This post has me in a chokehold

oh my god?

I've graphed the times and dates of her previous photo dumps. what can we extract from this

people are being very cruel about my graph

I see. so you are also my enemies

I like how fucked up and loud his climbing is, really adds a certain nasty feeling that he normally evokes

yes, every neighbour who is spied on first hears a CLUNK. CLANK. CLUNK as he climbs into position. and then they look over, and see his fat pink belly and staring eyes. definitely an experience.

*sees an abled person using potholders*

i just think it’s really sad that you’re giving up on yourself like that

if you use potholders how will you ever build up the calluses necessary to pick up scalding hot metal without burning yourself so severely? it’s like you’re not even trying to get better

I mean, my mother uses potholders, but she’s in her 70s. You’re just… too YOUNG to be resorting to potholders at your age.

If you start using potholders, your inability to hold hot metal will only get worse.

The funny thing is as a disabled person who used to be a professional cook, “chef hands” are much easier to develop than the ability to walk on partially dislocated body parts

none of these words are in the bible. or the dictionary, for that matter.

#While this is a joke#For the etymologists out there#Tumblr did not “goncharov” poob#translation: Tumblr is not making a fictitious thing called poob that we insist is real#Poob is glup shittoing (streaming services)#Translation: Poob is now a generic name for whatever streaming platform is out there when you don't feel like naming something specifically

I read this aloud to my roommate and he thought I was having a stroke

Philosophy tells us that we MUST imagine the kitty purring

I don’t mean to be rude; but I don’t think I’ve ever seen this, does anyone have any examples?

• Supernatural
• Doctor Who (Steven Moffat specifically)
• Sherlock (Steven Moffat specifically)
• Actually Steven Moffat is basically just this sentiment given human form.
• A version of this happened with The Magicians, tbh. Though instead of expectation: men, reality: women it was expectation: smug nihilists, reality: mentally ill queer folks.
• Arguably Game of Thrones.

If we broaden it outside of television…I think Star Wars falls into this, at least the sequel trilogy. Maybe the MCU as well. And I can’t help but think of every band that’s ever complained that their fanbase is mostly women. 5 Seconds of Summer comes immediately to mind.

In general, most white male creators seem to have this massively entitled mindset where they want–and think they deserve–the time, attention, and enthusiasm that creative fandom (i.e. the side of fandom more dominated by women) is known for.

They want our eyes for ratings, our word-of-mouth for free publicity, our metas for social media buzz, and our spending power for merch and cons. But they don’t want us. And they don’t really want the responsibility of telling a story to a thoughtful, engaged audience, regardless of that audience’s demographic makeup. They just want to be praised for whatever schlock they cough up.

And like any other spoiled brat, they will break their toys before they share them.

It goes all the way to the top for kids shows. Toy sales will crash a show. Makes sense, but if those toys are gendered for boys instead of the female viewers, they won’t usually switch up the marketing and move them to the girl aisle. They cancel the show outright.

Mind you it is perfectly possible to make the switch in marketing, but execs would rather throw it all out than have something that doesn’t perform well with male viewers. For example the Rey merch was not expected to be popular, for some reason, there had to be public outcry to get merch of one of the main 3 protagonists. A PROTAGONIST. The fact that she wasn’t a huge part of the 1st launch says a lot already.

And what happened when female fans got too invested in the Sequel Trilogy? The entire writers room didn’t necessarily lash out, but they sure forgot how to behave.

Young Justice

Paul Dini: Superhero cartoon execs don’t want largely female audiences

#WhereIsRey (initial)

#WhereIsRey (ongoing)

Star Wars: The Rise of Skywalker was designed to be the opposite of The Last Jedi

You’re all sitting on the hot take of the decade tbh

And yet when they fond out that boys were watching MLP:FIM in droves, they had NO PROBLEM with it.

