Pixel Scroll 1/16/26 See A Pixel Pulled Out Of A Hat. It Doesn’t End Well. And No, I Don’t Know How The Pixel Got Into The Hat

(1) CHILLING EFFECT. Don Blyly of Uncle Hugo’s in Minneapolis is one of the bookstore owners quoted in Publishers Weekly’s report “Twin Cities Bookstores Contend With ICE”.

…Sales are also down at Uncle Hugo’s and Uncle Edgar’s, known as the Uncles, according to owner Don Blyly. “A lot of people are demonstrating instead of reading books,” Blyly said, adding that sales last Saturday, usually the store’s biggest day of the week, were down two-thirds.

“A lot of my customers are afraid to leave their houses,” Byly said, “and there’s a lot going over on Lake Street”—a major artery through Minneapolis a block away from the Uncles that’s lined with Latinx restaurants, markets, and other businesses….

(2) GOLDEN REEL AWARD NOMINEES. The Motion Picture Sound Editors released the nominations for the 2026 MPSE Golden Reel Awards on January 12. Probably two-thirds of the works up for the award are of genre interest. The complete list is at the link. Murderbot is one of the nominees.

Outstanding Achievement in Sound Editing – Broadcast Short Form

Murderbot: “All Systems Red”
Apple TV+
Supervising Sound Editor: Tyler Whitham MPSE
Supervising ADR Editor: Danielle McBride MPSE 
Sound Effects Editor: Craig MacLellan
Dialogue Editor: Ève Corrêa-Guedes
Foley Artist: John Elliot

The winners will be revealed on March 8. As previously announced, two honorary awards will also be presented at the gala: Kathleen Kennedy will receive the 2026 Filmmaker Award, and supervising sound editor Mark Mangini will receive the Career Achievement Award.

(3) TIME FOR AN OSCAR PARADIGM SHIFT. “The Oscars Can’t Pretend Anime Doesn’t Exist Anymore” says The Hollywood Reporter.

Traditionally, the Animation Branch of the Academy of Motion Picture Arts and Sciences has not been known for risk-taking. Since the best animated feature Oscar was introduced in 2002, the category has overwhelmingly rewarded studio-backed, 3D CGI family fare of the Disney-Pixar-DreamWorks school. In more than two decades, exceptions have been rare: one claymation winner (Wallace & Gromit: The Curse of the Were-Rabbit), one stop-motion drama (Guillermo del Toro’s Pinocchio) and one independent (last year’s Latvian breakout Flow).

As East Asian animation — from Japanese anime to South Korean hanguk aeni and Chinese donghua — exploded into a global pop-culture force, the Academy has remained largely unimpressed. As far as Oscar voters are concerned, Asian animation can be defined as beginning and ending with the films of Japanese master Hayao Miyazaki (Spirited AwayThe Boy and the Heron) and his devotees at Studio Ghibli. Miyazaki’s singular style — his hand-drawn, painterly aesthetic and his thematic focus on a child’s-eye view of morally complex, humanistic tales — has been treated as the sole Asian animation worthy of entry into the Oscar canon. To date, Mamoru Hosoda’s 2019 time-travel drama Mirai remains the only non-Ghibli anime feature ever nominated.

Things will be different this year.

Two of the season’s animation frontrunners — Netflix’s KPop Demon Hunters and anime blockbuster Demon Slayer: Infinity Castle, both Golden Globe nominees — have little in common with a Miyazaki movie. KPop is a neon-soaked action musical about a chart-topping girl group, Huntrix, juggling stadium tours with their secret lives as superpowered demon hunters. Demon Slayer, the first of a series-ending film trilogy, is a master class in hyper-kinetic, violent battles and high-stakes melodrama, in which a sequence of epic duels is intercut with emotional character backstories. Dark horse contenders include Scarlet from Hosoda, an action-fantasy reimagining of Shakespeare’s “Hamlet” as a surreal revenge tale; and Ryu Nakayama’s Chainsaw Man, another anime series to film adaptation, featuring a hero whose arms and head turn into chainsaws, who falls for a girl who can transform into a nuclear bomb….

(4) VERY LATE BREAKING NEWS. Last November is when Scott Edelman’s collection 101 Things to Do Before You’re Downloaded was released. How did I miss that? I don’t know, but let me clue you in about it today.

2025 marked the 50th anniversary of the launch of Scott Edelman’s professional writing career, and he says:

…Though much of my fiction over the decades has been horrific — so much so I’ve received eight Bram Stoker Award nominations, plus Publishers Weekly has said of my 2020 collection of eerie tales, Things That Never Happened, that “his talent is undeniable” — I’ve found that as the world itself has become more horrifying, my fiction became less so. That wasn’t anything done by choice, but rather as a natural response to the terrifying tenor of the world.

