(1) CHILLING EFFECT. Don Blyly of Uncle Hugo’s in Minneapolis is one of the bookstore owners quoted in Publishers Weekly’s report “Twin Cities Bookstores Contend With ICE”.
…Sales are also down at Uncle Hugo’s and Uncle Edgar’s, known as the Uncles, according to owner Don Blyly. “A lot of people are demonstrating instead of reading books,” Blyly said, adding that sales last Saturday, usually the store’s biggest day of the week, were down two-thirds.
“A lot of my customers are afraid to leave their houses,” Byly said, “and there’s a lot going over on Lake Street”—a major artery through Minneapolis a block away from the Uncles that’s lined with Latinx restaurants, markets, and other businesses….
(2) GOLDEN REEL AWARD NOMINEES. The Motion Picture Sound Editors released the nominations for the 2026 MPSE Golden Reel Awards on January 12. Probably two-thirds of the works up for the award are of genre interest. The complete list is at the link. Murderbot is one of the nominees.
Outstanding Achievement in Sound Editing – Broadcast Short Form
Murderbot: “All Systems Red”
Apple TV+
Supervising Sound Editor: Tyler Whitham MPSE
Supervising ADR Editor: Danielle McBride MPSE
Sound Effects Editor: Craig MacLellan
Dialogue Editor: Ève Corrêa-Guedes
Foley Artist: John Elliot
The winners will be revealed on March 8. As previously announced, two honorary awards will also be presented at the gala: Kathleen Kennedy will receive the 2026 Filmmaker Award, and supervising sound editor Mark Mangini will receive the Career Achievement Award.

(3) TIME FOR AN OSCAR PARADIGM SHIFT. “The Oscars Can’t Pretend Anime Doesn’t Exist Anymore” says The Hollywood Reporter.
Traditionally, the Animation Branch of the Academy of Motion Picture Arts and Sciences has not been known for risk-taking. Since the best animated feature Oscar was introduced in 2002, the category has overwhelmingly rewarded studio-backed, 3D CGI family fare of the Disney-Pixar-DreamWorks school. In more than two decades, exceptions have been rare: one claymation winner (Wallace & Gromit: The Curse of the Were-Rabbit), one stop-motion drama (Guillermo del Toro’s Pinocchio) and one independent (last year’s Latvian breakout Flow).
As East Asian animation — from Japanese anime to South Korean hanguk aeni and Chinese donghua — exploded into a global pop-culture force, the Academy has remained largely unimpressed. As far as Oscar voters are concerned, Asian animation can be defined as beginning and ending with the films of Japanese master Hayao Miyazaki (Spirited Away, The Boy and the Heron) and his devotees at Studio Ghibli. Miyazaki’s singular style — his hand-drawn, painterly aesthetic and his thematic focus on a child’s-eye view of morally complex, humanistic tales — has been treated as the sole Asian animation worthy of entry into the Oscar canon. To date, Mamoru Hosoda’s 2019 time-travel drama Mirai remains the only non-Ghibli anime feature ever nominated.
Things will be different this year.
Two of the season’s animation frontrunners — Netflix’s KPop Demon Hunters and anime blockbuster Demon Slayer: Infinity Castle, both Golden Globe nominees — have little in common with a Miyazaki movie. KPop is a neon-soaked action musical about a chart-topping girl group, Huntrix, juggling stadium tours with their secret lives as superpowered demon hunters. Demon Slayer, the first of a series-ending film trilogy, is a master class in hyper-kinetic, violent battles and high-stakes melodrama, in which a sequence of epic duels is intercut with emotional character backstories. Dark horse contenders include Scarlet from Hosoda, an action-fantasy reimagining of Shakespeare’s “Hamlet” as a surreal revenge tale; and Ryu Nakayama’s Chainsaw Man, another anime series to film adaptation, featuring a hero whose arms and head turn into chainsaws, who falls for a girl who can transform into a nuclear bomb….
(4) VERY LATE BREAKING NEWS. Last November is when Scott Edelman’s collection 101 Things to Do Before You’re Downloaded was released. How did I miss that? I don’t know, but let me clue you in about it today.
2025 marked the 50th anniversary of the launch of Scott Edelman’s professional writing career, and he says:
…Though much of my fiction over the decades has been horrific — so much so I’ve received eight Bram Stoker Award nominations, plus Publishers Weekly has said of my 2020 collection of eerie tales, Things That Never Happened, that “his talent is undeniable” — I’ve found that as the world itself has become more horrifying, my fiction became less so. That wasn’t anything done by choice, but rather as a natural response to the terrifying tenor of the world.
And so I found myself instead writing mostly of robots rather than zombies, and deep space missions have been swapped in for serial killers. Time travel has taken the place of terror.
Oh, don’t worry. I haven’t abandoned horror. I never could. But as a percentage of tales lately told, science fiction has in recent years been winning out.
