the rest under a cut for those who don't care. )

And that's where we left off.

movies: Leviticus, Rose of Nevada

Jul. 8th, 2026 08:44 pm
snickfic: Spuffy Smashed kissing (Spuffy angst)
[personal profile] snickfic
Leviticus (2026). Two queer teen boys in a homophobic Australian backwater are stalked by a demon that appears to each one as the other, driving them apart.

This stars Joe Bird, the little brother in Talk to Me. He was great then and he's great here, and his and co-star Stacy Clausen's chemistry is fantastic. This movie only works because they're so good together as two fumbling kids who don't really understand themselves or each other, who can't trust each other because the other guy might be a demon, but who, it turns out, can't trust anyone else in their lives either. Betrayal is the big theme here: by trusted adults, religion, the person you're into, and yourself.

The conversion therapy metaphor is very obvious, which isn't necessarily bad, but I did feel that the movie wasn't sure what to do with it once it had introduced it. Like yes, now you (or the appearance of you) are dangerous to each other, so now what? I wanted it to give me more. The movie feels like it plateaus in the last act, neither deepening the themes nor escalating the tension but just hitting a lot of the same beats until things finally resolve.

However, the actual character work is good, IMO. Both kids are complicated and make realistically bad choices, but they also both keep trying with one another. There's a really great scene where love interest Ryan uses the word dickhead about five times, and it's honestly really sweet in context. The cinematography was also good; I really felt the kind of down-and-out exhaustion of the industrial small town.

Overall, even though it didn't fire on all cylinders for me, it's definitely a worthwhile watch if teen boys in love in a horror setting sound like your jam.

--

Rose of Nevada (2026). Directed by Mark Jenkin, who also made Enys Men, this is about two guys in an impoverished Cornish fishing town who take a job aboard a lost and resurfaced fishing boat, which takes them back in time. The guy who's been sleeping rough suddenly finds he has a wife and kid; the guy who took the job to support his family no longer has one, because they're back in the present day.

This movie is largely an Experience (tm) rather than a story as such. It seems like there is some actual plot/lore underpinning, but Jenkin is not that interested in explaining what it is. We spend a LOT of time on a fishing boat. The captain might be fae, or the boat might stuck in a time loop, or... who can say.

Mostly what Jenkin is interested in is making a movie that feels old, full of fuzziness and tactile impressions of things. I'm told the camera can only store about twelve seconds of footage at a time, so everything is a quick cut, and for whatever reason he didn't mic any of it, so all the sound happened in post and all the spoken dialogue was dubbed in, like an old giallo film or something.

I got out of this and was like well that was an experience I guess, but with time I feel like I might want to watch it again. Maybe I can make sense of more things this time.
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Posted by Rebecca Schoenkopf

Hello dear ones, long day at the old pixels factory, and I’m not even close to done. Read some posts! Send some to a friend! HELP A SISTER OUT OR SOMETHING!

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How did we start our day, dear friends? The same way we do every day, trying to take over the world!

Evan had a one-two on Trump at NATO — ugh — and how Canada and Europe will never love us again :/

and also

So there’s this MAGA rep., Brandon Gill (?) who is married to Dinesh D’Souza’s daughter and has little babies with her and is VERY WHITE SUPREMACIST and also has dumb Clark Kent hair but that’s not really the point.

Paris Hilton is legit a hero on this topic, remember when she went and got Matt Bevins’s (adoptive) son from one of these horrorshows in Jamaica, because the place had been shut down and the Bevinses … just left him there? Ugh.

We call it a lorry.

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