#SONS OF ANARCHY!!!!!!!!!!!!!#LITERALLY SONS OF ANARCHY IS THE BIGGEST EXAMPLE OF THIS LIKE EVER#kurt sutter wrote that show for MEN and ended up with an overwhelmingly female audience#because he’s actually a good writer and knows how to develop characters well and wrote excellent female characters#but once he realized that his audience was almost entirely women he literally took it out on tara and gemma in the show#but like tara specifically#he resented her character for being a huge draw for female viewers so he tore her development to shreds and killed her#in the most brutal gut wrenching way possible#kurt sutter you will pay for your crimes#i actually wrote a manifesto about this on one of my old blogs i should try to find it sldkjsldfjsdljf#long post (via@m-oonknight)

OMG YES. I LOVED Sons of Anarchy, especially the women and then I got to season 6 and it was like - everything was just tossed in the trash? And like, why did Sutter hate that Tara drew tons of attention? That should have been a good thing! He should have been like “Hey folks, this girl’s getting us more viewers, let’s put her in more scenes!” It just doesn’t make sense to me. MEN don’t make sense to me.

The 100 too. I’ll never forget how Jason Rothenberg would attacked female fans on Twitter and mock them in interviews, and then post links to male fan discussions on Reddit to praise and thank them. In his goodbye letter to the show he SPECIFICALLY thanked Reddit and it was so disgusting.

Star Trek from TNG on was also a boy’s club, even though the TOS fans were mostly women. Women, in fact, who literally created modern fandom with their zines. But after TNG it was all, “Women don’t understand Star Trek, only smart men hur dur.”

I think it would be harder for us to find examples of when this DIDNT happen than when it did. It happens all the time.

Doesn’t stop it from boggling the mind

(though it could probably start to make some sense if you follow the money past audience bases to maybe a couple of investors or like a rich patron … 🤔)

Stooooop I just wrote a masters thesis on this shit. Media creation and distribution is a means by which dominant power structures consolidate their hegemony. Dominantly situated creators get upset when the audience they attract isn’t the audience they wanted, because they view the whole creation and sharing of the fiction as an exercise to sustain kyriarchal conditions that benefit themselves. When the audience is Other, they see it as a failure of those efforts and lash out.

Simply, they’re trying to assert a particular worldview via fiction, and upon getting confronted with something else, begin foot stamping. It’s not just men wanting male attention and gatekeeping. It’s that the fiction in the first place was an attempt to curate dominance and whoopsie! they miscalculated.

(anyway if anyone wants to read 35k words of philosophy about this, hmu)

I think a lot about an interview I heard with Bo Burnham a few years ago, where he talks about this phenomenon with his own work. He gained a large audience of teenage girls, and people in comedy spaces would look down on him for that or say what a shame it was, but he responded differently:

“The real truth is, I would perform my show and I would meet kids after and young girls would come up to me and they understood what I was expressing in that bit onstage way more than guys my own age. Way more. So if there was a bridge between us that I had to cross to write the movie [Eighth Grade], it was built to me by them. I felt understood by them before I presumed to understand them.”

Instead of trying to change his comedy, he decided to lean into and celebrate the audience that he actually had by making a movie specifically about the experiences of a teenage girl. It’s fascinating to hear him talk about how he got there, but also to acknowledge how rare that reaction is.

This is all true but help-help-i-need-an-adult asked if there are any examples where this didn’t happen. And I literally only know of ONE.

Behold! The ONE thing that bothered to relate its female audience with positivity:

Source: June 1998 issue of Newtype, in a special supplement/booklet titled 「まるごと富野」 (“Marugoto Tomino” / “All About Tomino”)

Clip from the NHK documentary where Tomino says this AGAIN and continues on to say that if they wanted a movie he knew they had to hold on to this part of the fandom. https://x.com/tayuta0079/status/1577387893135384577

Shout out to Gundam creator Yoshiyuki Tomino for being a real one.

Hey so. Child of an influencer here, you’ve hit the nail on the head pretty well. I spent my childhood slowly learning that being happy around my mother would end up as just a way to make content. I stopped being around my mother, I stopped smiling around her, I ran, physically ran when I saw cameras, to this day I have to beg her to put her phone away whenever we’re hanging out. To this day when I do anything for her the first thing I see her do is open her phone and it makes me want to stop doing nice things. With my friends I always duck out of photos or push them away when it comes to things like that, even though I love them and I don’t want them to think I don’t want to hangout—if we plan on going somewhere “aesthetic” I make an excuse. I hate my body in the mirror because every photo of me online is filtered. My skin was bleached as a child. My mother had be use foundation to make it look lighter by the time I was 10. I feel gross looking at my skin. I feel worse wearing makeup. My biggest fear is being recorded. I’m convinced there are always eyes on me. I don’t feel safe crying in my own home because What If Someone Can See Me.