has also expressed interest

Jul. 10th, 2026 10:22 pm
musesfool: a glass of iced coffee with milk (nectar of the gods)
[personal profile] musesfool
I discovered that Stop and Shop carries the Tazo unsweetened passion tea concentrate, so I bought it and a container of Newman's Own pink lemonade, and today I mixed them over ice and it was delicious! Definitely recommended. I might even make the lemonade myself at some point, but the Newman's was on sale, so it seemed like a good deal.

I also got a box of Jiffy because I just want some damn corn muffins and nothing else I've tried has turned out well, so we'll see if it really does work.

That's my exciting Friday night. *g*

*

Challenge 521: Praise

Jul. 10th, 2026 05:08 pm
teaotter: a blonde woman sings into an old-fashioned microphone on a dark stage (Bombshell)
[personal profile] teaotter posting in [community profile] fan_flashworks
Our new challenge is:

PRAISE



As always, you can interpret the prompt literally or figuratively, in whatever way works for you.

Each work created for this challenge should be posted as a new entry to the comm. Posting starts now and continues up until the challenge ends at 4pm Pacific Time on Monday, July 20th. No sign-up required.

Mods will tag your work for fandom. When you've posted entries to three consecutive challenges, you will earn a name tag, and we'll go back and tag all your previous entries with your name, as well.

All kinds of fanworks in all fandoms are welcome. Please have a look at our guidelines before you play. If you have any questions or concerns, don't hesitate to contact a mod. And if you have any suggestions for future challenges, you can leave them in the comments of this post.

You can view stats for [community profile] fan_flashworks entries and search and filter them via the Community Report and Creator Report. See our FAQ post for more details.

Also, keep an eye out for the next [community profile] ffw_social post, which will go up in the next couple of days. If you haven't joined the [community profile] ffw_social comm, it's never too late to come and check it out. (Posts are locked, which means you have to join to see them.)

Daily Check In.

Jul. 10th, 2026 06:52 pm
adafrog: (Default)
[personal profile] adafrog posting in [community profile] fandom_checkin
This is your check-in post for today. The poll will be open from midnight Universal or Zulu Time (8pm Eastern Time) on Friday to midnight on Saturday (8pm Eastern Time).


Poll #34816 Daily poll
Open to: Access List, detailed results viewable to: Access List, participants: 8

How are you doing?

I am okay
5 (62.5%)

I am not okay, but don't need help right now
3 (37.5%)

I could use some help.
0 (0.0%)

How many other humans are you living with?

I am living single
3 (37.5%)

One other person
3 (37.5%)

More than one other person
2 (25.0%)




Please, talk about how things are going for you in the comments, ask for advice or help if you need it, or just discuss whatever you feel like.

Saturday @ 9:07 am

Jul. 11th, 2026 09:07 am
alisx: Sketch of a slightly different-looking edgy-looking smiley face. (Default)
[personal profile] alisx
Kangaroo standing in some tall grasses between a lake and a paved path.

Walked past this poor little guy, right outside the gallery (so i.e. a pretty busy walking path). Suspect he’d fallen in the lake or gotten separated from his mob in some other fashion, and was just sitting in the bushes shivering while people took photos (and also called the wildlife people to come help him).


But to anyone who’s like "do kangaroos just jump down the street in Australia?" generally no, but here specifically, yes (they are a menace).

Leave a comment.+

oldestcharm: (sebastian)
[personal profile] oldestcharm posting in [community profile] fan_flashworks
Title: Eavesdropping
Fandom: Bartimaeus & Hogwarts Legacy
Rating: G
Length: 666 words
Content notes: 
Author notes: Last minute upload if I can make it!!
Summary: Matilda Weasley overhears yet another suspicious conversation between two of her brightest students.

Eavesdropping )

Down to One a Day

Jul. 10th, 2026 05:20 pm
yourlibrarian: SamSoScrewed-no_apologies_86 (SPN-SamSoScrewed-no_apologies_86)
[personal profile] yourlibrarian
1) Signal boosting Squidgeworld's call for feedback about how to handle guest comments on the site. "Commission spammers (at least this most recent one) have been copy & pasting entire stories into ChatGPT, and then having ChatGPT formulate a question about that fic. So while a guest comment may have sounded heart-felt, if the comment ended with a, "Why do you think..." or "What inspired you to..." question, then they didn't read your story and come up with a question; AI did. And the person literally copy & pasted a ChatGPT generated question into a comment - that's how we knew.