And so I found myself instead writing mostly of robots rather than zombies, and deep space missions have been swapped in for serial killers. Time travel has taken the place of terror.

Oh, don’t worry. I haven’t abandoned horror. I never could. But as a percentage of tales lately told, science fiction has in recent years been winning out.

As proof of that alteration to my psyche, I offer up the contents of my newest collection, 101 Things to Do Before You’re Downloaded. Included among the thirteen stories you’ll find “The Stranded Time Traveler Embraces the Inevitable,” the writing of which released me from my despair over the results of the 2016 U.S. presidential election as well as breaking the only writer’s block I’ve ever experienced; “Learning to Accept What’s to Come,” in which two robots wrestle with surviving as humanity seems headed to become merely a memory; the title story, in which our species — or some of us anyway — seeks a new home as our solar system reaches the end of its life cycle; plus ten more glimpses of the future….

(5) WHAT HE LIKES ABOUT AKOT7K. NPR’s Glen Weldon says this series travels light: “’A Knight of the Seven Kingdoms’ review: ‘Game of Thrones’ for the haters”.

…A Knight of the Seven Kingdoms requires no homework; it’s a small, grounded story you can watch without a wiki open on your phone.

In fact, it’s easier to start by listing the stuff A Knight of the Seven Kingdoms doesn’t have, before getting to the stuff it does.

No magic. No dragons. No epic sweep. No maps. No internecine family trees. No sexual assault. No incestuous aristocrats. No female nudity. (Male nudity, however? Including some full frontal that’s … markedly um … full? Yep.) No “Bend the knee!” No vast armies somehow traversing entire continents on foot over a long weekend.

But don’t get it twisted: This is still a show based on Martin’s fiction, and while it may not suffer from his above writerly tics, it doubles down on others: The only women with speaking parts are either sex workers or love interests. And those love interests swiftly get relegated to plot devices, as violence against them spurs our hero — who is, after all, a literal white knight — into action.

The fact that it feels so wholly and gratifyingly different than both GoT and HotD is the product of a combination of factors — length (just six episodes, each around 30 minutes or so), point of view (instead of rich ruling families, AKotSK is told from the perspective of Westeros’ commoners), scope (the entire series takes place over the course of a few days, entirely in one location — a jousting tournament) and, especially, tone….

(6) THIS WOULD TURN IT INTO A LAUGHING ACADEMY. “Stephen Miller Begs William Shatner To Save ‘Star Trek’ From Wokeness” reports HuffPost.

White House Deputy Chief of Staff Stephen Miller took a brief moment away from his goal of deporting immigrants in order to offer a suggestion on how to improve “Star Trek.”

And, yes, he was mocked.

The franchise’s latest show, “Starfleet Academy,” debuted this week on Paramount Plus and, true to the original vision, shows characters from different backgrounds working together for a greater cause.

So, of course, Miller hated it.

On Thursday, he responded to a post from the @EndWokeness X account that showed a brief clip of three female characters competently dealing with a serious issue by calling the clip “tragic.”

Miller then made a suggestion that Paramount Plus “save the franchise” by bringing back 94-year-old William Shatner, who played Captain Kirk in the original 1960s-era show, and “give him total creative control.”…

…But on X, the mockery commenced, including this joke from California Gov. Gavin Newsom’s press office: “Stephen Miller saw an alien on the bridge and started drafting an executive order.”…

… Some people pointed out the franchise’s history of promoting civil rights and Shatner’s own commitment to progressive politics….

…One person did point out a possible reason why an “America First” guy like Miller might want to rethink his “Star Trek” suggestion: Shatner isn’t an American citizen…

(7) UNIVERSAL STUDIOS’ CLASSIC SCARES. CrimeReads presents “A Brief, Disturbing History of Universal Monsters”. Keith Roysdon’s full thoughts about each are at the link.

Although it’s long been said that Sherlock Holmes, Mickey Mouse and Superman are the most familiar characters in fiction – especially if we take into account all the variants of those characters – you could make the argument that the Universal monsters, the creatures first adapted from vintage tales and legends by Universal Studios from the 1920s onward, are equally recognizable. Their faces appear on Halloween candy, they stomp and snarl through cartoons and pop music and commercials and their on-screen iterations are endless, timeless and modern, as the recent “Frankenstein” adaptation demonstrates.

These creatures inspire nightmares and box-office and, after more than a century of film, continue to be a cultural force.

Inspired in part by the relatively recent films that bring these legends to life, I wanted to touch on the waves of film adaptations of what might be Hollywood’s first and most durable intellectual property. (Sorry for bringing it down to the IP level, but the box-office immortality of the creature creations is a big factor in their cultural immortality.)

