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Evan Cordelia

@evancordelia

🕯 Multifandom 🎃
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Remembering Michael Jackson today. Michael was a big fan of Musical Theatre and The Phantom of the Opera was his favourite production which he visited many times. Andrew Lloyd Webber has often talked about the times he spent discussing music and theatre as well as various projects with Michael. Here is an article he wrote about this in 2009.

"I first met Michael when he came to see Phantom of the Opera in New York when we'd just opened in 1988. He was clearly interested in the piece. He saw it several times and used to come backstage, often without the entourage that followed him around in later life.

The story got to him. I think he had a connection with the lonely, tortured musician. He found the idea of somebody working through music and having a girl as a muse very intriguing – and he loved that there was illusion in the show.

Michael became interested in playing The Phantom himself, in a movie version of the show. We talked about it a lot, but we'd only just opened and, at the time, I felt that it was too early for it to become a film. I felt his interest in Phantom was because he was interested in doing something theatrical himself.

He was a highly theatrical animal. I remember him saying to me that he'd seen Cats and how happy he was that dance was making a comeback in the theatre. He certainly talked about theatre a lot, and when he was last in London, he went to see Oliver!. Of course, he was a great showman himself, but he found the whole stagecraft of musicals extraordinary.

Seeing clips of Thriller on the news this week reminded me what an extraordinary dancer he was. He really brought dance and staging into the pop world, through his videos and concerts. Nobody before him had really done anything much like that. He was ahead of his time with all that he did.

I saw him a couple of times in concert. Thriller was probably the best stage event I've ever seen. From my musical-theatre perspective, I could see that he was bringing a completely new vision about dance to the stage. A tremendous amount of what he was doing then you see in musicals now.

Musically, Michael was also different to anyone before him. He was clever at taking pop hooks and using them in original ways, developing them theatrically. It's an influence that is now everywhere today. I remember listening to a Justin Timberlake album and hearing Michael's influence.

Young people still keep coming to his music because so many of his songs are classics. In the history of pop, Thriller will possibly stand out more than Sergeant Pepper because there were even more stand-alone hits on it. It's right up there with the all-time great albums.

Similarly, I would absolutely put him up there with the all-time greatest performers. I've seen most of the top rock acts – I saw Elvis several times – but with Michael's concerts, his showmanship was consummate. Very few rock singers have such quality.

Everybody was so looking forward to seeing what he would do when he came back to London. From what I was hearing, he was going to push the boundaries of what we'd seen in a rock arena much, much further.

The debts, all the court cases, and the trouble he got himself into, it was all so sad. But you can probably say already that his music has transcended all of that. Nothing sticks to him. In the end, the music will always survive."

propaganda i’m not falling for:

  • the idea that butchfemme is heteronormative
  • femme4femme as the “default” for lesbian relationships
  • excluding transfems from lesbian spaces
  • the concept of a “masc shortage”
  • thin/white/afab soft mascs as the “default” for masc presentation
  • hate for stone identities
  • lesbophobia
  • transphobia

harry potter urls get blocked and people reblogging my shit with their harry potter ships in the tags get blocked and dumbasses who have shit bios like "marauders and drarry 4ever but I think jkr is a big meaner don't worry" you're getting blocked and I'm shoving you in a locker

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Bad Jean Grey comic: I’m so torn between which boy to choose 🥺🥺🥺 all these men are in love with me and I can’t decide which one to date

Good Jean Grey comic: death follows me everywhere I go, everyone I love dies and yet every time I’m embraced by death I am ripped back into this world and I will never be at peace. I do not feel like a real person among my peers and this isolation is driving me mad, I am a monster and I can never truly be understood by those around me. Also i don’t need to choose #polyamory

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Various paintings of a grotto - Rombout van Troyen

Mrs. Tittlemouse in her home - Beatrix Potter

Jerry in his cheese house - Tom and Jerry

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drunkvanity-deactivated20161113

shout out to the girls that hate their bodies but are trying really really hard to find the beauty and comfort in them because that shit is hard and takes a lot of time and is emotionally exhausting. i’m proud of y’all.

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when anne rice said "if you believe God made Satan, you must realize that all Satan's power comes from God and so that Satan is simply God's child, and that we are God's children also," and mitski said "when im bent over, wishing it was over, making all variety of vows ill never keep, I try to remember the wrath of the devil was also given him by God," and ethel cain said "God loves you, but not enough to save you," so i genuinely just explode

Sigh

That upcoming shitass Carrie minisseries (skinny conventionally attractive Carrie, defanged Carrie and Margaret, high school power rangers au), and now with this new french adaptation of Phantom of the Opera where Erik is a handsome sadboy instead of a disabled, mentally ill man. Mainstream media and Hollywood really hates people they label "unattractive". Both characters are abuse victims, dehumanized and marginalized by their appearance, that react in an non-cute way to their traumas, harming everyone around them, yet their humanity and struggle is still sympathetic. What's the point of making a Carrie adaptation and delete everything that makes the story unique? What's the point in turning Erik into a young edgy fuckboy with a little scar on his face? Film makers, stop making everyone pretty and sanitized.

It started years ago, I remember my frustration when they started doing "Cyrano - without the nose". Doing this whole "No, the disability is just inside his mind" shtick. Never mind that the lyrics literally mention "the nose" the whole damn time😭

And Erik, his poor face is the reason for everything. He was rejected first by his parents, then by society for how he looked. It was why he didn't approach Christine like a normal person. His whole behaviour comes from trauma. Even Christine’s story arch makes no sense without it.

"let's make a story on how ableism is bad. But without the ableism. Make the victim pretty because no one feels sorry for an ugly freak #woke."