As proof of that alteration to my psyche, I offer up the contents of my newest collection, 101 Things to Do Before You’re Downloaded. Included among the thirteen stories you’ll find “The Stranded Time Traveler Embraces the Inevitable,” the writing of which released me from my despair over the results of the 2016 U.S. presidential election as well as breaking the only writer’s block I’ve ever experienced; “Learning to Accept What’s to Come,” in which two robots wrestle with surviving as humanity seems headed to become merely a memory; the title story, in which our species — or some of us anyway — seeks a new home as our solar system reaches the end of its life cycle; plus ten more glimpses of the future….

(5) WHAT HE LIKES ABOUT AKOT7K. NPR’s Glen Weldon says this series travels light: “’A Knight of the Seven Kingdoms’ review: ‘Game of Thrones’ for the haters”.
…A Knight of the Seven Kingdoms requires no homework; it’s a small, grounded story you can watch without a wiki open on your phone.
In fact, it’s easier to start by listing the stuff A Knight of the Seven Kingdoms doesn’t have, before getting to the stuff it does.
No magic. No dragons. No epic sweep. No maps. No internecine family trees. No sexual assault. No incestuous aristocrats. No female nudity. (Male nudity, however? Including some full frontal that’s … markedly um … full? Yep.) No “Bend the knee!” No vast armies somehow traversing entire continents on foot over a long weekend.
But don’t get it twisted: This is still a show based on Martin’s fiction, and while it may not suffer from his above writerly tics, it doubles down on others: The only women with speaking parts are either sex workers or love interests. And those love interests swiftly get relegated to plot devices, as violence against them spurs our hero — who is, after all, a literal white knight — into action.
The fact that it feels so wholly and gratifyingly different than both GoT and HotD is the product of a combination of factors — length (just six episodes, each around 30 minutes or so), point of view (instead of rich ruling families, AKotSK is told from the perspective of Westeros’ commoners), scope (the entire series takes place over the course of a few days, entirely in one location — a jousting tournament) and, especially, tone….
(6) THIS WOULD TURN IT INTO A LAUGHING ACADEMY. “Stephen Miller Begs William Shatner To Save ‘Star Trek’ From Wokeness” reports HuffPost.
White House Deputy Chief of Staff Stephen Miller took a brief moment away from his goal of deporting immigrants in order to offer a suggestion on how to improve “Star Trek.”
And, yes, he was mocked.
The franchise’s latest show, “Starfleet Academy,” debuted this week on Paramount Plus and, true to the original vision, shows characters from different backgrounds working together for a greater cause.
So, of course, Miller hated it.
On Thursday, he responded to a post from the @EndWokeness X account that showed a brief clip of three female characters competently dealing with a serious issue by calling the clip “tragic.”
Miller then made a suggestion that Paramount Plus “save the franchise” by bringing back 94-year-old William Shatner, who played Captain Kirk in the original 1960s-era show, and “give him total creative control.”…
…But on X, the mockery commenced, including this joke from California Gov. Gavin Newsom’s press office: “Stephen Miller saw an alien on the bridge and started drafting an executive order.”…
… Some people pointed out the franchise’s history of promoting civil rights and Shatner’s own commitment to progressive politics….
…One person did point out a possible reason why an “America First” guy like Miller might want to rethink his “Star Trek” suggestion: Shatner isn’t an American citizen…
(7) UNIVERSAL STUDIOS’ CLASSIC SCARES. CrimeReads presents “A Brief, Disturbing History of Universal Monsters”. Keith Roysdon’s full thoughts about each are at the link.
Although it’s long been said that Sherlock Holmes, Mickey Mouse and Superman are the most familiar characters in fiction – especially if we take into account all the variants of those characters – you could make the argument that the Universal monsters, the creatures first adapted from vintage tales and legends by Universal Studios from the 1920s onward, are equally recognizable. Their faces appear on Halloween candy, they stomp and snarl through cartoons and pop music and commercials and their on-screen iterations are endless, timeless and modern, as the recent “Frankenstein” adaptation demonstrates.
These creatures inspire nightmares and box-office and, after more than a century of film, continue to be a cultural force.
Inspired in part by the relatively recent films that bring these legends to life, I wanted to touch on the waves of film adaptations of what might be Hollywood’s first and most durable intellectual property. (Sorry for bringing it down to the IP level, but the box-office immortality of the creature creations is a big factor in their cultural immortality.)
A quick note: I’m limiting myself to only a handful of what I’m defining as the Universal monster “stars,” namely Dracula, Frankenstein (and his monster), the Wolf Man, the Mummy, the Invisible Man and the Creature from the Black Lagoon. You could argue that other Universal staples like the Hunchback of Notre Dame and the Phantom of the Opera would be appropriate additions to the list and I wouldn’t even disagree. But I had to narrow the field a little. (And those monsters still get a shout-out.)…
(8) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
January 16, 1970 — Garth Ennis, 56.
Garth Ennis is without a doubt one of my favorite comic writers. Born in Northern Ireland, though a rare individual who grew up with no religious background (and you are fully aware why I’m mentioning that), he’s now resident in the States.
Next up on the list of series he wrote that he created and I seriously adore is Hellblazer with the supernatural detective John Constantine. I can’t say that I’ve read every issue of that series as I lost interest in it a decade or so ago but his work on it, mostly from issues forty to eighty-three, was among the best undertaken in the series.