A quick note: I’m limiting myself to only a handful of what I’m defining as the Universal monster “stars,” namely Dracula, Frankenstein (and his monster), the Wolf Man, the Mummy, the Invisible Man and the Creature from the Black Lagoon. You could argue that other Universal staples like the Hunchback of Notre Dame and the Phantom of the Opera would be appropriate additions to the list and I wouldn’t even disagree. But I had to narrow the field a little. (And those monsters still get a shout-out.)…

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

January 16, 1970Garth Ennis, 56.

Garth Ennis is without a doubt one of my favorite comic writers. Born in Northern Ireland, though a rare individual who grew up with no religious background (and you are fully aware why I’m mentioning that), he’s now resident in the States.

Next up on the list of series he wrote that he created and I seriously adore is Hellblazer with the supernatural detective John Constantine. I can’t say that I’ve read every issue of that series as I lost interest in it a decade or so ago but his work on it, mostly from issues forty to eighty-three, was among the best undertaken in the series. 

I’ve read all of the Preacher series, a disturbing story, twice. I have not seen the series that was spawned out of it. It lasted for four seasons, so the viewing audience liked it. What say y’all? Worth seeing? 

He had a run on The Authority for the Wildstorm imprint, that run being possibly the most annoying run in the history of the series as it focused on a character called Kev; and the first arc of the Authority spin-off series Midnighter, a character he admits was conceived as an anti-Superman by him and artist Brian Hitch. 

Before you ask, where’s the Marvel Comics, I looked at his work there and since I hadn’t read any of it, save random issues of his Punisher writing, I can’t say what is good and what isn’t. So do feel free to tell me what is good over there.

Garth Ennis

(9) COMICS SECTION.

(10) URSA MAJOR AWARDS NOMINATIONS OPEN. The public is invited to submit Ursa Major Awards nominations through February 5. “More formally known as the Annual Anthropomorphic Literature and Arts Award, the Ursa Major Award is presented annually for excellence in the furry arts.”

The administrators have added two categories, one permanent, plus a one-shot.

We are pleased to announce a new category, Furry Streamers! When nominating names, please try and include links to their socials, such as their Youtube, Twitch, Etc.

For the 25th anniversary of the UMAs, we have a special category! Classic Anthro Videogames! This is a fun, one-time category to celebrate Anthropomorphic video games that never got a proper shot in the UMAs!

(11) LEGO’S ZELDA DIORAMA. Gizmodo tells readers how “Lego’s Next ‘Legend of Zelda’ Set Takes Us Back to ‘Ocarina of Time’”.

…This morning Lego and Nintendo unveiled Ocarina of Time: The Final Battle, a 1,003-piece diorama faithfully recreating the climactic fight from the beloved game. Taking place on a Triforce-badged display base recreating the fiery arena and ruins of Hyrule right out of the N64, the set includes three minifigures—Link, Princess Zelda, and Ganondorf—as well as a massive brick-built version of the latter’s transformation into Ganon.

The set itself also features a bevy of little features and nods to Ocarina, including a pile of rubble for the Ganondorf minifigure to burst out of, as well as a couple of items hidden away among the ruins in the form of a trio of recovery hearts (you’ll need them!) and the Megaton Hammer. And, of course, there’s a small display stand to pose Navi the fairy floating from nearby. But really, the focus is on that amazing, brick-built Ganon, which is fully poseable and comes with two massive greatswords for him to wield….

(12) DID E.T. CALL? “This SETI program is chasing down its final 100 signals: Could one of them be from aliens?” asks Space.com.

Astronomers are using China’s powerful FAST radio telescope to chase after 100 intriguing signals detected by the SETI@home project, which is run by SETI (Search for Extraterrestrial Intelligence) scientists.

SETI@home, which ran from 1999 to 2020, had millions of users all around the world donating their CPU time to downloadable software that churned through data collected by the Arecibo radio telescope in Puerto Rico. In the end, 12 billion candidate narrowband signals were spotted. These signals appeared as “momentary blips of energy at a particular frequency coming from a particular point in the sky,” David Anderson, a computer scientist at the University of California, Berkeley and co-founder of the SETI@home project, said in a statement.

FAST, the Five-hundred-meter Aperture Spherical Telescope, has been patiently following up on this century of candidate extraterrestrial signals since July 2025. Although observations and analysis are still ongoing, bitter experience has taught the SETI@home team to expect them all to turn out to be local radio frequency interference (RFI) rather than real extraterrestrial beacons.

But whatever their origin, they represent the culmination of one of the largest citizen science projects ever undertaken. It’s taken years to figure out how to properly scrutinize this vast amount of data.

