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Podcast

Folk Tales

A Podcast from the Smithsonian Folklife Festival

Folk Tales

Since 1967, the Smithsonian Folklife Festival has illuminated culture and amplified voices from around the world. Folk Tales, our new podcast, extends the Festival’s storytelling beyond the National Mall and into your headphones. The podcast foregrounds the experiences and passions of Festival participants while also bringing forward voices rarely heard by the public: curators, assistants, and other collaborators working behind the scenes.

The inaugural season, Youth and the Future of Culture, features eight episodes highlighting youth vitality and cultural continuity, plus a bonus episode that reflects on how the 2025 Festival was built. Each year, Festival programs will be accompanied by a fresh season of Folk Tales, offering listeners an ongoing audio gateway into the Festival.

Folk Tales logo with white letters on an orange background. A stylized soundwave runs horizontally between the words.

  • A collage featuring people working on architectural projects, with tools like rulers and protractors. In the background, there's an image of a cathedral under construction, with blueprints faintly visible.
    Episode 1: Next Generation Artisans in the Traditional Building Trades

    Artisans in the building trades preserve historic spaces by passing their skills to the next generation. Curator Marjorie Hunt and program coordinator Arlene Reiniger explore how youth apprentices are keeping these traditions alive.

    Featured participants: John Canning, Tatum Connor, Matthew Jacobs, Zoe Riccio, Tyrone Vic

    View Transcript

    Related Articles

    • A young person in a pink hoodie smiles as they spread pale brown grout in between bricks on a demonstration wall.

      At the 2025 Smithsonian Folklife Festival, visitors of all ages could try their hand at grouting brick and other building trades. Photo by Stanley Turk, Ralph Rinzler Folklife Archives

      December 8, 2025
      A Spark of Energy and Inclusivity: Youth in the Preservation Trades
    • A young woman hunches over a slab of stone, using a hammer and chisel to carve letters reading Smithsonian Institution. Behind her, an older man also worked on a stone slab, painting the letters SPQR with his right hand, balanced on his left.

      Nicholas and Hope Benson, third- and fourth-generation stone carvers at The John Stevens Shop, work on the National Mall at the 2025 Smithsonian Folklife Festival. Photo by Sonya Pencheva, Ralph Rinzler Folklife Archives

      November 24, 2025
      Something AI Cannot Generate: A Call to the Building Arts
    • A man with gray hair bends over a work table, using a paintbrush on a thin piece of wood. Behind him on an easel is a print of a tiled geometric design.

      Master decorative painter John Canning woodgrains an image of the Smithsonian Castle at the 2025 Folklife Festival.

      Photo by Joshua Davis, Ralph Rinzler Folklife Archives

      September 8, 2025
      Artistry as Archaeology: A Passion for Historic Preservation at John Canning & Co.
    • A young woman with short dark hair, dark sunglasses, and a gold cuff bracelet, with a handkerchief sticking out of her back pocket, tends to a smoking iron forge. She turns back to smile at the camera. Behind her, the Capitol Building and a sign for Youth and the Future of Culture on the National Mall.

      “What led me into my love of ironwork was not iron itself but stewarding the fire,” says blacksmith Karina Roca.

      Photo by Peter Rice

      August 19, 2025
      We Have Always Been Here: Six Young Women in the Building Arts
  • A collage image features four individuals performing music. One person holds a microphone, another plays a guitar, one raises a hand, and another plays a marimba. A vinyl record and radio tuner display are in the background. Music notes fill the backdrop.
    Episode 2: Music Apprenticeship

    Songwriting thrives on collaboration, energy, and shared experience. Curator Cristina Díaz-Carrera spotlights Rebel Song Academy, youth mentorship, and a song composed with help from Festival visitors.

    Featured participants: Malek Azrael, Alejandro Arias

    View Transcript

    Related Articles

    • A man works on a digital audio workstation on a computer, set up under a tent outdoors. Two people, their heads out of frame, stand behind him to watch.