I’ve read all of the Preacher series, a disturbing story, twice. I have not seen the series that was spawned out of it. It lasted for four seasons, so the viewing audience liked it. What say y’all? Worth seeing?
He had a run on The Authority for the Wildstorm imprint, that run being possibly the most annoying run in the history of the series as it focused on a character called Kev; and the first arc of the Authority spin-off series Midnighter, a character he admits was conceived as an anti-Superman by him and artist Brian Hitch.
Before you ask, where’s the Marvel Comics, I looked at his work there and since I hadn’t read any of it, save random issues of his Punisher writing, I can’t say what is good and what isn’t. So do feel free to tell me what is good over there.

(9) COMICS SECTION.
- xkcd places importance on punctuation.
- Arctic Circle is cheered by comebacks.
- Brevity decries a new fad.
- Carpe Diem has a claim to fame.
- Glasbergen knows writers.
- Off the Mark has Vader going formal.
- Reality Check has a difficult captcha.
- Tom the Dancing Bug stays frosty.
- Zack Hill complains about the movie.
(10) URSA MAJOR AWARDS NOMINATIONS OPEN. The public is invited to submit Ursa Major Awards nominations through February 5. “More formally known as the Annual Anthropomorphic Literature and Arts Award, the Ursa Major Award is presented annually for excellence in the furry arts.”
The administrators have added two categories, one permanent, plus a one-shot.
We are pleased to announce a new category, Furry Streamers! When nominating names, please try and include links to their socials, such as their Youtube, Twitch, Etc.
For the 25th anniversary of the UMAs, we have a special category! Classic Anthro Videogames! This is a fun, one-time category to celebrate Anthropomorphic video games that never got a proper shot in the UMAs!
(11) LEGO’S ZELDA DIORAMA. Gizmodo tells readers how “Lego’s Next ‘Legend of Zelda’ Set Takes Us Back to ‘Ocarina of Time’”.
…This morning Lego and Nintendo unveiled Ocarina of Time: The Final Battle, a 1,003-piece diorama faithfully recreating the climactic fight from the beloved game. Taking place on a Triforce-badged display base recreating the fiery arena and ruins of Hyrule right out of the N64, the set includes three minifigures—Link, Princess Zelda, and Ganondorf—as well as a massive brick-built version of the latter’s transformation into Ganon.
The set itself also features a bevy of little features and nods to Ocarina, including a pile of rubble for the Ganondorf minifigure to burst out of, as well as a couple of items hidden away among the ruins in the form of a trio of recovery hearts (you’ll need them!) and the Megaton Hammer. And, of course, there’s a small display stand to pose Navi the fairy floating from nearby. But really, the focus is on that amazing, brick-built Ganon, which is fully poseable and comes with two massive greatswords for him to wield….

(12) DID E.T. CALL? “This SETI program is chasing down its final 100 signals: Could one of them be from aliens?” asks Space.com.
Astronomers are using China’s powerful FAST radio telescope to chase after 100 intriguing signals detected by the SETI@home project, which is run by SETI (Search for Extraterrestrial Intelligence) scientists.
SETI@home, which ran from 1999 to 2020, had millions of users all around the world donating their CPU time to downloadable software that churned through data collected by the Arecibo radio telescope in Puerto Rico. In the end, 12 billion candidate narrowband signals were spotted. These signals appeared as “momentary blips of energy at a particular frequency coming from a particular point in the sky,” David Anderson, a computer scientist at the University of California, Berkeley and co-founder of the SETI@home project, said in a statement.
FAST, the Five-hundred-meter Aperture Spherical Telescope, has been patiently following up on this century of candidate extraterrestrial signals since July 2025. Although observations and analysis are still ongoing, bitter experience has taught the SETI@home team to expect them all to turn out to be local radio frequency interference (RFI) rather than real extraterrestrial beacons.
But whatever their origin, they represent the culmination of one of the largest citizen science projects ever undertaken. It’s taken years to figure out how to properly scrutinize this vast amount of data.
“Until about 2016, we didn’t really know what we were going to do with these detections that we’d accumulated,” said Anderson. “We hadn’t figured out how to do the whole second part of the analysis.”…
… Eventually, at the supercomputer facilities of the Max Planck Institute for Gravitational Physics in Germany, algorithms designed to spot RFI sorted the wheat from the chaff, reducing those 12 billion to 1 million, then 1,000. These 1,000 signals then had to be inspected manually, by eye, before being whittled down to 100 that deserved a second look….
… The scale of the project has gone far beyond the dreams of Anderson or anyone on his team when SETI@home began in 1999. They thought they might get 50,000 users if they were lucky. By the end of the first week they had 200,000 users, and within a year they had 2 million….
(13) TOPPING OFF. Smarter Every Day shared “Refueling a NUCLEAR REACTOR”.
(14) VIDEO OF THE DAY. Ryan George has also made a new Pitch Meeting video: “The Fantastic Four: First Steps Pitch Meeting”.
[Thanks to SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Kathy Sullivan, Michael J. Walsh, Steven French, Mike Kennedy, Andrew Porter, John King Tarpinian, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat “In the Hat” Eldridge.]







