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craft gremlin

@craftgremlin

any pronouns work, That Weird Kid (tm) I just post whatever I vibe with

I’m kinda surprised that nalbinding isn’t as popular as crochet and knitting tbh because it has an even lower barrier of entry tools wise and unlike crochet and knitting it makes fabric that you can cut.

I guess it’s because it’s slower or something.

Nalbinding aka needle binding is when you use yarn and a big sewing needle to make fabric btw

It also has a lot of different kinds of stitches you can do that make different densities of fabric.

Some people even make rugs.

I feel like part of it might be casual people are generally aware of the existence of crochet and knitting, even if they don’t know very much about either, but have never heard of nalbinding

Yeah I hadn’t heard of it until recently and I ordered a big bone needle for myself to try it out and that should be arriving soon.

I was surprised that I’d never heard of it though. It’s older than knitting and crocheting and even though it’s been done all over the world it’s super relevant to Nordic culture and my grandmother and I are both into keeping in touch with our roots a bit so I’m surprised I’ve never heard of it.

It seems like the sort of thing that would be popular even if not as popular as crocheting and knitting, considering the low barrier of entry.

You also don’t need a bunch of different sized needles for nalbinding or whatever. The size of the stitch is controlled either completely freehand or by pulling it against one of your fingers. Most people who have a lot of nalbinding needles seem to either have tried out wood, bone, and metal ones to see which kind they liked or they enjoy carving wood or bone and like making their own needles as an extra hobby.

It’s also a lot easier to freehand and adjust as you go than crochet or knitting and you mostly go by inches instead of rows and number of stitches so a large number of accessories like stitch markers or whatever isn’t really necessary.

Maybe the lack of accessories also makes it unpopular idk. People do like collecting things in their nests.

I've been wanting to do so, I cannot find anyone who can teach me, and any books I can find on it are Ass in the Visual Learning department. Otherwise I'd be making the hell outta some nalbinded fabric

I thought this would be kind of a niche post to make but I was quickly reminded that I’m on tumblr, the website full of gay people with one billion hobbies.

Ooohhhh new [old] craft? New craft to learn about for CraftGremlin? Ooohhhhhhh ✨️🤩✨️

it's definitely my predisposition to extreme frugality+redneck engineering, but i'm now obsessed with creating things literally without buying Anything. no supplies no tools no nothing, only the stuff you can just find outside, like Plants, Sticks, and Rocks.

I'm making textiles with nothing but foraged plant materials using no tools except sticks. Nature allows you to do this! There's no rules! I mean okay well maybe there might be some rules sometimes but they're just weak human rules! The plants themselves? They're like "Why sure! You can make yarn with nothing but fibers from the dead stem I don't need anymore, a couple sticks from that tree over there, and your own body and mind! Why not?"

Plants like to give us gifts! And nobody has the power to stop them!

Once you know the ways of the plants, the ways of our capitalist society become silly and hard to understand, sometimes even instilling you with a sense of dread.

I was looking at the textile books in the library to try to learn about plants you can make textiles from. I was shocked to discover how incurious most books are about the origin of the very matter from which textiles are made!

For one thing, there were whole shelves of books on how to weave, how to knit, and how to quilt, but barely a single complete volume on how to create yarn or thread to begin with.

Of the books that did cover how the yarn is created, many of them discussed only wool, and those books didn't concern themselves with how to get the wool off the sheep, or how to find such an organism and enter a mutualistic partnership with it in the first place...

If you know the ways of the plants, you will be almost offended when a book about how to make a thing, starting from the beginning of that thing, tells you immediately to buy something. You don't mean "one or two steps further back in the process of a thing being assembled"—you mean the BEGINNING beginning. You seek to learn how the thing is born from the living Earth, not where to buy a Product in a less assembled form.