“Until about 2016, we didn’t really know what we were going to do with these detections that we’d accumulated,” said Anderson. “We hadn’t figured out how to do the whole second part of the analysis.”…

… Eventually, at the supercomputer facilities of the Max Planck Institute for Gravitational Physics in Germany, algorithms designed to spot RFI sorted the wheat from the chaff, reducing those 12 billion to 1 million, then 1,000. These 1,000 signals then had to be inspected manually, by eye, before being whittled down to 100 that deserved a second look….

… The scale of the project has gone far beyond the dreams of Anderson or anyone on his team when SETI@home began in 1999. They thought they might get 50,000 users if they were lucky. By the end of the first week they had 200,000 users, and within a year they had 2 million….

(13) TOPPING OFF. Smarter Every Day shared “Refueling a NUCLEAR REACTOR”.

(14) VIDEO OF THE DAY. Ryan George has also made a new Pitch Meeting video: “The Fantastic Four: First Steps Pitch Meeting”.

[Thanks to SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Kathy Sullivan, Michael J. Walsh, Steven French, Mike Kennedy, Andrew Porter, John King Tarpinian, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat “In the Hat” Eldridge.]

72nd Annual Golden Reel Awards

The Motion Picture Sound Editors Golden Reel Awards 2025 were presented on February 23. The Golden Reels award categories span sound editing, sound design, music editing and Foley artistry across film, television and gaming. 

Many works of genre interest won awards for outstanding achievement in sound editing. These include:

  • Broadcast Animation: Secret Level: “Warhammer 40,000: They Shall Know No Fear”
  • Feature Animation: The Wild Robot
  • Feature Effects/Foley: Dune: Part Two
  • Non-Theatrical Documentary: Apollo 13: Survival
  • Non-Theatrical Feature: Rebel Moon – Part Two: The Scargiver
  • Broadcast Long Form: The Penguin: “Cent’Anni”
  • Game Dialogue/ADR: Call of Duty: Block Ops 6

And these works of genre interest won awards for music editing:

  • Documentary: Music by John Williams
  • Feature Motion Picture: Wicked
  • Game Music: Star Wars Outlaws

A full list of 2025 MPSE Golden Reel Awards winners follows the jump.

Continue reading

Pixel Scroll 3/5/24 But The Pixels We Climbed Were Just Shoggoths Out Of Time

(1) COMING IN FOR A LANDING. Los Angeles Magazine tells why “George Lucas’ Billion Dollar Museum Is About Way More Than ‘Star Wars’”. A year ago this design looked unique. But today? I bet you can guess what building it reminds me of now.

We’re still maybe a year out from the grand opening of the new museum created by film director George Lucas and his wife, executive Melody Hobson. But anyone visiting the Coliseum, Natural History Museum, USC, or riding the Expo Line has seen the Lucas Museum of Narrative Art rising above Exposition Park. The absolutely massive structure by Beijing-based architect Ma Yansong encloses some 300,000 square feet over a building ranging from three and five floors set atop an underground parking garage (with 600 more spaces than the surface lot the building replaced) all nestled in a green garden….

Artist’s rendering of Lucas Museum of Narrative Art

(2) A SHORE THING. A trailer has dropped for The Wild Robot. Arrives in theaters on September 20.

The epic adventure follows the journey of a robot—ROZZUM unit 7134, “Roz” for short — that is shipwrecked on an uninhabited island and must learn to adapt to the harsh surroundings, gradually building relationships with the animals on the island and becoming the adoptive parent of an orphaned gosling.

(3) LEARNEDLEAGUE SFF QUESTION. [Item by David Goldfarb.] It’s the hundredth season of LearnedLeague. The first question of match day 15 asked us:

“What name is the last word uttered in the final installment of the Star Wars sequel trilogy from 2019, as well as the last word of the film’s title?”

Way to nerf the question with that last clause, eh? Although even with that, the question had a 67% get rate, with 12% giving the most common wrong answer of “Jedi”. (Presumably thinking of the second movie in the trilogy.)

My opponent quite rightly assigned me 0 points for this one, as did I for him.

(4) HANDS (OR LEGS) UP FOR “YES”? NO? [Item by Mike Kennedy.] Is the giant spider in Netflix’s Spaceman real or just a figment of the title character’s imagination? The main creatives each have an answer but it may not be your answer. Beware — spoilers ahead.

There’s an obvious question at the heart of Spaceman, Netflix’s science fiction movie where Adam Sandler’s forlorn astronaut character spends half the story talking to a tennis ball communing with a giant alien spider that he names Hanuš. But even without watching the movie, viewers may wonder: Is Hanuš actually real?