The easiest way to deal with these type of people is to disable guest comments completely."

2) Platforms sought no age proof for any of 50 test accounts declaring age 16, researchers said. "Some dummy accounts received advertisements for youth banking products, an indication the platform registered the person's age range, Hammond said. One account which signed up to Elon Musk's X claiming to be 16 was served pornographic content, he added. None of the platforms let users sign up if they declared they were under 16. But just one, Australia-based live-streaming platform Kick, refused to let users create an account without proof of age."

3) The decline in reading cuts across age groups, gender, and education levels. "From 1984 to 2025, the percentage of 13-year-olds who said they rarely or never read for fun rose from 8 to 29 percent. Every year older a child gets, the less they like to read. Robert Townsend, a program director at the American Academy of Arts and Sciences, recently ran focus groups asking high-school students how they felt about reading for pleasure. He told me that most thought of it as an alien practice."

What I found most fascinating was this study's results: Read more... )

4) And it's not just text that video is displacing: End of an Era: Longtime Podcast Hosts Go Quiet as Video Dominates "Over the past year, various indicators of this transition have been piling up. Marc Maron ended his program after 16 years. Al Franken, an audio evangelist going back to the days of Air America in 2004, released his final episode last week, too. And many of the remaining audio-centric stars are attempting video in some fashion. (Witness Ira Glass, who is now recording promotional clips for This American Life.)"

5) France versus Morocco. Read more... )


Poll #34815 Kudos Footer-598
This poll is anonymous.
Open to: Registered Users, detailed results viewable to: All, participants: 1

Want to leave a Kudos?

View Answers

Kudos!
1 (100.0%)



[ SECRET POST #7126 ]

Jul. 10th, 2026 05:58 pm
case: (Default)
[personal profile] case posting in [community profile] fandomsecrets

⌈ Secret Post #7126 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.


01.


More! )


Notes:

Secrets Left to Post: 00 pages, 00 secrets from Secret Submission Post #1017.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

Hum 110 Adjacent Children's Books

Jul. 10th, 2026 01:23 pm
sanguinity: woodcut by M.C. Escher, "Snakes" (Default)
[personal profile] sanguinity
And while I'm wrapping up Hum 110 posting for the (academic) year, here are a bunch of topically-adjacent children's books we wandered into while reading the assigned curriculum. (To be clear, none of these were assigned: they're all things we found that are based on stuff we read in bookgroup, or drew upon art styles we studied, etc.)


Vivian Mansour (illus. Emmanuel Valtierra, trans. Carlos Rodriguez Cortez), Pilgrim Codex (2025)

Heroic account of a Mexican family who, driven from their homes by violence, cross the US-Mexico border to try to find a safer home. Re-imagined through the lens of Mesoamerican codices, the family's peril, sacrifices, and bravery are told with sympathy and pride. Alas, not everyone in the family makes it alive to the US, and some of the scenes are genuinely harrowing. Nevertheless, I'd still call this age-appropriate: given that some children have themselves survived similar events (or have classmates or playmates who did), this could be a useful text for helping children discuss and make sense of their world.


Duncan Tonatiuh, A Land of Books: Dreams of Young Mexihcah Word Painters (2022)

Story of young tlahcuiloqueh (scribes) in training, learning to paint amoxtin (books, aka codices). Illustrations draw heavily on Mesoamerican glyphs, and shows several example of completed codex-pages in progress. The more one knows about how to read Mesoamerican codices, the richer this book becomes. Glossary of Nahuatl in the back (used liberally in the text), but unfortunately does not include a guide to Mesoamerican glyphs, dating systems, or other conventions of the Mixteca writing system. I highly recommend pairing this with Gordon Whittaker's Deciphering Aztec Hieroglyphs (not a children's picture book) or similar, to get insight into everything Tonatiuh is doing here.


Duncan Tonatiuh, The Princess and the Warrior (2016)

Tonatiuh's version of the Mixteca origin story of the volcanoes Iztaccihuatl and Popocatepetl, which are visible from Tenochtitlan / Mexico City. As above, the illustrations are inspired by Mesoamerican codices, and the text is rich with Nahuatl vocabulary. As ever, I am caught by random side-characters: what became of the messenger who was bribed to betray Popoca? He lucked out that Popoca was too caught up in Itza's illness to hunt him down for revenge...