Where do Products come from...?...According to the capitalist, consumerist way, they come from other, simpler Products of course, which ultimately are born from Industries. I found a book or two which made some attempt to give a more exhaustive list of possible textile materials, with sub-section for plants, which included: Flax, Cotton, Hemp, Jute, Ramie, and some allusion to other possibilities such as Nettle. This of course is a list of plant fibers for which a Huge Industry exists. Regarding plant fibers for which there is no huge industry, the books either said nothing or said something like "...but sadly, there is no huge industry based upon these plants (so they are not worth talking about any more)"

I found a few cryptic statements saying that the range of plants that could be used for textile purposes is theoretically limitless...but none of the books were interested at all in those theoretically limitless plants.

It's not that only those few plants are really good for textiles and the other ones are inferior, either. I have learned from my delves into the Internet, that many plants now considered totally useless to humans and not investigated for their potential applications at all...have actually been used by some human culture on Earth for thousands of years as a fundamental part of everyday life.

Native Americans for thousands of years utilized plants native to this region for textiles. These ones are among the plants I have been gathering; they are plants that naturally grow here and can be harvested sustainably, in fact in many cases they benefit from being harvested.

Apocyonum cannabinum, also known as Dogbane, is essentially a North American analog to hemp or flax; you extract the bast fiber from the stem by beating it until the woody part breaks into pieces and falls out and the outer bark flakes off. This plant is native to all U.S. states except Alaska and Hawaii and I reckon that's because of its importance as a textile plant.

I've collected big bundles of the stuff by picking over fields that have been mowed already by a brush cutter; it's so easy, because the fibers are so strong that they are not broken by the brush cutter. Instead, I find mats and bundles of fiber 1-2 feet long stretched out over the ground or trailing from the stubs of stems, often with the woody parts and outer bark already beaten out by the mowing. Simply mowing a field where dogbane grows essentially pre-processes the fiber so your work is half done for you.

It is amazing to me that a person can see how the fibers do that if you mow the plants in the fall, and not immediately think, "We should be making string or rope out of that." Early colonial texts call this plant "Indian hemp" and say it is superior to actual hemp. Likewise what few resources I can find on Native American textile plants, list dogbane as one of the main ones.

So I gather the dogbane. It is astonishingly strong, fragrant when you handle it, and beating the fibers is loads of fun, just a great way to blow off steam. The fibers range in color from almost pearly white to cream to peach to beautiful shades of orange and copper, and have a lovely sheen to them.

After I've beaten the fibers and gotten them to mostly separate I tease them out with my fingers and scrape out all the remaining little bits of bark, and pull them through a plastic comb until the soft and lustrous fibers are separated and all that's left is some nubby bits of lint.

The last picture is what it looks like after combing and cleaning. The color looks more washed-out than it is for real because of my white lamp.

These fibers weren't quite as well-processed so the end result was kind of rough and scraggly, but I experimented by making some string:

All I used to spin it was a stick with a notch in the top so I could twist with my fingers, holding the other end of the stick steady and pulling the strand back towards myself. Whenever I finished a little more I would just loop it over the bend in the top of the stick and keep going.

The other fiber I've been experimenting with is milkweed seed fluff. This one is an interesting one because it was the first material I became interested in spinning, and the first I experimented with to the point of making a yarn. It took a long time to figure it out, I have quite a bit of single-strand seed fluff yarn now, and intend to spin this into a three-ply yarn to make it strong.

I was so happy! My first yarn! Spun with nothing but a stick. It's delicate but it holds together and handles being unwound and rewound just fine, and I think making a 2 or 3 ply yarn would make it pretty workable.

So imagine my surprise when I begin reading about textile arts and the possible uses of the plants i'm working with, and learn that spinning milkweed seed fluff is impossible?

Milkweed bast fiber has been used, like the dogbane bast fiber, but according to the internet, spinning the seed fluffs into yarn is something that cannot be done, because they are too short, smooth, and fragile. Many have tried! It doesn't work!

That was news to me.

As I read more about spinning the more conventional plant fibers, though, I consider what a deep knowledge humankind has cultivated of the ways of wool and flax and cotton, and think...is my total lack of knowledge about spinning yarn, the reason I was able to spin the milkweed fluffs?