Normally, when a movie revolves around this kind of question, the director and stars hedge when asked for their opinions. For instance, No One Will Save You writer-director Brian Duffield has been clear that he wants viewers to interpret that film’s startling ending in whatever way they think fits best, without his input. Andrew Haigh has been careful about weighing in on the controversial ending of All of Us Strangers. And that’s entirely reasonable — often filmmakers want to keep viewers guessing, thinking, debating, and interpreting.

But not always. Polygon couldn’t resist asking Spaceman director Johan Renck and stars Adam Sandler and Paul Dano what they think about the movie’s central debate point — and we were surprised at how definitive their answers were. We’ll get into the details after a spoiler break….

(5) MPSE GOLDEN REEL AWARDS. The Motion Picture Sound Editors presented their Golden Reel Awards on March 3. Here are the winners of genre interest:

EFFECTS & FOLEY

  • Oppenheimer

DIALOGUE & ADR

  • Oppenheimer

ANIMATION

  • Spider-Man: Across the Spider-Verse

(6) IN THE YEAR 2024. “Plane commutes, world peace and 100-year-old predictions about 2024” at USA Today.

Well, we’re finally here. Is this the future that you envisioned?

Nearly 100 years ago, a group of visionaries dared to imagine what life would be like in 2024. Some of their prophecies fell woefully short while others proved to be strangely accurate. 

Join us now as we gaze into that crystal ball from 1924….

A growing problem

Arthur Dean, whose parental advice column appeared in newspapers across the country, expressed concerns about American dietary habits.

“I sometimes wonder what our stomachs will look like and be like 100 years from now,” he wrote. “Will we have any teeth at all? Will there be any color on our face except paint? Will the men have any height to speak of or will they be all girth? Will people have mostly an east and west appearance – all latitude and lassitude and no longitude?”

(7) SFWA ESTATES LEGACY PROGRAM. The Science Fiction & Fantasy Writers Association has informed members that Mishell Baker is stepping down from her lead position on the Estates Project but will remain available for consultation. Going forward, the remaining Estates Project volunteers will cover her duties as needed.

Mishell is a winner of the Kevin J. O’Donnell Service to SFWA Award, and she served as the primary contact for SFWA’s Estate Project since 2016. She liaised with publishers interested in reprinting works by science fiction and fantasy authors who are no longer with us and acted as an intermediary for individual heirs who wished to keep their contact information confidential. Mishell gained a well-deserved reputation for handling these communications with consistency and sensitivity, providing help in sometimes difficult and confusing situations.  

The Estates-Legacy Project wishes to thank Mishell for her many years of exceptional service on behalf of writers, their heirs, and the readers now enjoying the work of past masters as a result of her efforts.

(8) RICHARD BOWES (1944-2023). In “Richard Bowes—A Remembrance” at Uncanny Magazine, Lynne M. Thomas and Michael Damian Thomas, Christopher Barzak, Matthew Cheney, Sam J. Miller, and Matthew Kressel share their memories and feelings about Bowes, who died December 24. Here is an excerpt fro Kressel’s segment:

I’m fairly certain I met Rick Bowes at a Fantastic Fiction at KGB reading on November 15, 2006. That night, Lucius Shepard and Catherynne Valente were reading. This may seem awfully specific, but I have proof. Ellen Datlow captured this moment in a photo that resides on her Flickr stream. For a Halloween party I’d bleached my hair and dressed up as Roy Batty from Blade Runner. In the photo, Rick leans in, hands pressed like a sage, telling me something with authority, while I, with my Billy-Idol-blonde hair, listen rapt. (In the background, Rajan Khanna, whom in this moment I have yet to befriend, stares at the camera.) And this is how I will remember Rick. Telling stories. His depth of knowledge always astounded me. Right away, I knew I was in the presence of a sharp mind….

(9) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 5, 1951 Margaret Astrid Lindholm Ogden, 73. Let’s talk about Margaret Astrid Lindholm Ogden who writes under the pen names of Megan Lindholm and Robin Hobb. Thirty-six years ago at the age of thirty, as Megan Lindholm, her second novel, a fantasy set in Seattle was published. That was the extraordinarily excellent Wizard of the Pigeons, a novel that bring a smile to the face of even the Suck Fairy. 

In a sense, it is a direct evolution from her fiction as children’s writer which published in magazines as Jack and JillHighlights for Children and Humpty Dumpty as she notes. Her Robin Hobb persona, she claims is a little more gentle than her Meghan Lindholm persona which, as she told a Bookseller interviewer, is “a little more snarky, a little more sarcastic, a little less optimistic, less emotional”.