      Brandon Yangmi, program director of the Rebel Song Academy, was the lead engineer for the New Sounds Lab, an outdoor recording studio at the 2025 Smithsonian Folklife Festival.Photo by Shannon Binns, Ralph Rinzler Folklife Archives

      December 22, 2025
      The Festival Soundtrack: Five Songs Created in the New Sounds Lab
    • Stax Music Academy’s 910 Band performs on the Main Stage at the 2025 Smithsonian Folklife Festival. Photo by Shannon Binns, Ralph Rinzler Folklife Archives

      September 24, 2025
      “Just Grab the Rope and I’ll Pull You In”: Stax Records’ Youth Legacy
    • A man in an iridescent blue dress shirt plays drums on stage with an orchestra behind him.

      ABOP protégé Torrance Buntyn Jr. performed “Concerto for Percussion and Orchestra” by Allan Bell with the Pasadena Community Orchestra in March 2024. Photo by Tom Keene, LAdigitalPhoto

      April 23, 2025
      Musical Mentorship at the Alliance of Black Orchestral Percussionists
    • Six young people pose, smiling, in two rows with their instruments: electric keyboard, fiddles, banjo, and acoustic guitar.

      Sugar in the Pan is (clockwise from top left) Emmett Stowell, Fiona Stowell, Henry Kervick, Owen Kennedy, Grace Martin, and Eli Glasser.

      Photo courtesy of Vermont Folklife

      April 8, 2025
      Teen Musicians of Sugar in the Pan Find Connection and Community in Traditional Music
  • A collage of people participating in outdoor cultural activities, featuring a mix of individuals signing and speaking. Two images feature individuals pointing to whiteboards with words written on them.
    Episode 3: Native Language Reclamation in the U.S.

    Native youth are leading efforts to reclaim and revitalize their ancestral languages. Curator Mary Linn introduces four North American Indigenous communities and the paths they are forging to ensure their languages endure.

    Featured participants: Kau‘i Kawauchi-Takamine, Kawika Keuma-Cadaoas, mihšiinkweemiša Michael Sekulich, Hunter “Pisuta” Simeonoff,  Taiawentón:ti’ Chelsea Sunday, Brandy Thomas, Lawena Toribio

    View Transcript

    Related Articles

    • A group of smiling performers wearing colorful, ornate traditional costumes with large feather headdresses dancing in a festival parade.
      December 12, 2025
      Honoring Bolivian and Hawaiian Heritage through Dance
    • A group of people walk into the open doors of a concrete building, with words above the doorway: Smithsonian Institution Museum Support Center.

      The Smithsonian’s Museum Support Center, located in Suitland, Maryland, houses multiple institutional collections, including the National Anthropological Archives. Photo by Cassie Roshu

      November 26, 2025
      A Visit to the Smithsonian Archives: Native Representation and Memory Preservation
    • Close-up on a pair of hands removing multicolored dried corn kernels into a woven basket.

      Dried myaamia miincipi kernels are removed from the cob.

      Photo by Karen Baldwin, Miami Tribe of Oklahoma

      August 25, 2025
      myaamia miincipi: Growing Native Corn for the Smithsonian Folklife Festival
    • Close-up on an ear of dried white corn, three bundles of yarn in cream, yellow, and brown, and bundles of rafia and cordage on a table.

      At the 2025 Smithsonian Folklife Festival, the members of Ionkwahronkha’onhátie’ set their display table with naturally dyed yarn and a dried ear of ó:nenhste (Iroquois white corn).

      Photo by Stanley Turk, Ralph Rinzler Folklife Archives

      August 4, 2025
      Raising Crops and Reclaiming Language: Corn in Kanien’kehá:ka Culture
  • A group of nine individuals, including a person holding a microphone, are featured against a yellow background with various words. Among them is a service dog in the foreground.
    Episode 4: Wordsmiths and Storytellers

    From hip-hop to oral storytelling to poetry, language becomes a tool for community change. Lead curator Michelle Banks introduces young artists shaping culture through words and rhythm.

    Featured participants: Jada Anderson, Eber Miranda, Evan Wang

    View Transcript

    Related Articles

    • Two people sit and perform on an outdoor stage: a man with a dark beard, sunglasses, and two long braids on a hand drum with rectangular tin snares, and a woman in a white dress and black blazer with dark hair in braids. They both wear headset microphones

      Storytellers David Fakunle and Jada Anderson performed each day at the 2025 Smithsonian Folklife Festival. Photo by Robert Meyers, Ralph Rinzler Folklife Archives

      December 5, 2025
      Passing the Torch: Deborah Pierce-Fakunle and Jada Anderson on Responsibilities of a Griot
    • Two people stand on a stage holding wired microphones. One wears a white shirt and a blue baseball cap that reads AYMARA, holding his microphone at his chest. The other wears a brown t-shirt and an orange bucket hat and raps into the microphone.

