
Had the most
fabulous time hanging out with Carl at the Morgan Library on Sunday though we could have just met up at Dunkin' Donuts & saved the price of admission because we hardly paid attention to the tarot exhibition at all. Basically, we just
gabbed nonstop for five hours straight.
Carl, like me, is a
People Mag vet, someone I met after the Very Unfortunate Time Inc/AOL merger—which absolutely nobody remembers today, but which signaled the first death throes of a brand that dominated the cultural life of the English-speaking world throughout the second half of the 20th century.
He was hired by my boss, the singular Maria Wilhelm, ostensibly to write movie reviews but really to accompany me & ET's brother (Dirk) to dismantle Entertainment Asylum, the world's first interactive broadcast studio, a wildly creative Internet shop that had been cobbled together by the visionary TV executive Brandon Tartikoff as he was dying of Hodgkin Lymphoma. (Tartikoff today is probably best remembered as the guy who saved
Seinfeld from cancellation during its disastrous first four years while the show struggled to find its audience.)
"You know, Maria broke up my marriage," Carl confided.
"How?" I asked. "Did you have an affair with her? Did your
wife have an affair with her?"
Carl laughed. "Nothing like that. My father had just died, and I was reeling with grief. Nothing about my life made sense to me. And out of the blue, Maria calls me one day—like we were best friends who spent hours every day on the phone—"
"Oh, yes. When Maria fixes you with the laser-like beam of her attention, there are no other people in the Universe!"
"—and she says, 'Dirk and I were just talking. And we've decided
you have to be our movie reviewer!' So I moved from Larchmont to Los Angeles. And I never went back. Even after she dropped me."
"Sounds like Maria," I said. "Do you know what she's doing now?"
"James Cameron."
"James Cameron's
COO," I said.
"You know, Dirk doesn't talk to her anymore," Carl said.
"
Really!" I said.
"She screwed him on that
Avatar book."
I shrugged. "Both their names are on it. His under hers, to be sure. I take it he did all the actual writing?"
Here is Maria winning her Emmy for a documentary about whales.
I'm guessing the blonde in the white dress did all the actual work.

Carl is nuts, I suppose, but then it could be argued so am I. Both of us living in some kind of prolonged afterlife: We were once a part of Momentous Events as the world judges such things, but somehow we lost that momentum, and are now drifting aimlessly, waiting to do—what exactly? I suppose the answer would be "to die," except I don't feel like I'm waiting to die, I feel like there are rabbits and penguins still to be drawn from the magician's top hat.
I don't know what Carl feels exactly.
He texted me three times and called me once yesterday, which made me
un peu uneasy. I'm not sure why. I don't think he's
romantically interested, which would make me very nervous indeed. I think he's
lonely, and, of course, I am, too, and we speak the same dialect, and it's always
amazing to happen upon someone who speaks your language when you're used to translating all your basic life needs into other-people-ese.
One of the things we did was exchange book lists. We are both prodigious readers. I recommended Bernard Malamud, particularly
The Magic Barrel, which is the best English-language short story ever written, and Larry McMurtry, specifically
The Last Picture Show, a perfectly structured novel, and
Lonesome Dove, which is the most engaging English-language novel ever written.
Also, Tracy Daugherty's staggeringly fine Larry McMurtry bio.
The Larry McMurtry model of True Friendship has much to recommend it, and perhaps that is something Carl and I could strive for.
(One of the reasons I'm contemplating living in Michigan is that I
have the Larry McMurtry model of friendship with Tom.)

The tarot exhibition itself was not so great.
The Morgan Library itself is impressive and filled with treasures—Gutenberg Bibles, Charlemagne's Bible, George Washington's death mask—but the curators don't know very much about putting on a show. The various tarot card decks, including a very beautiful 15th-century card deck, were merely mounted on cardboard backgrounds. The effect was underwhelming.
If I'd been designing this exhibition, I would have had animatronic gypsies and steampunk machines doing digital fortunes. The way the Morgan staged this exhibition made the arcana seem dull.

"You know, I always figured you'd go back to the church towards the end of your life," I told Carl.
Carl is LDS. In fact, his father is a pretty famous LDS elder.
"Oh, I never left the church," he told me.
"Really?"
He shrugged and smiled. "In the sense of formally renouncing my membership? No. Of course, I don't go to services. Or wear the underwear. Do you know about the underwear?"
"
Of course, I know about the underwear. It's an object of intense fascination for us heathen."
He laughed. "It's really just a union suit. Very uncomfortable in summer."
"So you're a Jack Mormon?"
"I more or less define the term 'Jack Mormon.'"
"Well, there are a lot of things I really
like about LDS," I told him heartily. "They have a really strong sense of
community, which I admire."
He laughed again. "Oh, yes. Us and the Hasids."
"It's the belief system that's impossible to stomach."
"You know, I did my mission in Bolivia for two years. I think that kind of backfired—once I figured out,
You know, you can get away, I never went back. But I would tell the Bolivians about the Angel Moroni, and their eyes would light up when I got to the part about the gold tablets. You could see them reaching for the pick ax!
And where are those gold tablets now? they would ask.
Well, the Angel Moroni swept down and took them back to heaven, I'd tell them."
"And did that make them lose interest?"
"Oh, no," Carl said. "They don't really distinguish LDS from any other Protestant sect. For Central and South Americans, Protestantism is correlated with upward mobility. It's Catholicism and all
its superstitions that hold you back."