rock, glauco

no more Victor

Today, I heard that Gordon and Brian had kicked Victor out of the band. Again.

The band had sort of taken a hiatus, back in the late eighties, probably because of Victor. Then he left the band in 1993. Or they kicked him out. Or both. Then they took him back, in 2000. This caused then-drummer Guy Hoffman to be out of a job.

Victor apparently hasn't been very happy in the band. In a statement, he called the recent reformation "business as usual" and not in a good way. I don't think the rest of the band has much patience for Victor. Besides the previous dismissals, their nickname for him was "Queenie." I know Brian doesn't think much of his drumming talent, but then he doesn't think much of Gordon's either. That's why they have John Sparrow and Jeff Hamilton backing the band. Speaking of which, I wonder if they'll keep Sparrow around, along with their new drummer.

Apparently, the organizations who made the offer to the Femmes to play the shows, said they only wanted the original lineup. As soon as those gigs were over, they dumped Victor.

The new drummer is Brian Viglione, of the Dresden Dolls. He's the one who apparently broke this news, with a statement on the Dolls' Facebook page. Should be good. The statement reads

Hey Dolls Fans! IT'S OFFICIAL- I HAVE JOINED THE VIOLENT FEMMES!
Good morning! It's with inexpressible joy that I announce this news today. Amanda and I have always loved and been inspired by this band, and been fortunate enough to share the stage with them several times in the past. But to now be their new drummer is a dream come true and hope to see some of you out there on tour!

A dream come true, huh? The tour consists of two more dates. And I don't think they'll be making any new music, so he's basically a stand-in for Victor and Guy. Too bad, he seems like a pretty cool drummer.

So here are some links...

This gives more detail about how the Femmes got mixed up with the Dolls, including a video:
http://amandapalmer.net/blog/20130…

A video of the Dresden Dolls, showing Viglione's drumming:
http://www.youtube.com/watch?v=psQ…

article at the Milwaukee Journal Sentinel

"A href="http://expressmilwaukee.com/blog-9…">article at the Shepherd-Express</i>, which includes DeLorenzo's entire statement.
rock, glauco

Summerfest, June 27th 2013

As per previous headline gigs, the Femmes were tacked onto an existing tour's stop in Milwaukee. It used to be some alternative rock bands. This time it was more of an alt.country thing. The Avett Brothers were the big draw. There was a certain amount of concern that more people were there to see the Avetts than the Femmes. I think this concern was not unfounded.

Cyn told me that she heard the Avetts were booked on opening night before the Violent Femmes were added to the bill, but I didn't believe her. I mean, I'd never even heard of them before. But now I see how that could be true. They've probably sold more albums than the Femmes. But we were still wondering how many people would leave after the Avetts were finished. Which brings us to our featured attraction...

The Violent Femmes got back together! Woo woo! Earlier this year, they were approached by Coachella for a reunion show. Summerfest decided to get in on the action and also made them an offer, and they were added to the opening night lineup on the main stage. This year is the 30th anniversary of the release of their debut album, so they decided they'd play it straight through. That's not too exciting, since they normally play most of the songs on it, but hey, it was Violent Femmes!

Victor Delorenzo, Gordon Gano, Brian Ritchie and John Sparrow took the stage. It was kind of odd to see John there, but he keeps time, and also fills in some of the drum sound for the songs where Victor played a full kit on the original album. Victor had a tom, a snare and a high hat. Brian played his acoustic bass, for the most part, the electric once or twice, and xylophone for "Gone Daddy Gone" of course.

So they opened with... "Blister In the Sun," and played almost without stopping until the end of side 1, when Gordon spoke a bit. He apologized for not thanking us for our applause, with the excuse that they were playing the songs as they appear on the album, and there's no talking in between songs on the album.