So let’s stay with her writing under the Lindholm name. Her first writing as that persona was short fiction was in 1979, “Bones for Dulath”, followed in 1980 by “The Small One” and in 1981 by “Faunsdown Cottage”. She’s written (and coauthored) twenty-six stories exclusively as Lindholm. That includes five works in Emma Bull and Will Shetterly’s Laivek franchise, some co-written with Stephen Brust or Gregory Frost. 

Lindholm’s first novel, Harpy’s Flight, was published forty-one years as ago, and was the first in her Windsingers series about the characters Ki and Vandien, and, yes, I like these novels a lot. 

Now remember these Birthdays are, if I choose, are what I’ve read by a given writer and this is what I’m doing here as I’ve read enough her to be reasonably knowledgeable about her.

The final novel by her that I’ve read is the one she did with Stephen Brust, The Gypsy. It’s based on Romany folklore, and it’s more or less a mystery. It got its own soundtrack courtesy of Boiled in Lead, vocals by Adam Stemple, son of Jane Yolen. Superbly crafted work. 

So now her other persona, Robin Hobb, and may I now say that I like both of the creators that she choose to be? Really I do.

Her first work as Hobb was the Farseer trilogy, narrated in first person, my favorite way to experience this sort of fiction, involves  FitzChivalry Farseer, illegitimate son of a prince. Great character, ever better series.  The first volume of the trilogy, Assassin’s Apprentice, sets up them well.

Ok, I’ll admit I’ve read much of the Realm of the Elderlings franchise, though by no means all, that talking about it coherently isn’t possible. What I will say is nothing by her is anything by really, really good.  I will say, despite Margaret Astrid Lindholm Ogden saying Hobb is the gentler of the two, that trigger warnings for brutality and even rape are necessary here. Really they are.

Both personas in the end aren’t, despite her claims, really that different. The only novel that is decidedly different I can say as a reader is The Gypsy but that was co-written with Brust as were the four Laivek works. Co-written works are such that one never knows how much that the one has influenced it and how much the other has.

(10) A NEW MEANING FOR WC. “What Is WcDonald’s, McDonald’s Anime Counterpart?” at Food Network. One of these comics was on my bag today!

… This month, McDonald’s is embracing what has become a common … homage, shall we say, to its golden arches in anime films and series: WcDonald’s.Swapping in a “W” — or, rather, an upside-down “M” — has become a cheeky way for animators and illustrators to let their characters dine at or otherwise interact with what the audience can immediately identify as a McDonald’s without licensing the actual name of (or getting sued by) McDonald’s itself. Starting next week, however, McDonald’s is embracing its cartoon counterpart at its real-life restaurants in the U.S. and beyond…. A New McNugget Sauce: To pair with “WcNuggets,” a new, limited-edition Savory Chili WcDonald’s Sauce is coming to the menu, described as a “unique combination of ginger, garlic and soy with a slight heat from chili flakes.” Manga-Inspired Packaging: Japanese illustrator Acky Bright designed original artwork of WcDonald’s crew members for the McDonald’s/WcDonald’s items. Packaging will also feature a QR code with access to digital WcDonald’s manga content weekly featuring Bright’s cast of WcDonald’s characters (yes, one is a mecha).

The promotional website WcDonald’s has a lot of content. Here are some of the newest characters.

(11) LAST DARKNESS FALL — PERMANENTLY. “Solar eclipse glasses: Why you need them, and why you should buy them right now” – advice from Slate. “The eclipse is happening on April 8—and last time, the glasses sold out many places.”

Few natural phenomena bring sci-fi-esque buzz like a solar eclipse. Some people talk about this astronomical event as if it comes straight out of a Ray Bradbury story. And those people are right! Solar eclipses are, without hyperbole, awesome. And just in case you haven’t heard, there’s one happening on April 8.

Of course, a cardinal rule of day-to-day life still applies to eclipses: You must absolutely not look at the sun directly—even if it’s partially obscured by the moon. It can cause permanent retinal damage.

Photoreceptors in the eyes register and convert light to electrical signals detected in your brain. The powerfully incandescent sun overwhelms those photoreceptors, bombarding them with far more light than they can convert. Any light your photoreceptors don’t absorb filters through to the back of your eye, producing heat. Although the moon partially blots out the sun, that doesn’t make the rays that are visible any less potent. Look at a partial eclipse long enough and you can burn the sun into your retinas, which can result in a permanent hole in your vision called a scotoma. Since your retinas lack pain receptors, you won’t know that the damage has been done until it’s too late. Looking through conventional binoculars or telescopes doesn’t mitigate this risk….

(12) ROLL THE CREDITS. “Superman movie to film in Ohio, hire more than 3,000 locals” at NBC4i. The state will reward this decision with a big tax credit.

It’s a bird! It’s a plane! It’s Superman! A new movie on the comic book hero is filming in Ohio this year and has been awarded about $11 million in tax credits, with plans to hire more than 3,000 locals.