      Photo by Ronald Villasante, Ralph Rinzler Folklife Archives

      October 9, 2025
      Andean Hip-Hop on the National Mall with Andes MC and Eber Miranda
    • October 1, 2025
      Embodied Legacy: Malcolm Davis and the Living Story of Monk Estill
    • July 5, 2025
      Advocacy through Poetry: National Youth Poet Laureate Evan Wang’s “Bellflower”
  • A colorful background with a TV screen displaying various people engaged in creative activities. A person films, and there is a box labeled Take-A-Zine, Leave-A-Zine, Free-Trade. Another scene shows individuals working on laptops and podcasting with microphones. Various craft items are spread on a table.
    Episode 5: Emerging Media Makers

    Youth are using radio, podcasts, film, and video to tell their own stories and spotlight what matters most to their communities. Curator Amalia Córdova shares the mic with media makers forging creative paths of their own.

    Featured participants: Betto Arcos, Rameshwar Bhatt, Chloe Barnett, Gillian Bui, Madison Childs, Lila Marie Hayden, Max Cash Selby, Edward Tolson

    View Transcript

    Related Articles

    • Three people sit on an illuminated stage. In the foreground, a young man in a plaid shirt smiles toward the audience. In front of him is a communication devide with a screen and a Folklife Festival microphone. The young woman next to him turns to look at

      As part of the Emerging Media Makers program area at the 2025 Smithsonian Folklife Festival, filmmakers Samuel Habib (left) and Chloe Barnett (center) spoke in a panel discussion moderated by Folklife curator Amalia Córdova. Photo courtesy of Dan Habib

      December 1, 2025
      A Festival Pitstop for Filmmaker Samuel Habib’s The Ride Ahead
  • A dynamic skateboarding scene features several individuals performing tricks on a half-pipe with a graffiti backdrop. The word STREETWISE is prominently displayed in bold white letters.
    Episode 6: Streetwise

    Engines revving, skateboards rolling, DJs spinning—this is street culture in motion. Curatorial assistant Andrea Mayorga tours the Streetwise tent alongside fellow curators and participants, including youth building lowriders and creating street art.

    Featured staff and participants: Michelle Banks, Ash Dalal, Alasdair Delgado, Cristina Díaz-Carrera, DJ Znorthy, Antonio Eagle Bear, Rebecca Fenton, Wyatt Showen

    View Transcript

    Related Articles

    • 1935 Oldsmobile at the 2014 Americana Celebration in Old Sacramento. Photo by Jack Snell, Creative Commons

      October 7, 2025
      Cruising without Limits: Sacramento Lowrider Commission’s Cultural Victory
    • Brothers Miguel and Mario Galindo—the author’s father and uncle—sit on the trunk of a 1966 Ford Mustang in La Habra, California. Photo courtesy of Angelina Rios-Galindo

      September 22, 2025
      “It’s Like Inheriting Someone’s House”: Lowriding as Memory at the Festival and Beyond
    • Three women with long dark hair pose in a shiny, port wine-colored classic convertible car with the top down.

      Sacramento lowriders ShaVolla, Nayeli, and Alicia Rodriguez pose in their 1947 Buick Super.

      Photo by Andri Tambunan

      June 26, 2025
      Cruising through Generations: A Mother-Daughter Lowrider Legacy
  • Six illustrated recipe cards featuring different dishes. Each card includes decorative illustrations relevant to each dish.
    Episode 7: Foodways

    Food carries memory, identity, and community. In the Foodways demonstration kitchen, participants share family recipes and culinary traditions. Program coordinator Lirit Gilmore introduces the people and stories behind the meals.

    Featured participants: Checo Alonso, Ava Delgado, Manuel Delgado, DJ Special Berriez, Kim Akers Thomas

    View Transcript

    Related Articles

    • A young woman with yellow-tinted sunglasses and a bandana over her bleached braids holds a pot of soup with a ladle on the National Mall, with the U.S. Capitol Building in the background.