So, "Blister," "Kiss Off," "Please Do Not Go," "Add It Up," "Confessions," "Prove My Love," "Promise," "To the Kill," "Gone Daddy Gone" and "Good Feeling." "Confessions" included the noise jam by the Horns of Dilemma. This featured Sigmund Snopek, who played various instruments on various songs throughout the show, including keyboards, like on "Good Feeling." Gordon played violin on that song.

After the album was over, they did a few more early songs. First, was "Jesus Walking On the Water," followed by perennial favorite "Country Death Song," for which Gordon played banjo. "I Held Her In My Arms," "Gimme The Car." "Black Girls" and "American Music." The encore (the word, which Brian reminded us, means "again") was "Blister In the Sun." I was guessing (or just hoping) it would be "Add It Up." "Black Girls" included Snopek on alpenhorn. Peter Balestrieri on baritone sax, for "I Held Her In My Arms." Jeff Hamilton played guitar or mandolin on most of the later songs. For "Jesus Walking," Gordon played violin, and his sister Cynthia came onstage for vocals. They didn't introduce her, but she sounded exactly like the voice on the record, so I have to assume it was her.

After the Avetts were finished, a lot of people left, but the place still looked pretty full (but there were few bleacher seats sold). My friend Steve mentioned that the age of the crowd had gone up. That's probably true, but there were still a lot of kids there. The two teenage girls behind us were singing along with every song. After the Femmes started, the remaining audience went wild. But since three of the first four songs were their biggest hits, and the fifth song was kindof obnoxious, that's when people started filtering out.

So... musicianship. As mentioned earlier, Sparrow was onstage to provide the beat. Enough said. Gordon's guitar playing actually sounded pretty album-like, at least early in the show. He hasn't exactly done a lot to advance his practice over the years, though. Ritchie has. His bass guitar solos are always changing and improving. He must be out of practice, though, after the five-year hiatus. He seemed to be off his game. A couple of solos just didn't have the magic.

The show let out shortly before midnight. They started somewhere around 10:30, so they played for barely over an hour and a half. Too short. (I think the Avett's played for over two hours.) It was so much fun!
rock, glauco

reunion!

The last time I saw the Femmes was June 29, 2007. They broke up later that summer, after a lawsuit between Brian and Gordon. *sigh*

But then... a few weeks ago, they announced a reunion for Coachella music festival! Woo! So that was kinda exciting.

And now... they announced they're playing the main stage for Summerfest on opening night! Woo woo! Very exciting! June 26th, Marcus Amphitheater.


I think the Femmes announced it before they were cleared by the Fest. According to the article below, John Boler, chief marketing officer with Summerfest's parent company, Milwaukee World Festival Inc., confirmed the booking Tuesday afternoon. Ticket prices, show times and sale dates have yet to be announced. This was not a press release, it was a "confirmation." And they still haven't announced any of the other opening night bands or festivities.

Anyway, here's an interesting article about the band in recent years...
http://www.jsonline.com/entertainm…

Ritchie "did confirm that they buried the hatchet before Coachella officials contacted the Femmes' booking agent, Frank Riley, proposing a reunion show last year." That's cool.
rock, glauco

Femmes show at Summerfest

It was a late show, starting at 11:00. I guess that was because of the fireworks show at 10:30. Opening day of the fest.

My memory is pretty bad. I'd forgotten half the stuff by the time it happened. I'll see what I can remember.

They started out as the trio plus John Sparrow on cajon. They did a song off their debut album. Umm... "Promise." For the second song, "Out the Window" a guy joined them on washboard (didn't catch his name). The next song was also from Why do Birds Sing?. "Hey Nonny Nonny." To continue with the country flavor, the next song was "Country Death Song." A little bit into the song, Jeff Hamilton came on stage, quickly trying to plug in his mandolin. Ritchie seemed amused.