Duncan Tonatiuh, Feathered Serpent and the Five Suns (2020)

Another Mixteca origin story, this one for humanity itself. We read in bookgroup one of the sources Tonatiuh draws upon, but I didn't recognize the middle section of Tonatiuh's narrative--and the afterword suggests that the novel-to-me section was Tonatiuh's own creation, imaging that Quetzalcoatl faced the same challenges on the path to the underworld that the dead do.


Duncan Tonatiuh, Diego Rivera: His World and Ours (2011)

Introduction to the life and works of Diego Rivera, who was one of the principal artists of the Mexican government's muralism campaign of the 1920s and 30s. The art is a Mixtecan riff on Rivera's style, and alternates between Rivera's work, reimagined in Tonatiuh's style, and speculation about what archetypically Mexican subjects he might have immortalized had he been working today.



There may or may not be further posts of Hum-110-adjacent materials dribbling in as we go: there are a number of books I checked out from the library as potentially interesting, but which I didn't get to while we were reading related units. We'll see how it goes!
tozka: (travel nautical map)
[personal profile] tozka


At a time when scientific data on rising sea levels, melting ice, and ocean acidification are widely known, my role is not to repeat these figures, but to embody them, to bring them to life, to make them heard. Because understanding is no longer enough — one must feel in order to act.

This piece is an invitation to listen to a world in change. An active, committed listening that may, I hope, open the way to other narratives, to other possibilities.

Original: Haiku: late night with cats

Jul. 10th, 2026 12:30 pm
teaotter: (Default)
[personal profile] teaotter posting in [community profile] fan_flashworks
Title: late night with cats (the bathroom edition)
Content notes: none
Challenge: Ear


Summary: Why I can never pee in peace, lol.

Read more... )

Dispatch: Fanfic: Crying over Birds

Jul. 10th, 2026 06:52 pm
iserlohna: (Default)
[personal profile] iserlohna posting in [community profile] fan_flashworks
Title: Crying over Birds
Fandom: Dispatch
Rating: PG-13
Length: ~670
Content notes: people talking after sex and naked in bed
Author notes: ignores the explanation given ins the comic series

Summary: Courtney wants to know why Robert has the clipped ear


Crying over Birds )
sanguinity: woodcut by M.C. Escher, "Snakes" (Default)
[personal profile] sanguinity
I've been in remiss in logging our Hum 110 reading/viewing for the second half of the year! As previously mentioned, we centered our studies on Mexico City this last year. The material blogged here runs from the seventeeth century through the near-present, and took us half of an academic year to cover.

Sor Juana Ines de la Cruz (trans. Margaret Sayers Peden), Poems, Protest, and a Dream, (late seventeenth century / 1997)

This was a fascinating collection of works. Sor Juana was both a courtier and a nun (at different times), and this collection samples both eras: at the one end we have secular diss poems and show-off pieces composed for competitions, while the other end includes a virtuoso defense of scholarship by female clerics and education for women. (The defense is the titular "Protest", which is a politically complex work in which Sor Juana responds to a rebuke by a church official who himself took on a female pseudonym for the purpose of chastising Sor Juana. Sor Juana then proceeded to play a "tee-hee, we're all just girls here" card while absolutely eviscerating the man -- while keeping up her own pretense of subjecting herself to church authority.) There's also a complex interplay between new world and old world symbols and signifiers in these works, which reflected tensions over whether New Spain or the Iberian Peninsula was the true center of the empire. Also, shoutout to the lesbian poem: we were very pleased to see it.

III: One of Five Burlesque Sonnets )

Spanish and English on facing pages, for the convenience of the multilingual.


H.N. Branch (trans), The Mexican Constitution of 1917 compared with the Mexican Constitution of 1857

We leapt from the seventeenth century to the nineteenth and twentieth century, which was an unbelievable degree of whiplash: I had soooooooo many Britannica tabs open, trying to figure out what was going on with the century-plus of revolutions, counter-revolutions, deposings, assassinations, the Mexican-American war, and oh yes, the brief installation of an emperor again (by France, when the US was too busy with its own Civil War to meddle).

Discussion this month was mostly trying to get a grasp on the history and the problem of cultivating a stable government. But we also had a lot of admiration for the 1917 Mexican Constitution, which was extremely forward thinking in terms of labor rights, up to and including things like worker safety, union protections, and paid pregnancy leaves. (The seething envy in the room could be cut with a knife!) Surprisingly to us, the 1917 Constitution was also strongly anti-Catholic, seizing Church property and mandating secular (and universal!) education. (The weakening of the Church's power led to a few more years of revolution, of course, as pro-Catholic forces objected to that part of the Constitution.)


