oh what. so just because he likes wearing skirts and presenting like a woman and views masculinity to be some kind of torture prison he is trapped in as divine punishment for a sin he doesn't remember committing you decided he's a trans woman? you're saying cis men can't do that? wow you're just reinforcing stereotypical gender roles what a sexist. either way this is my favourite character he's a malewife babygirl to me because he's shy and weak and he cries and he's sooo submissive lolllllll #malecharacter #malecharacter #malecharacter
Hey if you See This can you reblog this or comment on this with a character you headcanon as aromantic, asexual, or both. It can be canon it can be founded on absolutely nothing I just need more aroace stuff on here #yay
I thought this was litmag poetry for a second.
You're the third person in the notes to say this is like poetry and re-reading it I agree!! The kind of synonymous parallelism that it's structured around has a long history in lots of poetry traditions, like biblical Hebrew. But the stiltedness (what are "bright panes" and "sunny openings" other than a forced replacement for "large windows"?) and the overuse of the parallelisms here just make the advertising language feel super hollow. It's this array of utopian homes that are described with a bunch of interchangeable virtues because they don't exist. It's kind of amazing.
You may notice that stoning someone is considered violent, but getting stoned is generally a good time. Similarly, getting your shit rocked is usually bad, but rocking someone’s world is almost always positive. This is because we rocks are very nuanced and complex
Worldbuilder: I can't use this town name again, it'd be confusing for the reader.
Real life people: This is a great spot for another Springfield.
