Normal people would have armed themselves with the proper tools for undertaking a new activity, but I didn't even bother to look up what I was doing, because MacGyvering cool stuff out of materials from nature you can find anywhere outside is basically half my personality at this point, and makes me feel unreasonably powerful. As a result, I made a technological approach to spinning yarn that was designed specially for the challenges of spinning milkweed seed fluffs, and only later realized that 1) this is not a normal way to spin yarn and 2) i'm not supposed to be able to spin this stuff at all.

And it's because I came at it backwards. Instead of trying to use existing technology to spin milkweed fluffs, I became determined to spin milkweed fluffs and developed my technique based on what would work to do that, without any knowledge of what I was "supposed" to be doing.

If I had been normal about it and thought "Hmm, I should buy the right tools to do this" or even thought "Hmm, I should start with fibers that are usually used to make clothes" this would not have happened.

I'm coming at everything backwards: instead of "Where can I purchase Thing I Want To Work With?" it's "What does Nature provide, and what cool stuff can I do with it?"

I didn't even set out to work with textile materials. It's just that the plants kept giving me textile materials. This hobby absolutely snuck up on me out of nowhere this was not my idea

People have had success blending milkweed fluffs with other stuff, so I'm going to try to blend it with the dogbane next! I am fully going to go all the way and make like clothes or bags or blankets out of this stuff. There is no turning back for me, the euphoria of creation and the profound wisdom of the plants have inflicted a fascination with my task.

What's the staple length of that milkweed please? I am fascinated by it.

You mean like the length of the individual fibers? They're like an inch on average, the biggest seed pods have fluffs a little longer.

Basically the reason it works, I think, is that I'm twisting the strand with my fingers, pulling back toward my body and using the other end of the stick as an anchor point/leverage. There is something about the warmth and moisture of touching the fibers so much that makes them want to bind together more.

There is a lot of twist to the yarn, but it's not a problem, in fact if you twist until it kinks up, you can just...mash the kinked part between your fingers really hard and it'll flatten out and you can keep going. The fiber is springy and pliable in a way that lets you do things like that with it.

Where a lot of people messed up was they tried to card it. All you need to do is spend some time gently pulling the fibers between your fingers to separate the individual fibers in each "tuft" that attaches to a single seed. If you're too rough with it, the fibers will just break and that's not good. But you do kinda have to play with it in your hands? I don't know if it's the oils in your hands or what, but touching it a lot makes them want to mold together to each other more.

I can really see how this material is totally different than anything else you could spin in many ways.

Top: Dogbane bast fiber

Bottom: Dogbane bast/Milkweed floss blend

On a different note I went thru mom and dads closet to find really old clothes to practice sewing and embroidery on, and I am so mad!!!!! at how much more sturdy and robust clothes from the 1990's are compared to today.

I am just staring in fascination at these clothes from a few decades ago like "Wow they are so strong and sturdy...the fabric is such high quality...." What HAPPENED?

If you live in the US SE, try kudzu. It works like flaz & dogbane.

....Holy fuck this is awesome to read about and if OP has any resources on learning about how to spin your own thread (hell I'd take youtube videos if there arent books)

I love sustainable crafting and avoiding the capitalist system. Clothes nowadays are made so flimsy and its often joked that once you get into textile arts of any kind (especially sewing/making your own clothes) you end up wanting to learn and find more and more until you're spinning your own thread.

Honestly if I found books or classes or had friends irl that knew this stuff I'd definitely have gotten into making your own yarn/thread.

Curious how thin you could make it? Looks like what OP has made is good for crochet/knitting, but less so for sewing. (I could be wrong feel free to correct me).

......Dammit now I wanna look into natural dyes and shit too (most of those came out pale as hell, and I bet you could get some really neat colors to bind to it easily)

True Statement: "When you have a hammer, everything looks like a nail."

Truer Statement: "When you mixed too much two-part epoxy that's rapidly setting and you have 300 blank pin backs burning a hole in your craft drawer, everything in your house looks like it might make a cool pin."

What I Set Out to Make:

What I Made Once I Had Elected Myself Mayor of Glue York City:

i have a new business card for you to pass around

These are rad as hell

Also hell yeah The Shitpost Calligrapher is here!

