Norma Broude (born 1 May 1941) is an American art historian and scholar of feminism and 19th-century French and Italian painting. She is also a Professor Emerita of art history from American University. Broude, with Mary Garrard, is an early leader of the American feminist movement and both have redefined feminist art theory.
Norma Broude | |
|---|---|
| Born | 1 May 1941 New York, US |
| Alma mater | Columbia University Hunter College |
| Occupation | Art historian |
| Employer(s) | Oberlin College Vassar College American University |
Life and work
editShe was born Norma Freedman on 1 May 1941 in New York.[1] She holds a Master of Arts and Doctor of Philosophy in Art History from Columbia University and a Bachelor of Arts in Art History and English from Hunter College.[2]
Broude taught for a short time at Oberlin College, then Vassar College and Columbia University. In 1975 she was called to the American University and stayed there until retirement.[citation needed]
Awards
edit- 2000 – Committee on Women in the Arts presented their annual recognition award at the College Art Association.[3]
- 1981 – National Endowment for the Humanities
- 1962 – Scholarship Woodrow Wilson National Fellowship Foundation
Publications
edit- Gauguin’s Challenge: New Perspectives After Postmodernism, 2018, ISBN 978-1-5013-2516-8[4]
- Reclaiming Female Agency: Feminist Art History After Postmodernism, edited by Norma Broude with Mary D. Garrard, 2005, ISBN 978-0-5202-4252-4[5][6]
- Gustave Caillebotte: And the Fashioning of Identity in Impressionist Paris, Norma Broude 2002, ISBN 978-0-81353-0-185
- The Power of Feminist Art: The American Movement of the 1970s, History and Impact, with Mary D. Garrard 1996, ISBN 978-0-8109-2659-2[7][8]
- The Expanding Discourse: Feminism and Art History, with Mary D. Garrard 1992, ISBN 978-0-06430-2-074
- Impressionism: A Feminist Reading: The Gendering of Art, Science, and Nature in the Nineteenth Century, Norma Broude 1991, ISBN 978-0-84781-3-971[9][10]
- Feminism and Art History: Questioning the Litany, with Mary D. Garrard 1982, ISBN 978-0-0643-0117-6
- Seurat in Perspective. Norma Broude, 1978, ISBN 978-0-13807-1-073[11]
- The Macchiailoli: Academicism and Modernism in Nineteenth Century Italian Painting, Norma Broude, Columbia 1967, ISBN 978-0-30003-5-476[12][13]
- World Impressionism: The International Movement, 1860-1920, Norma Broude (ed.) 1994, ISBN 978-0-81098-1-157 (featured in the Seinfeld episode "The Bookstore")
References
edit- ↑ "Norma Broude". Dictionary of Art Historians. Retrieved May 2, 2017.
- ↑ "Profile Norma Broude". American University. Retrieved May 2, 2017.
- ↑ "Awards for Distinction". College Art Association (CAA). Retrieved May 2, 2017.
- ↑ Thomson, Belinda (April 3, 2021). "Gauguin's Challenge: New Perspectives After Postmodernism: BROUDE, Norma (ed.) London: Bloomsbury, 2018 328 pp, £23.39 (paperback), ISBN: 9781501325175". Modern & Contemporary France. 29 (2): 227–228. doi:10.1080/09639489.2021.1874321. ISSN 0963-9489. Retrieved June 16, 2026.
- ↑ Betterton, Rosemary (2007). "Book Review: Reclaiming Female Agency: Feminist Art History after Postmodernism". Feminist Review. 87 (1). Retrieved June 16, 2026.
- ↑ Kokoli, Alexandra M. (2007). "BACK TO BASICS? edited by Norma Broude and Mary D. Garrard". Art History. 30 (5): 777–781. doi:10.1111/j.1467-8365.2007.00574_3.x. ISSN 0141-6790. Retrieved June 16, 2026.
- ↑ Haynes, Clarity (March 14, 2015). "How We Got Here: Portrait of the Artist as a Queer Feminist". Hyperallergic Magazine. Retrieved May 2, 2017.
- ↑ Spitz, Ellen Handler (1996). "Review of The Power of Feminist Art: The American Movement of the 1970s, History and Impact". The Journal of Aesthetics and Art Criticism. 54 (1): 91–92. doi:10.2307/431689. ISSN 0021-8529. Retrieved June 16, 2026.
- ↑ Lipton, Eunice (1992). "Norma Broude, "Impressionism" (Book Review)". Art Journal. 51 (4): 99. Retrieved June 16, 2026.
- ↑ Board, Marilynn Lincoln (1994). "Review of Impressionism, A Feminist Reading: The Gendering of Art, Science and Nature in the Nineteenth Century; World Impressionism: The International Movement, 1860-1920, Norma Broude". Woman's Art Journal. 15 (2): 38–40. doi:10.2307/1358603. ISSN 0270-7993. Retrieved June 16, 2026.
- ↑ Sheon, Aaron (December 1, 1979). "Norma Broude (ed.), Seurat in Perspective: Englewood Cliffs, New Jersey, Prentice Hall, 1978. 180 pp. $12.95 cloth, $5.95 paper". Art Journal. 39 (2): 143–145. doi:10.1080/00043249.1980.10793562. ISSN 0004-3249. Retrieved June 16, 2026.
- ↑ Johns, Christopher M S. (1990). "BROUDE, NORMA: "The Macchiaioli: Italian Painters of the Nineteenth Century" (Book Review)". Italica. 67 (2): 222. Retrieved June 16, 2026.
- ↑ Loyrette, Henri (1988). "Norma Broude, The Macchiaioli, Italian Painters of the Nineteenth Century. Yale University Press, New Haven et Londres, 1987. 24 p., 306 ill., 91 pl. couleurs. ; Giuliano Matteucci, Lega, l'opera completa, Florence, Giunti, 1987, 2 vol., 391 p. et 435 p., reproduction photographique de tous les tableaux répertoriés". Revue de l'Art (in French). 82 (1): 79–80. Retrieved June 16, 2026.