Mexican Murals: Diego, Orozco, and Sisquieros (1920s-30s) (online gallery)
David Alfaro Siqueiros, Diego Rivera, and Xavier Guerrero, "Manifesto of the Syndication of Technical Workers, Painters, and Sculptors," (1923-1924)

Cool art! Also, interesting things to discuss re auteur's vision vs. government propaganda; the radically ethno-nationalistic and peasant-centric vision of Mexico (vs. the context of European-trained artists who had been working in the U.S. for a living, and all painted on urban buildings, not so easily accessible to the rural peasantry); and murals as a public form of art (in contrast to easel painting).


Los Olvidados | The Forgotten Ones | The Young and the Damned (1950, dir. Luis Buñuel)
Cesare Zavattini, "Some ideas on the Cinema" (1953)

Realist film about life in the economic/criminal underclass of Mexico City. The original cut of the film depicts the inescapability of the circle of violence, but that ending played badly to test audiences, so a second, "happy" ending was filmed, in which the child protagonist slays his abuser (instead of being slayed by him), and returns to reform school. (Yay?)

discussion )

All that said, I kinda enjoyed... maybe not watching the film, but having watched it? There was a lot of toothy chewy shit going on in and around the film, and it was satisfying to discuss, at a number of different levels.

Available on youtube with English subtitles, if you're interested.


José Emilio Pacheco (trans. Katharine Silver), Battles in the Desert (1980)

Novella of a man's remembrances of a specific year of his childhood, when he fell in love with his best friend's mother, and her ultimate erasure from (apparently) all memory and record but his own.

A LOT going on )

We discussed this one to death and came to no agreement on it, but I can say it was one of the most enthusiastically discussed works of the unit.


Elena Poniatowska (trans. Helen R. Lane), Massacre in Mexico (1971 / trans. 1975)

content warning for state violence, including massacre, imprisonment, and torture )

It's a powerhouse of the book, although most in my book group did not read it, or only read sections of it, because of the violence it relates. I found that frustrating, for in addition to discussion of the content, there's also ample opportunity to discuss the format of the book: how does one take reams of interviews and publicize their content, especially before one could dump a massive file of sources on the internet? How does one handle the vagaries of eyewitness accounts, the multiplicity of viewpoints, the uncertainty of memory, and conflicting testimonies? How does one do all this under a hostile government, that would much rather see your book suppressed than published? I'm a little reluctant to call this book my favorite of the course, given how challenging its content was, and yet it was definitely the one I found most rewarding, both to read and to discuss. Excellent choice for capstone of the Mexico City unit!

Building Our Future Together

Jul. 10th, 2026 03:00 pm
[syndicated profile] eff_feed

Posted by Nicole Ozer

In my first weeks as Executive Director of EFF, I’ve been reminded every day how consequential this moment is in determining what kind of future we will have.

We are on the edge. What each one of us steps up to do – with our expertise, energy, and resources – will determine whether our future is one of openness, security, and fundamental rights, or one controlled through fear, surveillance, and centralized power.

I am proud to take the torch and help lead our EFF community forward at this pivotal time in history. And we need you in the fight.

We can and must reject a false choice between innovation and civil liberties.

Right now, we are celebrating an important U.S. Supreme Court win in Chatrie v. United States that reaffirmed our right to privacy in our location data and will help curb one flank of supercharged government surveillance. But in another case, the Court overturned 90 years of precedent limiting executive power and rubber-stamped the President’s firing of FTC Commissioner Rebecca Slaughter. The U.S. government also issued a chilling directive to Anthropic to prohibit the company from allowing foreign nationals to access its newest technology – then rescinded it two weeks later. And legislation limiting access to social media is advancing in many places around the world.

Each headline is different, but they tell one story: Many of the threats that once seemed hypothetical are now reality, and EFF’s work to ensure technology supports rights, justice, freedom, and innovation for all people has never been more critical. Governments and large corporations possess surveillance capabilities that were unimaginable just a few years ago. Ever greater concentrations of power are shaping speech, creativity, markets, and democratic institutions. Governments are increasingly seeking to control the internet and people’s ability to access information and communicate freely. Our community’s work is fundamental to the future of our countries, our livelihoods, and literally our lives.