Remember "Reduce, Reuse, Recycle" ? I feel like there's been a distancing from the "reduce" and "reuse" part and a favoritism towards "recycle" by corporate American.

Capitalism can still thrive with recycling in the mix. You buy Plastic Thing 1, throw it away after one use, and they take that and recycle it into Plastic Thing 2 and sell it back to you. All while continuing to harm the environment.

Reusing puts a damper on things. They can't sell you Plastic Thing 2 when you're still using Plastic Thing 1. Plastic forks, for example- there is literally no reason why you can't reuse plastic forks more than once (aside from maybe microplastics, but it's too late for that)

Reducing is the one everyone wants to ignore. Just don't buy Plastic Thing 1. You don't need Plastic Thing 1. Pick up a set of metal forks and use those for years. Convenience is killing the planet

the slogan is in that order for a reason! It is listed in order of effectiveness and impact; if you can't reduce, reuse. If you can't reuse, recycle.

  1. Refuse what you don’t need
  2. Reduce what you can
  3. Reuse everything still in working order
  4. Recirculate what you don’t need by sharing or selling onward
  5. Refurbish what’s fallen out of good condition so it lasts longer
  6. Repair what’s broken altogether
  7. Repurpose what can’t serve its original function
  8. Recycle what is unsuitable for repurposing

What goes unsaid here is why they’re all “re-“ prefixed: it’s about circularity. Keeping the resources in use means that we don’t have to keep incurring the environmental costs of production over and over on infinite one-way trips of new stuff starting in the earth, through human society, and right back into the earth in landfill.

Tbh this kinda thinking is big in some of my favorite crafting groups online. Like I love shit like visible mending and looking at aesthetic repairs on furniture and junk journaling and using trash for art projects, crafting supplies exchanges.....the artistic and crafty communities I've seen really embrace this mentality and I'm so delighted when these groups/movements gain popularity and traction

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“What’s the most impressive and stressful thing you’ve seen?”

Me:

The carpenter in me is SO STRESSED but the "person who works in entertainment" is SO DELIGHTED

(Damn those are some good practical effects and I am willing to bet they doused that tree in so much flame retardant before putting the candles and twine in or whatever theyre using good lord)

I used my lunch break to put together this little calligraphy kit. Now back to the office! But this time I smell like wood stain and leather adhesive

This kit includes: A bone dip pen and a brass pencil (both from Samson Historical, very cool); a set of five paintbrushes; three wooden seal handles and 10 seals; a sheet of parchment paper; a beeswax votive, and a little spoon for melting wax; several wick-inside sticks of sealing wax, 9 vials of different colors of ink; 6 vials of colored sealing wax, and 4 vials containing water, matches (with a striker on the side of the vial), pen nibs, and some red wax. There's also a clip and some notecards.

I'm probably going to make a feather quill to add, if I can find a good feather that will fit. Stationery is in my thread book-- I'll reblog that also.

It occurred to me that I could hook this to a belt if I added some rings and made some belt loopies so... that's done

Goddamn that's some sexy ass stationary (good lord I'm such a nerd for that lol however my point stands)

While AO3 has a way to click to see notes at the end, this tutorial is how you can not only have your viewers click to view certain notes, but also click back to where they had been reading before. We don’t even need to use a workskin for this, but just an implementation of simple anchor links. So whether you have a lot of references in your work or just want to let your inner Pratchett* loose, this is how you do it.

For all my fanfic authors and ao3 buddies

As an avid devourer of fanfiction and a lover of writing as a craft I figure its a good idea to share the tutorial

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kinda wish I had taken a photo of these before, but I’ve been doing some visible mending on my clothes recently :) the fashionable distressing had turned into slightly less fashionable gaping holes lol

thought it would be fun to try and continue the tree print onto the pants themselves to make it look like they were growing out—I’m not terribly good at embroidery bc I don’t do it very often but I think it turned out well!! yay :) I left some of the frayed edges in bc I liked the look, and I’m pretty happy with that decision \o/

Absolutely stunning