Wikipedia

Sanai

Hakim Abul-Majd Majdūd ibn Ādam Sanā'ī Ghaznavi (Persian: حکیم ابوالمجد مجدود ‌بن آدم سنایی غزنوی), more commonly known as Sanai, was a poet in the Ghaznavid Empire, who wrote in Persian. He was born in 1080 and died between 1131 and 1141.[1]

Sana'i Ghaznavi
"Hakim Sanai addressing the Sultan of Ghazna" Folio from Hadiqat al Haqiqa, dated 1579, Safavid-era miniature, currently in Leiden University
"Hakim Sanai addressing the Sultan of Ghazna" Folio from Hadiqat al Haqiqa, dated 1579, Safavid-era miniature, currently in Leiden University
Native name
سنایی غزنوی
Born1080
Ghazni, Ghaznavid Empire
Died1131/1141
Ghazni, Ghaznavid Empire
OccupationPersian literature
GenreSufi poetry, Wisdom Literature
Notable worksThe Walled Garden of Truth

Life

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Sanai was a Sunni Muslim,[2] connected with the court of the Ghaznavid Bahram-shah who ruled 1117 – 1157.[3]

Works

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He wrote an enormous quantity of mystical verse, of which The Walled Garden of Truth or The Hadiqat al Haqiqa (حدیقه الحقیقه و شریعه الطریقه) is his master work and the first Persian mystical epic of Sufism.[4] Dedicated to Bahram Shah,[5] the work expresses the poet's ideas on God, love, philosophy and reason.

For almost 900 years The Walled Garden of Truth has been consistently read as a classic and employed as a Sufi textbook. According to John Stephenson, "Sanai’s fame has always rested on his Hadīqa; it is the best known and in the East by far the most esteemed of his works; it is in virtue of this work that he forms one of the great trio of Sūfi teachers — Sanā'ī, Attar, Jalālu d Dīn Rūmī."[6]: xxvi  Sanai taught that lust, greed and emotional excitement stood between humankind and divine knowledge, which was the only true reality (haqq). Love (ishq) and a social conscience are for him the foundation of religion; mankind is asleep, living in a desolate world. To Sanai common religion was only habit and ritual.

Sanai's poetry had a tremendous influence upon Persian literature. He is considered the first poet to use the qasidah (ode), ghazal (lyric), and the masnavi (rhymed couplet) to express the philosophical, mystical and ethical ideas of Sufism.

Influence and legacy

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Poetic influence

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Rumi acknowledged Sanai and Attar as his two great inspirations, saying, "Attar is the soul and Sanai its two eyes, I came after Sanai and Attar." The Walled Garden of Truth was also a model for Nizami's Makhzan al-Asrar (Treasury of Secrets).[7]

Modern cultural references

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Guillermo del Toro's 2017 film The Shape of Water ends with a recitation of one of Sanai's poems;[8][9] Sanai is named in the closing credits.[8]

Unable to perceive the shape of you, I find you all around me.
Your presence fills my eyes with your love.
It humbles my heart, for you are everywhere.

Quotations

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Sanai's poetry stresses the possibility of an "awakening." His means for this awakening is surrender to God.[citation needed] His poetry has been called "the essential fragrance of the path of love."[by whom?] He hits out at human hypocrisy and folly:[10]

He who knows not his own soul,
How shall he know the soul of another?
And he who only knows hand and foot,
How shall he know the Godhead?

The prophets are unequal to understanding this matter;
Why dost thou foolishly claim to do so?
When thou hast brought forward a demonstration of this subject,
Then thou wilt know the pure essence of the faith;

Otherwise what have faith and thou in common?
Thou hadst best be silent, and speak not folly.
The learned talk nonsense all;
For true religion is not woven about the feet of everyone.[6]: 15 

Others are heedless,—do thou be wise, and on this path keep thy tongue silent. The condition laid on such a one is that he should receive all food and drink from the Causer, not from the causes. Go, suffer hardship, if thou wouldst be cherished; and if not, be content with the road to Hell. None ever attained his object without enduring hardship.[6]: 135 

See also

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Notes

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  1. ↑ Bosworth 1977, p. 108.
  2. ↑ Edward G. Browne, A Literary History of Persia from the Earliest Times Until Firdawsh, 543 pp., Adamant Media Corporation, 2002, ISBN 978-1-4021-6045-5, ISBN 978-1-4021-6045-5 (see p.437)
  3. ↑ Dalal 1995, p. 95.
  4. ↑ Dahlén 2009, p. 12.
  5. ↑ Bauer & Neuwirth 2005, p. 329.
  6. 1 2 3 The Enclosed Garden of Truth. Translated by John Stephenson. Calcutta: Baptist Mission Press. 1910.
  7. ↑ J. T. P. De Bruijn (2002-12-15). "ḤADIQAT AL-ḤAQIQA WA ŠARIʿAT AL-ṬARIQA". Iranica. Retrieved 2010-09-06. The Ḥadiqat al-ḥaqiqa is not only one of the first of a long line of Persian didactical maṯnawis, it is also one of the most popular works of its kind as the great number of copies made throughout the centuries attest. Its great impact on Persian literature is evidenced by the numerous citations from the poem occurring in mystical as well as profane works. It has been taken as a model by several other poets, including Neẓāmi, ʿAṭṭār, Rumi, Awḥadi, and Jāmi.
  8. 1 2 Peter Armenti (2018-03-09). "Who wrote the poem at the end of The Shape of Water?". From the Catbird Seat: Poetry & Literature at the Library of Congress. Retrieved 2018-07-21.
  9. ↑ Priya Hemenway (2002). The Book of Everything. Kansas City: Andrews McMeel Publishing. p. 41. ISBN 0-7407-2724-9. Unable to discern the form of You, / I see Your presence all around. / Filling my eyes with the love of You, / my heart is humbled, / for You are everywhere.
  10. ↑ Osho, Unio Mystica, Vol 1, Chapter 1, Rajneesh Foundation International

References

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Further reading

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