I am also mindful that the United States marked its 250th anniversary last week and that this week is EFF’s 36th birthday. Anniversaries, like leadership changes, naturally invite reflection on where we are in history and challenge us to look ahead. What does it mean for a democracy, founded in an analog age, to survive in the digital world?

It is also an opportunity to ask how our EFF community can be even stronger, so we can help bring more people into the work of making sure technology serves everyone.

I began my career in public-interest work in Silicon Valley at the height of the 1990s dotcom boom, working at some of the earliest nonprofit “digital divide” programs that provided community access to computers and the internet, because I have always believed in the power of technology to create greater opportunity for all, not just profit for a few. I have dedicated my career to public interest technology because I am driven to see technology’s promise realized in my lifetime, and there is no other organization in the world that can do more to meet this moment and build a future where technology truly works for people than EFF.

These are perilous times. It is also a moment of extraordinary possibility. The future of AI has not been written and we can work together to get it right. We can make sure our laws reflect the needs of the modern digital age. We can build the technologies that empower rather than marginalize communities.

The future we want and need will be built by people and movements working together to ensure technology empowers rather than oppresses.

For me, the work starts with recognizing that digital rights are not a siloed policy issue. We must fight and win on the digital terrain to organize, speak freely, access healthcare, find work, receive an education, and participate fully in democracy. We can and must reject a false choice between innovation and civil liberties, and build power across movements to make sure technology truly works for people.

This challenge is what EFF was purpose-built to tackle. When EFF was founded in 1990, the World Wide Web did not yet exist, cell phones were the size of bricks, and EFF’s founders understood something remarkably prescient: Technology and civil liberties would become inseparable.

Now we all live digital lives, and the important digital rights issues that EFF has worked on since 1990 have become kitchen-table issues all around the world. EFF’s founders understood that how technology is built, developed, used, and controlled deeply intersects with rights, justice, freedom, and democracy.

EFF’s unique combination of world-class lawyers, activists, and public interest technologists pursue change simultaneously in the courts, legislatures, companies, and our communities, and pierce through false choices. This integrated, intersectional approach, grounded in deep legal, policy, and technical expertise, is a linchpin in fighting and winning against some of the most powerful forces in the world – both governments and trillion-dollar companies.

We defend people against unlawful government data collection and challenge license plate and face surveillance in our communities. We shape AI law and policy to protect civil liberties and support creativity and innovation. We push companies to strengthen encryption, fight to ensure you have the right to own what you buy, and build public interest technologies like Privacy Badger and Certbot that millions of people rely on every day.

This work matters because it all answers the same question: Will technology empower or control us?

As I look ahead, there are major battles on the horizon. We must:

  • Challenge increasingly sophisticated government and corporate surveillance systems that endanger our rights, democracy, safety and security
  • Preserve strong encryption and online anonymity
  • Ensure AI is developed and used in ways that respect fundamental rights and works for those who build it, use it, and are affected by it
  • Confront the concentrations of power that limit access to new creativity and defend the rights of developers to build and innovate

To meet these challenges, we must not only utilize the powerful levers of successful litigation, smart policy interventions, and effective public interest technology tools. We must also build a broader movement that recognizes that fights on the digital terrain are integral to all our fights for rights and justice – from civil rights and immigrants’ rights to reproductive rights, disability rights, LGBTQ+ rights, workers' rights, economic justice, and more. Together, our EFF community can help broaden the public conversation about technology's role in society and continue building the collective power necessary to shape the future rather than react to it.

I have hit the ground running, working with EFF’s exceptional staff and Board and starting to meet many of you in the broader EFF community. Every conversation has reinforced my confidence that our community is uniquely prepared for the work ahead. I’m looking forward to meeting more of you at my first EFFecting Change livestream on August 12 with Cory Doctorow, and hope this conversation is just the beginning of finding new ways to work together. Please stay tuned for additional in-person events with me around the country this fall.

As we celebrate EFF's birthday, I am energized by all the opportunities ahead for us to build on EFF’s strong foundation and make it even mightier. And we need you and others in the fight. Please renew your membership, become a recurring monthly supporter, and introduce someone new to EFF by snagging them a gift membership.

Everything we accomplish—every lawsuit, every policy victory, every public interest technology tool, every campaign—is possible because people like you are committed to ensuring technology strengthens freedom, privacy, creativity, and opportunity for everyone.

The future we want and need will be built by people and movements working together to ensure technology empowers rather than oppresses.

Let’s build that future together.

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