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:0 oh beans

@crab--bag

The year is 1492. You are the Catholic Monarchs - both of them. Isabel and Fernando, tanto monta, monta tanto. You have just finished kicking all of the Muslim powers out of Iberia, and you’re feeling so pleased with yourselves that you expel the Jews about it. You have a problem, though - there’s this annoying Genoese moron named Christopher Columbus who keeps waving some bad math at you, insisting that the world is actually smaller than everyone thinks it is and he could totally sail to India by going west. He gets on your nerves so much that you just give him a couple of ships and send him off. He definitely won’t make it to India, but maybe he’ll find some little island and give all of your newly-unemployed hidalgos something to keep them busy. He’ll probably just starve to death in the middle of the ocean, and then he’s no longer your problem.

The year is 1519, and you are Hernán Cortés. You and all of your compatriots are stuck in the most effective way to make someone a bad person: put them in a situation where they must become incredibly wealthy and powerful incredibly fast or else they will die horribly. Transatlantic voyages are absurdly expensive. Anyone in the ‘New World’ who isn’t rich enough to afford their own army is deeply in debt, with no collateral but their own sword-arm. It is an environment that does not reward half-measures. It does not even reward full measures. It only rewards putting a brick on the gas pedal and crossing your fingers - if you kill one person then you’re a murderer, but if you kill hundreds of thousands of people then you're a paragon of glory and the Spanish crown will make statues of you.

The year is still 1519 and you are Moctezuma II, Huēyi Tlahtoāni (great ruler) of the ‘Aztec Empire,’ also known as the Triple Alliance, or the Mexica. You know a thing or two about half-measures not being rewarded, because you are in a process of rapidly expanding and consolidating a nascent Mesoamerican empire. You are quite good at your job - even before you ascended to the throne, you cultivated a reputation as a skilled warrior, a dedicated student, and a devout worshiper. Your name means something like ‘lord who frowns in anger.’ It’s a fitting name, because the process of ‘imperial expansion and consolidation’ generally involves killing lots of people. To make matters worse, some weird hairy white guys showed up out of nowhere and they keep demanding an audience with you. You try every trick in the diplomatic handbook - deferment, threats, flattery, bribes - but everything you do just seems to make them more single-mindedly focused on your destruction. Later, after you are dead, they will claim that you thought they were gods.

The year is 1545, and this whole ‘colonialism’ thing is starting to peter out. Trans-Atlantic voyages are still ruinously expensive, and the pickings are getting slimmer every day - it’s not like you can go loot Tenochtitlan a second time. You’re starting to wonder if it’s time for everyone to pack up, go home, and forget about… holy shit is that a mountain of silver? Is that an honest-to-god mountain with more silver in it than every other existing silver mine on the face of the earth combined? Yes. Some call it Potosí. Many will call it “the mountain that eats men.” In a single moment, colonialism goes from a plundering campaign for recently-unemployed soldiers to a permanent institution. The alchemists back in Prague and Vienna never learned how to turn lead into gold, but the mercenaries and taskmasters in Potosí found a much simpler equation to turn blood into silver.

The year is 1571, and the economy of the Ming dynasty doesn’t feel so good. Their experiment with paper money was a failure, to put it gently. The experiment with paper money failed horribly. It turns out when you try to have paper currency but you don’t have sophisticated counterfeit protections and there’s also a booming cottage industry of people making paper in their cottages, well, you can guess how that ends. So you’re trying to shift to a silver economy. But then you run into an even bigger problem: you don’t have enough silver. So if you start demanding taxes in silver, the price of silver will skyrocket, which means taxes will skyrocket when the economy is already ailing from the whole ‘paper money’ thing. Some hapless scholar-official in Guangdong is nervously watching a peasant sharpen his pitchfork when he gets word from a messenger: some gweilo just showed up at the part with literal shipfuls of silver and they want to buy silk, tea, spices, and porcelain at outrageous markups.

Within living memory, the world was still ‘medieval’ in many ways - slow, parochial, zero-sum, carefully arbitrated by tradition and precedent. Legible. And now Spanish sailors take Bolivian silver on ships guarded by West African mercenaries and Japanese ronin, sailing to their colony in the Philippines to rub shoulders with Chinese officials, Indian sultans, and Malay merchants. All because some dipshit from Genoa got his math wrong and wouldn’t shut up about it.

The moral of this story is that I’m going insane.

happy beat the champ monday let's all take a moment to remember this annotation on the very last line of the album

[image description: a screenshot of text, which reads:

"For every star in the night sky, there's some dumpy guy in tights getting smashed into the canvas in a town you've never heard of - but to someone out there, someday, maybe he'll be a star too.

Someday, maybe, he'll beat the champ."

end ID]

recovery horror: where the process of healing from something reveals previously unknown levels of damage

seeing a smudge on the wall and realizing it’s mildew. examining the mildew and realizing it’s black mold. peeling back the wallpaper and seeing it’s eaten the entire house. going into the basement for a flashlight and realizing it’s flooded. spending every last bit of money at your disposal on fixing all of these things, only to move the box covering the trap door that leads to the seven hundred mile obsidian tunnel that leads directly to the gates of hell.

where exactly every individual’s collapsing point is located. where they stop in that process of uncovering and why.

the conflicts that arise from knowing FULL WELL about the tunnel to the gates of hell, but you’re stuck with somebody who has only just found out about the mildew.

pretending to care about the mildew. speaking with them calmly and compassionately about how mildew is definitely a real problem that people ought to take seriously, and waiting for them to take a good hard look at what’s really crawling up the walls.

What if Buffy's mom hadn't found out about slaying at the end of season 2 and Buffy had to convince Spike to stay in town and pretend to be in a band with her because that was the cover story they'd told Joyce

And then eventually end up accidentally actually starting a band because it’s easier than maintaining the lie

Joyce says they can use the garage to rehearse and she always makes them snacks. Buffy starts to worry she'll never get Spike to leave

Buffy insists on calling the band Slayer and Spike keeps failing to convince her that there’s already a band with that name

Low key I feel like Buffy would just see it as a cover and it’s a ‘fake band’ but Spike gets like way into it and it’s a Real Band™️ to him and he’s a little annoyed Buffy doesn’t take it as seriously. He’s always like “you missed practice this Tuesday what the hell’s up with that. We have a gig next week btw”

#spike after learning Oz plays guitar: why İsn't he in the band? #buffy: he's already in his own band. which is actually a real band unlike our fake band that you keep forgetting is just a cover story #spike: we're never going to make it in the music industry if you don't stop calling our band fake

Spike (with reluctant but knowledgeable backup from Giles) finally convinces her that "Slayer" risks bringing copyright lawyers down upon their heads, a fate worse than vampires

Buffy turns around and re-names their band "Fake"

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I don’t want to hear any writing advice from Stephen king not because I think there would be no value in it but because whatever works for Stephen king is between him and god and that demon he made a pact with that lets him write 3000 words in one sitting daily.

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tbh im not entirely immune to a villain with a tragic backstory but i do think villain origins are a lot more interesting when the focus is less "here is the original sin, the first big bad thing that happened to them that made them who they are" and more "here is the first time a person who maybe otherwise felt powerless in their life realized that they could hurt someone and get away with it"

you can get a lot more mileage out of analyzing a truly abhorrent character through the lens of like. what sort of conditions would allow or even incentivize this kind of cruelty? what kind of person benefits from those conditions and how? over the more typical who hurt them type analysis. imo.