      Photo by Anna Beth Lee, Ralph Rinzler Folklife Archives

      December 10, 2025
      Herbalist Elizabeth Beamon’s Quest for Simple Living
  • A collage of various individuals engaged in different activities, including weaving, woodworking, and examining tools. A group is gathered for a demonstration, some wearing hats and sunglasses. The background is a textured, blue-green color.
    Episode 8: Learning Together

    Outside of classrooms and apprenticeships, families and communities pass on cultural knowledge in their daily and social lives. Curator Rebecca Fenton highlights youth learning skills like weaving and saddlery from parents, elders, and mentors.

    Featured participants: Chase Carter, Whitley Carter, Ava Delgado, Manuel Delgado, Evelyn Morán Cojoc, Anna Severe, Hta Thi Yu Moo Selvin Vail Diaz

    View Transcript

    Related Articles

    • Three people sit cross-legged on a low platform in the grass. Two are using backstrap looms, stretched between the straps around their hips and a wooden crossbeam. One woven textile is bright blue, the other bright red.

      At the 2025 Smithsonian Folklife Festival, Rosie Say (left) works on a large blue cloth, while Ku Say (right) teaches a visitor. The backstrap looms’ work area is created between the weavers’ belts and the wood brace in the foreground. Rosie Say is lifting a heddle, which allows her to control subsets of warp threads and generate complex patterns in the fabric. Photo by Joshua Davis, Ralph Rinzler Folklife Archives

      November 14, 2025
      Cloth and the Art of Connection with the Karen Weaving Circle
    • A woman with long dark hair in a low bun, adorned with a faux red rose, use a skinny paintbrush on a mural that takes up the full frame, depicting a pathway through a blue body of water, leading toward red mountains and a yellow sky.

      Born in San Cristóbal, Alta Verapaz, Guatemala, into an artistic family, Evelyn Morán Cojoc is inspired by her Poqomchi’ Maya culture.

      Photo by Craig Fergus, Ralph Rinzler Folklife Archives

      September 5, 2025
      A Maya Muralist Shares Grandmother Earth’s Gifts
    • Two people ride on horseback along a dirt road lined by yellowing tall grass. In front of them are a dog and dozens of cattle.

      Photo by Anna Severe

      June 23, 2025
      The Community of Families in Western Craft Traditions of Idaho
  • A collage featuring people setting up for the Smithsonian Folklife Festival. They are holding tools and signs. The background shows a map layout and the Smithsonian Castle.
    Episode 9: It Takes a Village

    The Festival doesn’t appear by magic—it’s built by a vast network of staff, interns, volunteers, and collaborators. This episode reveals what it takes to create a temporary city on the National Mall each summer.

    Featured staff: Tori Baker, Jocelyn Callister, Kate Haas, Tyler Nelson, Diane Nutting, Arlene Reiniger, Sarah Roffman

    View Transcript

    Related Articles

    • A young child wearing large black earphones bangs on some drums under a festival tent.

      A young visitor at the Festival’s Morning on the Mall tries out the percussion instruments in the Beatworks tent.

      Photo by Sonya Pencheva, Ralph Rinzler Folklife Archives

      July 30, 2025
      Youth and the Future of Accessibility: Celebrating Disability Pride Month and the Anniversary of the ADA
    • Ten members of the 2025 Smithsonian Folklife Festival's tech crew posing under the framing of The Hallway's wooden structure; six have their arms crossed, two in their pockets, and two by their sides.

      Natalia Alfonzo Mudoy (center), who designed The Hallway at the 2025 Festival, alongside the crew that helped her bring it to life. In the fall of 2024, she conceptualized it while interning at the Center for Folklife and Cultural Heritage.

      Photo by Josh Weilepp, Ralph Rinzler Folklife Archives

      July 16, 2025
      The Hallway: A Festival Structure to Foster Empathy and Respect
    • Three young people in matching gray Youth and the Future of Culture T-shirts sit behind cardboard bins marked for compose, landfill, and recycle. The person in the middle, with shoulder-length blue hair, shades her eyes looking into the distance, while the others laugh.

      Sustainability volunteers at the 2025 Smithsonian Folklife Festival

      Photo by Mark Roth, Ralph Rinzler Folklife Archives

      July 4, 2025
      Youth and the Future of Sustainability: Resource Recovery at the Festival
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