The DC Studios movie titled simply “Superman” is filming in Cincinnati and Cleveland this spring and summer and will receive $11,091,686 in tax credits, according to an Ohio Motion Picture Tax Credit application filed under the project’s code name, “Genesis.” The film is expected to hire 3,254 Ohio residents to take part in the production.

DC’s Ohio-related expenses are projected to exceed $36 million, which makes up about 10% of the movie’s total budget of more than $363 million….

(13) TECH BROS. “’Musk needs to be adored … Zuckerberg is out of his depth’: Kara Swisher on the toxic giants of Big Tech” in the Guardian.

…In the book, Swisher says Zuckerberg is “the most damaging man in tech”. Elon Musk, by contrast, is maligned as the “most disappointing”, which reflects Swisher’s long period of thinking of the founder of Tesla and SpaceX as one of the tech industry’s most promising sons. In 2016, she contacted him ahead of the big meeting with Trump, warning that the president-elect would “screw” him; two years later, Musk told her she had been right. All told, she seemed to believe that he operated on a higher level than most of his peers.

“Here’s someone who actually was doing serious things,” she says. “There’s a lot of people in Silicon Valley who are always doing a dry cleaning app. He was thinking of everything from cars to space to solar. Even the silly stuff like [his imagined high-speed transport system] Hyperloop: what a great idea. What an interesting idea.” She also mentions Neuralink, the venture working on computer interfaces that can be implanted in people’s brains. “How could we upgrade our intelligence? That’s a big, fascinating problem.”…

(14) SFWA INSTAGRAM PROGRAM. The SFWA Instagram Program gives users a peek at members’ daily creative lives, pets, and works. In the past year and a half, SFWA has processed nearly 200 requests and created over 600 graphics that have been shared through its Instagram account. Here’s an example:

(15) A FINE IDEA. This month (only) “A Massachusetts Library System Will Let You Pay Fines With Cat Pictures” according to Mental Floss.

It’s not often that cat photos are accepted as currency. But for the month of March, public libraries in Worcester, Massachusetts, will wipe certain fines from your account if you submit any picture of a cat.

Branches in the Worcester Public Library (WPL) system don’t charge fees for overdue books, but they do charge for lost or damaged ones. The call for cat pictures is a way to keep those bills from preventing patrons from using the library. “We at the Worcester Public Library are always looking for ways to reduce barriers,” Worcester Public Library executive library director Jason Homer told WBUR. “We know that a lot of people, unfortunately, through being displaced in housing, or life getting in the way in the global pandemic, lost a lot of materials.” 

“Felines for Fee Forgiveness” is part of March Meowness, a month of cat-centric programming that includes a screening of the 2019 movie Cats, a cat-eye makeup tutorial, a “de-stressing” hour of playing with shelter cats, DIY crafts, and more events.

Before you show up to a WPL branch with a cat image at the ready, there are a few rules to know. For one, a book needs to have been lost for at least two months in order for its fee to be waived…. 

(16) PROTOPLANETARY SYSTEM. [Item by SF Concatenation’s Jonathan Cowie.] Last week’s issue of Science looks at the formation of other planetary systems.

This JWST infrared image shows the Orion Bar, which separates parts of the Orion Nebula containing cool molecular gas (lower left) from those containing hot plasma (upper right). The latter are ionized by ultraviolet radiation from massive stars (located beyond the image). The strong ultraviolet radiation field heats protoplanetary disks around young stars in this region, dispersing the gas needed for planet formation<

Primary research paper’s abstract here.

(17) VIDEO OF THE DAY. GamesRadar+ reports “Star Wars fans rocked by resurfaced beer adverts stitched directly into the original trilogy – including a bizarre replacement for Luke Skywalker’s lightsaber”. One video is embedded below, there are more at the link.

We all remember that iconic Star Wars moment where Obi-Wan Kenobi goes to give Luke Skywalker his father’s old, ice cold beer, right? 

Well, if you watched a specific version of the movie shown in Chile, you might remember things that way. The old ads are going viral once again thanks to the fact that the beer marketing is spliced directly into some of the original trilogy’s most famous moments – unintentionally creating the most hilarious advertising campaign ever. While these videos might seem like fakes, they are very much real: according to The Guardian, the campaign even won an award for its ingenuity…. 

[Thanks to Steven French, Mike Kennedy, Andrew Porter, N., Jeffrey Smith, JJ, David Goldfarb, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Jeff Jones.]

70th Annual Golden Reel Awards

The Motion Picture Sound Editors Golden Reel Awards 2023 were presented on February 26. The Golden Reels award categories span film, TV, toons, computer entertainment and student productions.