They did "Jesus Walking on the Water," with a country sounding bass solo, a mandolin solo and a violin solo. They did "Color Me Once," "Freak Magnet," "Hallowed Ground," and "Children of the Revolution." Hamilton played a lot of guitar, often taking solos, and sometimes duetting with Gano. Gano often sounds irrelevant with his guitar, but he stood out in a couple of spots, showing that he still knows how to play. The first song of the encore was "Kiss Off," and he and DeLorenzo played it by themsleves. Gano was able to fill in the high and the low parts.

It was the smallest Horns of Dilemma I've seen in many years. Aside from Sparrow, Hamilton and the washboard player, there were only Darren Brown (tour manager and "big man on a little horn"), somebody Kaminski on trombone and Silas Ritchie on harmonica. They did "Black Girls," as usual, and followed that up with a different song than usual (can't remember what).

Ritchie started with his acoustic, then switched back and forth between electric and one-string basses. He had some kind of heavy distortion unit on the electric. Huge fuzz, and a high pitch. He used it mostly for noise, and often in places I thought inappropriate. Didn't seem quite in tune, either. His washtub bass was on stage, but he didn't play it. He did the conch during "Black Girls." His xylopnone sounded really weird, for "Gone Daddy Gone." It sounded really... squeaky, and not quite in tune. He had some technical issues early in the show.

Victor was his usual zany self.

There didn't seem to be any animosity between the guys, but they didn't seem as close as they used to be.
faerie

not dead yet

Date                   City, Venue
October 13,'07 Uncasville, CT Mohegan Sun Casino
October 12,'07 Uncasville, CT Mohegan Sun Casino

August 11, '07 Belville, South Africa

August 10, '07 RSA (South Africa) Eoppikoppi Festival
August 6, '07 Johannesburg, South Africa
August 3, '07 Del Mar, CA Race Track
August 1, '07 Anaheim, CA House of Blues

July 28, '07 Los Angeles, CA Bet Tzedek Justice Ball (www.thejusticeball.org)
July 27, '07 Las Vegas, NV Hard Rock Hotel
July 13, '07 Louisville, KY 4th Street Live
July 11, '07 Columbus, OH Promowest Pavilion
July 6, '07 North Kansas City, USA Voodoo Lounge
July 4, '07 Denver, CO Red Rocks

June 28, '07 Milwaukee, WI Summerfest
June 23, '07 Brooklyn, NY Warsaw
June 22, '07 Brooklyn, NY Warsaw
June 21, '07 Buffalo, NY Lafayette Square
June 16, '07 Chicago, IL Q101 Block Party

May 26, '07 Seville, Spain Territorios Festival
May 24, '07 Milan, Italy Rolling Stone
May 23, '07 Rimini, Italy Velvet
May 22, '07 Rome, Italy Alpheus
May 20, '07 Malaga, Spain Teatro Cervantes
May 18, '07 Lyon, France Nuits Sonores Festival
out of shape

he doesn't sound happy

You may have heard that the Violent Femmes licensed the use of "Blister in the Sun" for a Wendy's commercial. Some have remarked that it is strange considering both Gordon and Brian are vegetarian. A writer at onmilwaukee.com blogged about the use, and got a response from Brian. He said:
"For the fans who rightfully are complaining about the Wendy's burger advertisement featuring Blister in the Sun, Gordon Gano is the publisher of the song and Warners is the record company. When they agree to use it there's nothing the rest of the band can do about it, because we don't own the song or the recording. That's showbiz. Therefore when you see dubious or in this case disgusting uses of our music you can thank the greed, insensitivity and poor taste of Gordon Gano, it is his karma that he lost his songwriting ability many years ago, probably due to his own lack of self-respect as his willingness to prostitute our songs demonstrates. Neither Gordon (vegetarian) nor me (gourmet) eat garbage like Wendy's burgers. I can't endorse them because I disagree with corporate food on culinary, political, health, economic and environmental grounds. However I see my life's work trivialized at the hands of my business partner over and over again, although I have raised my objections numerous times. As disgusted as you are I am more so."
Hmm. Do you think he's a little unhappy about it? Their website shows only one more show, on May 18th in Lyon, France.