Genre works won in many categories – Stranger Things, Love, Death & Robots, Guillermo del Toro’s Pinocchio, even Rise of the Teenage Mutant Ninja Turtles: The Movie took home hardware. So did video games God of War Ragnarök and Immortality.

However, in contrast with its results in other industry awards, Everything Everywhere All At Once, was shut out at the Golden Reels despite having the most nominations.

The complete list of winners follows the jump.

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70th Annual Golden Reel Awards Nominees

The Motion Picture Sound Editors Golden Reel Awards 2023 nominations are filled with genre films as always.

Everything Everywhere All At Once leads with three Golden Reel nominations, including outstanding achievement in sound editing – feature dialogue / ADR and outstanding achievement in music editing – feature motion picture.

The winners will be announced February 26. The MPSE will also honor Jerry Bruckheimer with its 2023 Filmmaker Award, and Gwendolyn Yates Whittle with its Career Achievement Award.

The Golden Reels award categories span film, TV, toons, computer entertainment and student productions. The complete list of nominees follows the jump.

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Motion Picture Sound Editors 69th Annual Golden Reel Awards

The Motion Picture Sound Editors Golden Reel Awards 2022 were presented in an online ceremony held March 13. The Golden Reels span film, TV, toons, computer entertainment and student productions.

The top three film awards went to Dune, Nightmare Alley and West Side Story, which won for feature effects/foley, feature dialogue/ADR and feature music respectively.

“We could not be more thrilled to be the recipients of this amazing award,” said Mark Mangini, one of Dune’s supervising sound editors, who accepted the feature effects/foley award with a video speech from a familiar, sandy landscape. “We’re still here on Arrakis, making sounds for Dune: Part II — shh, don’t tell anyone.”

The Underground Railroad: Chapter 9: “Indiana Winter” won in the Outstanding Achievement In Sound Editing – Limited Series Or Anthology category.

Raya and the Last Dragon earned the Outstanding Achievement In Sound Editing – Feature Animation award.

Other genre productions winning awards were Love, Death + Robots: “Snow in the Desert”
Arcane – League of Legends: “When These Walls Come Tumbling Down”, and Infinite.

The Golden Reels also honored Ron Howard with the MPSE Filmmaker Award, and Anthony “Chic” Ciccolini III with a career achievement award.

The complete list of winners follows the jump.

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Motion Picture Sound Editors 69th Annual Golden Reel Awards Nominees

The Motion Picture Sound Editors Golden Reel Awards 2022 nominations are filled with genre films as always – Dune, The Matrix Resurrections, Nightmare Alley and A Quiet Place Part II lead the feature competition with three nominations apiece, in the categories of effects/foley, dialogue/ADR and music. 

The Golden Reels also will honor Ron Howard with the MPSE Filmmaker Award during the March 13 ceremony, and Anthony “Chic” Ciccolini III will receive a career achievement award.

The Golden Reels award categories span film, TV, toons, computer entertainment and student productions. The complete list of nominees follows the jump.

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Motion Picture Sound Editors 68th Annual Golden Reel Awards

The Motion Picture Sound Editors presented the 68th annual Golden Reel Awards on April 16.

The Golden Reels also honored Mad Max franchise director George Miller with the 2021 MPSE Filmmaker Award. The Australian writer, director and producer is responsible for such successful films as Mad Max, Mad Max 2: Road Warrior, Mad Max Beyond Thunderdome and Mad Max: Fury Road. In 2007, he won the Academy Award for Best Animated Feature for Happy Feet. He also earned Oscar nominations for Babe and Lorenzo’s Oil.

The Golden Reels have 22 categories spanning film, TV, toons, computer entertainment and student productions.

The winners of genre interest for the 2021 awards follow the jump. The full list is here.

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Motion Picture Sound Editors 68th Annual Golden Reel Awards Nominees

The Motion Picture Sound Editors released the nominees for the 68th annual Golden Reel Awards on March 1. Half of the films up for the marquee award Outstanding Achievement in Sound Editing – Feature Underscore category are genre: The Invisible Man, The Midnight Sky, Tenet,  and Wonder Woman 1984.

The Golden Reels also will honor Mad Max franchise director George Miller with the 2021 MPSE Filmmaker Award. The Australian writer, director and producer is responsible for such successful films as Mad Max, Mad Max 2: Road Warrior, Mad Max Beyond Thunderdome and Mad Max: Fury Road. In 2007, he won the Academy Award for Best Animated Feature for Happy Feet. He also earned Oscar nominations for Babe and Lorenzo’s Oil.

The Golden Reels have 22 categories spanning film, TV, toons, computer entertainment and student productions.

The nominees of genre interest for the 2021 awards follow the jump. The full list is here.

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